IMDb RATING
7.1/10
1.5K
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This up-close and personal documentary follows seminal indie rock band the Pixies as they rehearse and prepare for their sold-out 2004 reunion tour.This up-close and personal documentary follows seminal indie rock band the Pixies as they rehearse and prepare for their sold-out 2004 reunion tour.This up-close and personal documentary follows seminal indie rock band the Pixies as they rehearse and prepare for their sold-out 2004 reunion tour.
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That somebody had no idea what. So he will scramble random footage with random concert parts and some slides. And the result is pretty much random. Now, if you are a fan, probably you already know what's in here, but you would like it because it features the people you admire. Otherwise, it's a bad idea.
This is like one of those longitudinal sociology studies. See Frank at 20 something - see Kim at 20 something - now see Frank at 41 etcetera.
It seemed like during the reunion tour and all the way through the film that no band member had any real insights about what was going on. Perhaps some things are better felt than over analyzed.
It was clear that lots of audiences really liked the reunion tour and that there is some "magic pixie dust" around the band. Even if it still seems a bit mysterious to outsiders.
Music appears to be one of the few areas where you can relaunch a (product) band if they were ahead of their time / out of sync as Pixies seemed to be first time round.
I enjoyed being able to check the phenomenon that was Pixies and see how things have changed / what might be different.
I did see someone asking why there were no obvious outside commentators (pro & con) for the band. In my view that is what wikipedia and the web are good for and some of that can go on a DVD as a side bar.
I think this film was good because it allowed us to get a glimpse into the music and the band without talking the subject to death.
It seemed like during the reunion tour and all the way through the film that no band member had any real insights about what was going on. Perhaps some things are better felt than over analyzed.
It was clear that lots of audiences really liked the reunion tour and that there is some "magic pixie dust" around the band. Even if it still seems a bit mysterious to outsiders.
Music appears to be one of the few areas where you can relaunch a (product) band if they were ahead of their time / out of sync as Pixies seemed to be first time round.
I enjoyed being able to check the phenomenon that was Pixies and see how things have changed / what might be different.
I did see someone asking why there were no obvious outside commentators (pro & con) for the band. In my view that is what wikipedia and the web are good for and some of that can go on a DVD as a side bar.
I think this film was good because it allowed us to get a glimpse into the music and the band without talking the subject to death.
Of the several ROCK-umetaries playing at this year's ROCKDOCS festival this one is undoubtedly the best. Due in part to the power of the band being profiled ("Pixies") and the expansive inside look presented by the filmmakers that details the individual member's lives inside and outside the band.
It was said about the Beatles that each musician was excellent in his own right but when the four of them gathered together something 'magic' happened. This also applies to the Pixies and their relationships to each other, as they are ironically the four most uncommunicative people in the world when sitting backstage, but put them in front of an audience and you get an eruption of music and lyrical poetry that stays with you long after the concert has ended.
Formed in 1986 by Charles Thompson (aka 'Black Francis'), the band achieved a modicum of success until in 1992 Thompson dissolved the band due to friction with co-lead singer Kim Deal (who also fronts 'The Breeders' w/ her sister). In the intervening years the band's music inspired dozens of other bands and became a cult phenomenon. Now some 12 years leader, Thompson has decided to put the Pixies back together and see if what they once had can be duplicated.
Of course, the long years between have brought about a number of changes among the members, most notably the rehabilitation of Kim Deal's alcoholic problems. Although she still drinks alcohol-'free' beers by the dozen her recollection of the Pixies concert years are a haze and now she's forced to listen to their albums to recall the parts she played. She enlists her sister Kelly to join her for the tour to segregate herself from the band and any partying on the road. Kelly also proves useful as she likes to 'interview' other band members with extremely pointed questions offering quite a bit of comic relief.
In addition to Kim, each member of the band has followed a strange road since the Pixies break-up with only Deal and Thompson able sustain solo careers in the interim. The documentary successfully brings all of their varied paths together within the framework of rehearsals, warm-up tours, and the inevitable European and USA venues with fan adulation escalating from one date to the next culminating at the Hammerstein Ballroom in NYC.
Most poignant of the non-band stories is the movie is that of a teenage musician's adulation of Kim Deal and her gifting of the paperback book "Brave" to her idol. The novelette turned her on to the Pixies after they'd disappeared from the scene, but the music inspired her to form her own band. The end credits features the Pixies-wannabe's jamming in the basement and continuing the 'Pixies' legacy.
This coda completes the circle started at the beginning of the film with Kurt Cobain's quote on how the Pixies were one of the bands that inspired Nirvana. In fact, Cobain said that Nirvana was trying to BE the Pixies.
As you can see, if you're not a fan of this band now, I guarantee by the end of this film you'll be making a beeline to the nearest music store (as I did). So if you only make it to one movie at this year's festival, then let this be the one!
It was said about the Beatles that each musician was excellent in his own right but when the four of them gathered together something 'magic' happened. This also applies to the Pixies and their relationships to each other, as they are ironically the four most uncommunicative people in the world when sitting backstage, but put them in front of an audience and you get an eruption of music and lyrical poetry that stays with you long after the concert has ended.
Formed in 1986 by Charles Thompson (aka 'Black Francis'), the band achieved a modicum of success until in 1992 Thompson dissolved the band due to friction with co-lead singer Kim Deal (who also fronts 'The Breeders' w/ her sister). In the intervening years the band's music inspired dozens of other bands and became a cult phenomenon. Now some 12 years leader, Thompson has decided to put the Pixies back together and see if what they once had can be duplicated.
Of course, the long years between have brought about a number of changes among the members, most notably the rehabilitation of Kim Deal's alcoholic problems. Although she still drinks alcohol-'free' beers by the dozen her recollection of the Pixies concert years are a haze and now she's forced to listen to their albums to recall the parts she played. She enlists her sister Kelly to join her for the tour to segregate herself from the band and any partying on the road. Kelly also proves useful as she likes to 'interview' other band members with extremely pointed questions offering quite a bit of comic relief.
In addition to Kim, each member of the band has followed a strange road since the Pixies break-up with only Deal and Thompson able sustain solo careers in the interim. The documentary successfully brings all of their varied paths together within the framework of rehearsals, warm-up tours, and the inevitable European and USA venues with fan adulation escalating from one date to the next culminating at the Hammerstein Ballroom in NYC.
Most poignant of the non-band stories is the movie is that of a teenage musician's adulation of Kim Deal and her gifting of the paperback book "Brave" to her idol. The novelette turned her on to the Pixies after they'd disappeared from the scene, but the music inspired her to form her own band. The end credits features the Pixies-wannabe's jamming in the basement and continuing the 'Pixies' legacy.
This coda completes the circle started at the beginning of the film with Kurt Cobain's quote on how the Pixies were one of the bands that inspired Nirvana. In fact, Cobain said that Nirvana was trying to BE the Pixies.
As you can see, if you're not a fan of this band now, I guarantee by the end of this film you'll be making a beeline to the nearest music store (as I did). So if you only make it to one movie at this year's festival, then let this be the one!
If you didn't know about the pixies, this isn't your chance to find out more and that's a good thing
If you didn't know about the pixies, this isn't your chance to find out more and that's a good thing. Why? Well if you didn't discover their greatness on your own, which is the only way you could do it back in the day really, this film will not convince you of that, only being a fan of their music will.
This review is not directed at anyone in particular's review on this film but, you're COMPLETELY missing the point if you watch this film with your arms folded, in order to be proved that this was and still is a great band in Alternative music's history. You want to know more about them? Well, that's what the internet is for and you can research any information you want.
A completely necessary viewing by any Pixies fan. Lots of live footage. Candid remarks and statements by the band and in particular the band member's own views on it's later meltdown. And I love the end when they show some home movies of the band in slow motion, it looks like when they were on tour for Doolittle in 1989. The DVD contains footage not seen on TV like Kim Deal and Frank Black visiting Sigur Ros in their studio in Iceland.
This review is not directed at anyone in particular's review on this film but, you're COMPLETELY missing the point if you watch this film with your arms folded, in order to be proved that this was and still is a great band in Alternative music's history. You want to know more about them? Well, that's what the internet is for and you can research any information you want.
A completely necessary viewing by any Pixies fan. Lots of live footage. Candid remarks and statements by the band and in particular the band member's own views on it's later meltdown. And I love the end when they show some home movies of the band in slow motion, it looks like when they were on tour for Doolittle in 1989. The DVD contains footage not seen on TV like Kim Deal and Frank Black visiting Sigur Ros in their studio in Iceland.
Anyone who is even a casual fan of the Pixies (or is it just Pixies?) has got to see this great little film. It's fun and entertaining and really enjoyable. It's all about the Pixies and you will learn a lot from it too.
Even if you think you already know everything there is to know about them you will still enjoy this film (then again, if that's the case you've probably seen it already, haven't you?). It's all about the music. Highly recommend for Pixies fans.
Even if you think you already know everything there is to know about them you will still enjoy this film (then again, if that's the case you've probably seen it already, haven't you?). It's all about the music. Highly recommend for Pixies fans.
Did you know
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- громкоТИХОгромко: Фильм о Pixies
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $7,506
- Opening weekend US & Canada
- $3,792
- Oct 1, 2006
- Gross worldwide
- $7,506
- Runtime1 hour 25 minutes
- Color
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Top Gap
By what name was loudQUIETloud: A Film About the Pixies (2006) officially released in Canada in English?
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