Coeurs perdus

"Lonely Hearts" tells us the real story of the "Lonely Hearts KIllers", the couple Martha Beck and Raymond Martinez (played by Salma Hayek and Jared Leto) and the police investigation conducted by an obstinate detective (John Travolta) recently traumatized with the unexplainable suicide of his wife. The couple's "name" came from the scam they practiced against lonely women who wanted to engage in a relationship with a man through adds on newspaper's personal columns.

Looks like 2006 was the year to rediscover the film noir. This came out on the same year as Brian De Palma's "Black Dahlia" but attracted less attention. With justice, that was a better film. "Lonely Hearts" presents a good story that pays some small reflection on people who were looking for something good, tried of everything to have a relationship but failed at that, being tricked into the unknown, letting themselves get fooled by looks and charm, and it's also a story about serial killers who take advantage of such situation to simply steal money and take away lives. It sounds very contemporary the small appeal the movie has, just think bigger how this plot would be treated today with the internet and new ways to meet people. We would have what we're get used to see in the news.

Being "accomplices" of the couple in their spree of killing is interesting, wild, an exquisite relationship they have with each other (ironically, Raymond always make the con alone and he was about to try on Martha, who noticed it and started to help him); the background story for Travolta's character sometimes work, other times doesn't involve us at all, the investigation when made right works fine with some thrilling scenes. But the majority of scenes here is constantly showing the lack of cooperation between the detectives played by James Gandolfini (and his annoying voice-over) and Scott Caan. Why we're forced to watch them fight and play like kids all the time, what's the point?

The acting deserves some credit, specially for Leto playing a character that rare young actors would like to play, sacrificing his good looks to appear less beautiful to the camera with a hair piece to hide his slightly baldness. He's a weak fella, someone who at first only wanted to get money from his victims to later be seduced by this woman who'll boss around him to make anything for her, including the murders of the worst kind. Hayek is a little over-the-top but she knows how to leave a good impression anyhow. Laura Dern is very good in the ungrateful role of the female detective who takes interest on poor Travolta, always trying to be more than just an affair.

For the most part, characters and the movie sink little by little into a dark corner, too much predictable but somehow it manages to not disappoint. Compared with "Black Dahlia" since both are film noir updates of the 21st century it fails for not being more clever, more intriguing. Clearly, De Palma had to imagine many unbelievable devices to present the story but at least it was great. Here, even if the story is very close to the truth, and the fact of the director being related to the main character doesn't count much. To quote Kubrick: "It is real but it's not interesting". 6/10

"You know what they say about cops and donuts" quips Salma Hayek's character Martha Beck to James Gandolfini in the movie Lonely Hearts, "they're only good when they have a hole in them." This, coupled with Gandolfini's retort "funny, they say the same thing about women", captures the essence of the Chandler-esquire dialog that peppers this true crime homage to film noir.

The movie tells the story of Raymond Fernandez (Jared Leto) and Martha Beck who carved out their own chapter in the annals of crime history during the 1940s as the Lonely Hearts Killers. Together, Fernandez and Beck ran a con game using personal ads to seek out wealthy widows and single women with money. Fernandez would engage in correspondence with the women, eventually meeting them and gaining their trust as well as access to their money. Beck, would accompany him posing has his sister, helping Fernandez gain the trust of their victims, whom the two murdered after they'd drained their bank accounts. At the time of their capture, the body count they'd racked up was estimated at between 12 and 20.

Directed by Todd Robinson, the grandson of detective Elmer Robinson (played by John Travolta), the story alternates between that of Fernandez and Beck, and pursuing detectives Robinson and Hildebrandt (Gandolfini), with Gandolfini handling the connecting voice-over narration in traditional film noire patter.

Although some details are condensed for narrative purposes, the story largely sticks to the facts of the couple's actual murder spree, the only glaring discrepancy being the casting of Hayek as Beck, who in reality was a rotund, unattractive, battleaxe of a woman who maintained Fernandez's loyalty by granting his every sexual wish. The producers can be forgiven for opting to cast Hayek instead of a more credible Rosie O'Donnell type, however, as Hayek brings more than mere eye-candy to her role. She plays a sadistic, manipulative, cold-blooded murderer to the hilt, and practically serves as the driving engine for the film's story.

With a crackerjack cast of Travolta, Gandolfini, Hayek, Leto and Laura Dern (as Robinson's love interest) all bringing their A-game, coupled with a smartly written screenplay, snappy dialog, good pacing, excellent cinematography and direction, the only oddity about this film is that it was relegated to limited theatrical release, largely playing a few festivals before being relegated to DVD. Unlike the case it is based on, this is one crime that probably will remain unsolved.

In the late 40s, Raymond Fernandez (Jared Leto) is a hustler who cons rich women. He meets damaged Martha Beck (Salma Hayek). They become the notorious "Lonely Hearts Killers" who rob lonely widows using personal ads and then kill them. Robinson (John Travolta) and Hildebrandt (James Gandolfini) are homicide detectives. The killers eventually confess to twelve murders in total.

The cast is first rate. There is enough production value. However, writer/director Todd Robinson fails to generate any intensity for me. I think the most compelling characters are Fernandez and Beck. I would have like them to lead. Travolta and Gandolfini are great actors but I'm not fascinated by their characters. Following both sets of characters simply divides the attention of the audience.

two detectives, 'buster'Elmer C. Robinson (travolta) and Charles Hildebrandt (gandolfini) hunt two killers Martha Beck and Raymond Fernandez played by salma hayek and jared leto.

basically the story is of two policemen chasing after two killers who, by posing as a single man and sister, enlist in finding their victims through the lonely hearts columns within newspapers and magazines.

on the acting side we'll start with the policemen first, travolta as essentially the lead cop in this movie is a somewhat torn man in his duty as a cop and in the loss of his wife, travolta soon finds a new lease,to speak of, by trying to capture the two killers, he is helped in this matter by gandolfini as his straight thinking,talking friend, but though the acting between the two is of an OK standing (gandolfini coming off stronger) the pairing doesn't come off as one would hope and it is slightly stale, more so within their dialog together.

the hunted pair,hayek and leto, have a better chemistry, despite what many have seen of hayek in this film, being wooden and poorly acted out, i'd give her a little more credit than the naysayers, mainly because the person she is portraying is of that type of person, soulless and wholeheartedly callous. her dominance shows through in her interpretation of a jealous and highly possessive person. but the real star who shines in this movie is leto, from his smile right down to the unsteadiness of his actions, movements,gestures are perfect and really shows us what his is capable of, could well be we are witnessing him in his prime, his ending is very well shot (credit to the director there, Todd Robinson).

a long and somewhat violent film, yet it leaves enough subject for conversation and reply value. in terms of what director robinson has achieve,well thats not much, mainly a wasted cast on a somewhat unfair choice in director (The director's grandfather was Elmer C. Robinson, the cop who investigated the Lonely Hearts murders). but still a film to watch.

Within two minutes of starting this movie it became clear that it was very well put together. Excellent cinematography and costume design.

I'm not sure exactly what it was that disappointed me so much. It could have been the lack of drama. I didn't feel like the plot escaladed to a climax. I understand that this is based on a true story, but it certainly could have been done in a more dramatic way; especially during certain parts of the chase.

The acting was excellent on all parts. In agreement with everyone else, Salma Hayek was a stand-out. However, I feel that Jared Leto (who plays Ray Fernandez) was miss-cast. I think that's the part that prevented me from enjoying this movie the most. I was excited to see this because I am a HUGE Jared Leto fan, and I've always loved the films he's been in, and he's always become one with his character (e.g. his role as Harry Goldfarb in Requiem for a Dream). Although his acting was excellent as always, I just couldn't buy it. As I watched his character evolve I felt more and more conflicted between the good-hearted vulnerability I felt from him (perhaps as a result of watching countless interviews of him), and the bad-hearted almost monster-like character he was meant to be portraying. I just couldn't buy him as a sleaze-bag . In Chapter 27 he portrayed a psychotic man so well you forgot it was Jared right from the get-go, so I know it wasn't his acting that got in the way.

On top of that, I felt that Leto and Hayek didn't make a good on-screen couple. He seemed small in comparison to her. This was a couple that worked together to lure in rich folks; I wanted them to seduce me. Instead I was repelled by them, even in the scenes where they are "sucking in" new prey. I felt that they looked, and even acted, awkward together.

In summary, heightened drama and a more befitting Ray Fernandez would have made this an excellent film.