The Power of Nightmares: The Rise of the Politics of Fear

I have already seen two of the three episodes of this excellent BBC documentary which the Canadian Broadcasting Corporation is showing in three parts on its CBC Newsworld channel. I will see the third one tonight.

I can understand why it has never been shown in the States and why it probably never will. These three small TV hours contain way too much brutal truth for any American to endure with any degree of comfort. The parallels between the devious agendas of the American Neo-Conservatives and the fundamentalist Islamic terrorists are uncanny: same logic, same malevolent means, same reliance on fear instead of reason.

I can't understand, though, how Michael Moore' s sentimental and illogical hogwash documentaries get such a large release when a film like this one, which involves much more hard work and intelligence never gets to be shown where it could do the most good: in America.

Where did Osama Bin Laden come from, and why does he hate the American way of life? Why do the American neo-conservatists want the public to believe in a world wide conspiracy of evil, operating from vast underground complexes that look like a James Bond film set? In a world that has just witnessed the worst natural disaster in known history, why are our nightmares filled with images of bearded men and dirty bombs? This three-part documentary gives the answers. In a cool, factual manner, it goes back to the historic roots of both sides in this lukewarm war, and shows us how eerily similar they are. That is what is really scary about the war on terrorism. This series is essential viewing for everyone who wants to understand the most important conflict of our time. Which should include you.

This remarkable documentary, well written, researched, and articulate, traces the odd, parallel paths of the rise and failures of the Islamist movement and the movement of the American neoconservatives. What makes this documentary so outstanding is not just that it clearly exposes many of the myths of the so-called "War on Terror," but the fact that it places the power of these myths in a larger and very important context.

This film's position is clearly that it is the failure of belief and of ideology in Western societies that has allowed neoconservative extremists to fill the gap with nightmares in order to assert power and influence.

Fear works well when people do not believe in anything, since that lack of faith makes them quite vulnerable. For the Islamists, fear attempts to fill the gap in societies that have lost their Islamic faith and roots.

The dirty little secret underlying all this is that both groups, the Islamists and the Neoconservatives, are, at the core, nihilists, in spite of their ideological rants and pretensions. One can only hope that a discerning public will eventually be exposed to the hollow, vain, and arrogant "men behind the curtain" in both societies, so that all can realize that these wizards of terror are just empty charlatans.

The sooner that happens, the sooner we can all click our ruby slippers together and return to Kansas, and, hopefully, to some measure of sanity, and, perhaps to a genuine faith.

Ever realized that American neo-Conservatism is founded on the principle of the Platonic noble lie? Half-remembered what Donald Rumsfeld was doing in 1976? Never quite believed the cold war propaganda about the "evil empire", or half-suspected that Al-Quaida does not exist? If so, 'The Power of Nightmares' is the program to confirm your fears. If not, it's even more essential viewing.

'The Power of Nightmares' is a brave piece of television that runs completely against the grain of most media representation of the state of our world. Yet it is not a lunatic argument either, and many of the talking heads on screen are those of the very people whose views it deconstructs. Rather, it simply refuses to assume that just because everyone in power is saying something, it must be true. In fact, the evidence that the most basic tenets of "the war on terror" are built on absurdity are almost self-evident; but as the evidence is also inconvenient, it is simply ignored and replaced by something else. In this series, we see the same tactic (employed by many of the same people) put to use in the 1970s, 1980s and now. It's quite chilling to see how much of the prism through which we view the world is a construct of frankly mad idealogues (and I don't just mean Osama, although the similarities of the origins of Muslim fundamentalism and neo-Conservatism are just one illuminating lesson to be drawn from this series).

Adam Curtis lets his interviewees provide his argument for him, but it's cleverly stitched together and his use of archive footage and music is perfect. Crucially, he never allows himself to fall into the trap of accepting cynicism, and there's a note of incredulity throughout the series that succeeds in not granting those in power a drop more credibility than they deserve. This series should have been essential viewing for every American before they voted. First rate stuff.

A most satisfying documentary. Whether one agrees or not with the main argument of the filmmakers or not, there is much to learn from the well documented facts assembled here. This is the best true documentary I have seen in a long time. I particularly enjoyed its sense of humor and the clips from feature films such as Ali Baba and the 40 thieves. The film does only ring true; if one is alive, one has been a witness to much of what the film assembles to make its points. Notwithstanding, be prepared to be surprised by the bold argument the film makes. This is a very fair-minded presentation of one key aspect of our contemporary history.