Basic Instinct 2

It seems that it is becoming fashionable to rip "Basic Instinct 2," to the point that a significant part of the audience (including critics) found it terrible even before it was released. It seems even more fashionable to trash Sharon Stone who—like all of us—is now fourteen years older, and—unlike most of us—still looks wonderful. First comments on this movie were so vicious that I had to see for myself. In my opinion, this sequel is not nearly as good as the original film, but is not as bad as most comments pretend. Michael Caton-Jones is not Paul Verhoeven, neither Henry Bean and Leora Barish are Joe Eszterhas. "Basic Instinct 2" is just an entertaining, average thriller, and besides the addition of Jerry Goldsmith original score, keeps little resemblance to its predecessor. Even Stone gives her character a different dimension, creating a lustful, devilish Catherine Trimell, who can perfectly well rank among other monsters like Hannibal Lecter. She is an intelligent actress who is not afraid of taking risks and can play with camp at her leisure. Unfortunately, she seems to be the main target for those who enjoy trashing this flick. She became too successful, too much of a main icon, and like all those actors who have reached that level, her time has arrived and she is now bound to be destroyed by Hollywood audiences.

The rest of the cast is outstanding, giving performances that are far better than the material deserves. David Morrissey is a much better actor and by far more interesting than Michael Douglas: his acting is flawless, giving a dense, complex dimension to an otherwise one dimensional character. Since he has more screen time and is the axis of the movie, he can keep your attention from beginning to end.

I am not recommending "Basic Instinct 2" as a great movie; I am just expressing my disagreement with most of the comments on this site and my conviction that agendas other than the movie itself are shaping the opinion of most spectators.

Sharon Stone has had a very chequered career, spanning performances that have garnered Golden Globes and Oscar nominations, as well as Razzies. Her performance in Casino convinced skeptics of her acting ability and yet it is for her portrayal of the sexily sinister author Catherine Tramell - in Basic Instinct - that she is perhaps most remembered. Basic Instinct II revives the role – a dangerous undertaking and one that many critics have panned (possibly without even watching it). Yet the character is an interesting one and deserves not to be dismissed so lightly, especially in this well-written sequel.

The enigma of Tramell is whether, in researching her novels, she just gets very close to actual murders, or whether she actually commits them. In Basic Instinct II we become aware of a third possibility – that she manipulates people into creating interesting story lines, even if it means pushing them over the edge mentally and emotionally so they perhaps commit crimes they would not otherwise have committed. Following in the footsteps of twisted real-life authors recently depicted on screen such as Capote, such a possibility does not seem so preposterous.

Where Basic Instinct II fails, is in capturing a suitable target audience. The original Basic Instinct, however good a thriller, is linked in the public imagination with a particularly explicit scene involving Stone uncrossing and crossing her legs during a police interview. Given the raunchy nature of Tramell's personal life, to which the film gave ample reign, the movie drew adult audiences hoping to be shocked. This creates a number of problems for Basic Instinct II. Firstly, the public taste for sexual explicitness seems to have ebbed. Sex scenes are more likely to kill a blockbuster than boost attendances. The independent and European films featuring explicit sexuality tend not to get multiplex coverage – and the limits are now so broad that most mainstream actresses are unlikely to want to push the envelope with such explicitness unless it is to test the limits of art – and Basic Instinct II, like its forerunner, is a thriller not an art house movie.

Yet it suffers from the 'sex-movie' tag. Re-shot in black and white, with a shorter running time, and minimizing any nudity, Basic Instinct II could have been marketed as film noir. The difficulty of puzzling out the who-dunnit keeps the attention, but waiting for the next sex scene it just fizzles (as there's very little to wait for). With a running time of nearly two hours, some of the direction could have been tighter, but the overall feel of the movie almost creates a genre. Sharon Stone hones Tramell's character even better than in the original, and the final twist is difficult to anticipate. As a portrait of a genius writer that can run rings around police detectives and psycho-analysts, Basic Instinct delivers in spades. While Sharon Stone is a good-looking fortysomething, those watching it for sexy thrills may be disappointed.

I cannot accept the negative comments of other reviewers. They are too critical, perhaps because they are stuck in the past. I would like to see a comment from someone who had never seen Basic Instinct 1, perhaps someone very young ? I left the cinema feeling glad that I had not been swayed by the IMDb reviewers. 14 hours later I am still trying to find flaws in the plot but I cannot think of anything serious. My advice to everyone is see it for yourself and make up your own mind.

It follows a similar pattern to Basic Instinct 1 but the plot is less confused. It still left me wondering at the end but in a more satisfactory way. Sharon Stone is as sexy and evil as before and wears her 48 years extremely well; this remains her defining role. David Morrisey was satisfactory even though he is no Michael Douglas. Of the supporting cast I particularly liked David Thewlis as the police detective.

The sequel of Basic Instinct won't be for sure a remarkable movie, as the original one, but we cannot say it's awful, because it isn't. In fact, I think it's quite good.

The main reason why so many people think this movie is so awful is because they compare this one, more than they should, to the original one! Beside that, the expectation for this sequel was very high (many people expected the sequel since 1992!), and when that happens it's very hard to have success. In most cases it's condemned to fail. But in my opinion, this movie didn't fail, especially because it's a powerful mind twist!

All the plot is a twisted labyrinth where lies and deceives mix together with killer instinct. It's a game to survive! Of course Sharon Stone is not so "hot" in this sequel as she was in the original, nor either exist any "unusual sexy scene" (cross legs' scene), but on the other hand I think she has refined her "killer instinct"! In the original, her character was provocative, seductive and manipulative, but it didn't have the coldness and the evilness on its sight, as it has now at the sequel! The way she manipulates the psychologist and the way she looks at him, is really cold, wicked, in a word: evil!

So, generally, I don't think this movie is brilliant - in fact, it's far away from that - but it's not as bad as some people told!

There's really no way to pull off a sequel to the original classic, Basic Instinct. To do so would require much more than Sharon Stone who sizzles no matter what she is doing. She a fine actress, but surrounding her with unfamiliar actors in London, and handling a script that lacks everything witty and tight that Joe Eszterhas weaved in the original picture, is just disastrous.

Our story here has Ms. Tramell, notorious author from Basic Instinct at the epicenter of a death, accidental, or perhaps...intentional??? She is handled by Scotland yard in this one, a far cry from the San Fransisco PD and Detective Nick Curan, who is sorely absent. Rather than prance around with her sexuality tugging at the police, and seducing them blindly, she is more a bully here, and she pushes authoritative figures, especially Michael Glass the professional assigned to her case, into her game this time around.

Sharon Stone turns in a mostly witty and sharp (no pun intended) continuation of Catherine Tramell, Complete with incomparable physique, sexy sultry voice, and some more blonde poison. Her co-stars, however, do not measure up.U.K. veteran Charlotte Rampling is the only other cast member/character on Stones level. The rest of the cast are like fish out of water. I think it's part of why the film doesn't work. We have very stiff European authoritative figures, bent on the unraveling of the case, as well they should be, except it doesn't feel like Basic Instinct, and the good moments that are had, are reminders that it might have been better had they stuck with the original idea which was to have been set in NYC.

The production design and art direction are diabolical though (again, no pun intended), and it's a scene set greatly, if only the expectations were met. Ultimately I feel the writing was the biggest let down. It's as if Leora Barish and Henry Bean didn't know the character of Catherine, and thusly could not completely tell her story. Whatever they have for every one else is a more or less lacking shadow of what the original was.

Michael Caton-Jones is okay, but this flick, released in 2006, looks like EVERY other action thriller from that time period, and that's sad. The original was a cut (there I go again)above the rest of what was released back in 1992. It had so much style and charisma, and even charm, mixed with an extremely interwoven and complex, even abstract plot/story. This is just a run-of-the-mill follow up sequel that is as bland and boring as every other product that was churned out by studios at the time. It's all in your face at value, which is not very high. There is noting beyond the cheese & crackers. The cigar is just the cigar, and in this films case, it needed to be a highly intoxicating cigarette.