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I am inclined to agree with Karlomans observations concerning the credibility of the story. Make believe is a strange art, isn't it? Lying the truth. I don't mind the absence of the regional dialect it would rather be a preposterous thing although Flemish drama is invaded by regional speech (Antwerp dialect) which gives it immediately a hideous smell of 'soap'. I feel we once and again failed an opportunity to make the real thing, something larger than life ( which is of course the nature of drama). I fear Katarakt wont have a second chance to make a first impression.... It is not only a question of talent, which we have in stock, but a strive for quality.
Katarakt is one of the best series that Flanders had to offer the last years; actors are talented and the story is very good. Katarakt shows 2 years (Each episodes = two months) out of the life of Elizabeth Donckers and her family. Elizabeth has a difficult relationship with her father and has nightmares from the past. She has 2 brothers; 1 is a doctor and the other one is mentally disabled (played by a very good actor !). Elizabeth was a professor at university but is not happy and decides to go into the fruit business with her family in law. She is a stubborn woman who knows what she wants and always wants it her way.
Katarakt is very popular in Flanders and watched by many people. The series shows how life in Flanders (Limburg) really is; the landscape, the fruit industry, the fair, the people,...
The very negative comment from scaevola7@gmail.com surprises me a bit, but there are in every country negative people who feel the need to express their bitterness.
Katarakt is very popular in Flanders and watched by many people. The series shows how life in Flanders (Limburg) really is; the landscape, the fruit industry, the fair, the people,...
The very negative comment from scaevola7@gmail.com surprises me a bit, but there are in every country negative people who feel the need to express their bitterness.
Katarakt has been aired for 10 weeks now. Though interesting at first, improbabilities being added up every week make the story less and less thought-provoking. As happens often in Flemish TV-productions, directing and acting are a job very well done, but the scenario totally ruins the series. There's too little coherence between episodes, interesting story lines stay too superficial and are abandoned without a clear reason. Every episode something terrible happens to Elizabeth Donckers or her direct environment, but as a resolute fruit company manager she deals with it her way. The nature of her misfortunes are of a diversity as wide as can be, and are ridiculous at times. In one year, her husband has an affair, her father appears not to be her biological father, he dies of cancer, her son quits school, her retarded brother's deviation appears to be her fault, she gets caught using illegal chemicals for their fruit company, her husband commits suicide as a result of that, she's the victim of fraud, her brother-in-law appears to be infertile.. Does a series really needs all this to make us hang on there for 13 weeks? Wouldn't it be better off with some stronger characters, whose actions and experiences are comprehensible by their motivations in life instead of a result of a lazy writer?
I have been watching every episode until now, but I think I've had just enough of it..
I have been watching every episode until now, but I think I've had just enough of it..
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