Based on the true story, two homicide detectives track Martha Beck and Raymond Martinez Fernandez, a murderous pair known as the "Lonely Hearts Killers" who lured their victims through the p... Read allBased on the true story, two homicide detectives track Martha Beck and Raymond Martinez Fernandez, a murderous pair known as the "Lonely Hearts Killers" who lured their victims through the personals.Based on the true story, two homicide detectives track Martha Beck and Raymond Martinez Fernandez, a murderous pair known as the "Lonely Hearts Killers" who lured their victims through the personals.
- Awards
- 1 nomination total
- Det. Tooley
- (as Andrew Wheeler)
- Director
- Writer
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Featured reviews
A steady, interesting, colorful crime movie packed with both great old tropes from the film noir days and lots of familiar tricks. Amazingly, it's based on a true story from post-war America that goes way way way beyond the slimmed up version here.
The result is good, yes, but never mesmerizing, never a complete surprise, and never up to the potential of the either the source material or the talented cast. The very dependence of well known formulas for a kind of classic look and feel is what holds it back, because we know those formulas so well. The one aspect to the movie that is forcibly modern is the one that feels so forced it's almost pandering to a contemporary audience--lots of open swearing and sexual references in a manner not really "right" for a 1951 America.
Several lead actors are terrific. Salma Hayek, once she arrives, is an edgy bad girl, a woman with little moral code and a comfort level with blood and manipulation that makes an old school femme fatale look like schoolroom stuff. Her bad boy companion, Jared Leto, at first comes off as a Robert Downey Jr. wannabe, but he gradually hardens up his edges and by the end is pretty believable as a cocksure murderous idiot. The two cops, John Travolta and James Gandolfini, are a great pair, the one restrained and more in tune with the criminals, the other the sidekick with a good heart. (They might be modeled after, say, Glenn Ford and William Bendix, as two 1951 actors who could have pulled off the same roles with more conviction.)
The filming, the editing, the pace, the sets, the old cars, the interior and exterior location shoots, all of the nuts and bolts are in place here for a good movie. (Of these, the photography is the most routine, partly because of how it's directed, as in the last scene when the cops swarm the house--it could have been really exciting.) But overall it's the script--the script, not the story--that holds it all back. The parallel plots of the two criminals in their love affair crime spree and the cops on their trail is clear and fine, but unrevealing. The events happen, and we sort of know how it will end. And it does (not to give away anything!). If you want the true facts, go to the really long but readable account at trutv.com and type in the Lonely Hearts.
As a quick and hopefully helpful movie comparison, you can look at recent films like "Road to Perdition" or "Shutter Island" and see how a period piece film can brim with originality and better filming. A movie comes closer to this kind of familiar quality, based on older classic Hollywood models, is "Public Enemies" with Johnny Depp, though that one had some really beautiful moments in the photography. And what about that title? It is derived from the male killer's original tactic for getting money, which is given a comic treatment at the beginning of the movie--he writes to lonely women, gets them to fall in love with him, and steals their assets.
A final revealing note: the director is the grandson of the cop who led the original investigation into the crimes. That means he's really well placed emotionally, but as a director he's really incomplete. It's amazing, in fact, that he got the budget and talent he did with such a short track record. Opportunity squandered? Partially. Give it a chance.
Looks like 2006 was the year to rediscover the film noir. This came out on the same year as Brian De Palma's "Black Dahlia" but attracted less attention. With justice, that was a better film. "Lonely Hearts" presents a good story that pays some small reflection on people who were looking for something good, tried of everything to have a relationship but failed at that, being tricked into the unknown, letting themselves get fooled by looks and charm, and it's also a story about serial killers who take advantage of such situation to simply steal money and take away lives. It sounds very contemporary the small appeal the movie has, just think bigger how this plot would be treated today with the internet and new ways to meet people. We would have what we're get used to see in the news.
Being "accomplices" of the couple in their spree of killing is interesting, wild, an exquisite relationship they have with each other (ironically, Raymond always make the con alone and he was about to try on Martha, who noticed it and started to help him); the background story for Travolta's character sometimes work, other times doesn't involve us at all, the investigation when made right works fine with some thrilling scenes. But the majority of scenes here is constantly showing the lack of cooperation between the detectives played by James Gandolfini (and his annoying voice-over) and Scott Caan. Why we're forced to watch them fight and play like kids all the time, what's the point?
The acting deserves some credit, specially for Leto playing a character that rare young actors would like to play, sacrificing his good looks to appear less beautiful to the camera with a hair piece to hide his slightly baldness. He's a weak fella, someone who at first only wanted to get money from his victims to later be seduced by this woman who'll boss around him to make anything for her, including the murders of the worst kind. Hayek is a little over-the-top but she knows how to leave a good impression anyhow. Laura Dern is very good in the ungrateful role of the female detective who takes interest on poor Travolta, always trying to be more than just an affair.
For the most part, characters and the movie sink little by little into a dark corner, too much predictable but somehow it manages to not disappoint. Compared with "Black Dahlia" since both are film noir updates of the 21st century it fails for not being more clever, more intriguing. Clearly, De Palma had to imagine many unbelievable devices to present the story but at least it was great. Here, even if the story is very close to the truth, and the fact of the director being related to the main character doesn't count much. To quote Kubrick: "It is real but it's not interesting". 6/10
The latter is boring mostly due to Travolta's poor performance (he looks uninterested almost during the entire running time) and the slow pace. The scenes at the police station fail to engage. Gandolfini is stuck with a cliché while Scott Caan's character is very irritating. Laura Dern is criminally wasted The story of the two murderers is way too fictionalized (or is Hollywoodized a better word?) and way underdeveloped but it grabs the viewer's attention. Jared Leto is exceptional as Ray Fernandez. Salma Hayek is arguably miscast, physically, as she is the total opposite of the real Martha Beck, but if you're willing to let that go then her acting is terrific. Her version of Beck is alluring, manipulative, obsessive and cold blooded and she conveys all those characteristics quite naturally.
Pretty much all the characters are poorly developed. There is no background information on the killers (true accounts depict that Ray's drastic personality change may have been a result of brain injury).
Overall, 'Lonely Hearts' feels very much like an ordinary thriller. Even with a stellar cast it fails to stand out.
Did you know
- TriviaThe real Martha Beck was of a very different stature to that of actress Salma Hayek and at the time of her death weighed well over 200 lbs. On her execution day, it was discovered that she would not fit into the electric chair, so was seated on the arm rests when the fatal shock was administered.
- GoofsWhen the aircraft is shown landing at Albany, you see a runway and taxiway sign that were not in use until decades later.
- Quotes
Martha Beck: You know what they say about cops and donuts?
Charles Hilderbrandt: No, what?
Martha Beck: Neither one's any good without a hole in them.
Charles Hilderbrandt: They say that about women, too.
- SoundtracksGOT THAT FEELING
Written and Performed by Jack Trombey
Published by Rouge Music (PRS)
By Arrangement with Media Creature Music
- How long is Lonely Hearts?Powered by Alexa
Details
Box office
- Budget
- $18,000,000 (estimated)
- Gross US & Canada
- $188,565
- Opening weekend US & Canada
- $80,423
- Apr 15, 2007
- Gross worldwide
- $2,520,835
- Runtime1 hour 48 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1