Les Particules élémentaires

I wasn't expecting much of this film, even knowing what's it about. I was surprised how cleverly it was made. The main themes of this film are sex and love. Though there was a lot of profanity, everything fit perfectly. It's not one of those films where is a lot of unnecessary profanity just to shock audience. Another good thing about this film is, that it's characters always talk openly with each other, so you get to know them in a very short time and even start to like them. Actually this is a sad story, but I found this movie being optimistic sometimes. It's well filmed and there are many good German actors in this film. There were many unexpected twist, even the ending was not like I expected. It's interesting, funny, shocking and really worth your time.

only if you are able to deal with its strong topic. It's about the meaninglessness of being depressed in an unsatisfying environment built up by oneself. Two brothers Michael and Bruno grow up with different characters and backgrounds. What keeps them together is the inability to create a stable life on their own what can be predominantly deduced on a lack of mother love or interest. I don't want to go into detail or present any spoilers. Therefor check out other reviews. What I really appreciate is the surprisingly good work of all actors who do great in this movie. Especcially Christian Ulmen (who needs little words to say a lot)knows how to present Michael's character so perfectly that it's really a pleasure to watch him on the screen. I also like the development of the plot. You don't know how the characters will develop and how their story will end. Both brothers are not changing in big steps within the movie but in the end you are surprised how far they have drifted from each other.

Just watch it yourself to make your own opinion but please don't expect it to be to entertaining.

The Elementary Particles is a genuinely beautiful movie, well-shot and with several very powerful scenes; it also has two very strong lead performances. The first half is captivating and intriguing; unfortunately, that's where everything that's good about the film is. By the time the film was half-finished I was exhausted and felt like it was trying very hard to shock me. The real shame is that while the film feels like shock cinema, it actually deals with some very important and delicate issues - but it relies far too heavily on clichés and melodrama to allow for those to be taken seriously or create any real thought or debate. It's a self indulgent art piece that tries so hard to be artistic and tragic that it loses sight of what it actually wanted to say.

This is a plodding, clueless adaptation of Michel Houellebecq's novel of the same name. It manages to include many of the book's dialogs verbatim, while completely missing its point. The main evidence is the outrageous change of the conclusion - the director just mined the novel for catchy phrases and totally refused to tackle its challenging ideas. Or rather he was not able to notice them. Even apart from that, the adaptation is dumb. One example: when Bruno describes to the psychiatrist the biological details of the decomposition of a human corpse, he uses lines that are there in the book, down to the moths with "the names of Italian starlets" - but they belong to the narrator, not to Bruno! Such knowledge is completely inappropriate for his character.

I don't mind the downplaying of the sex scenes - watch some porn if you have never seen it. The causality of the philosophy and culture of the times and the parents' lives on the lives of the main protagonists, the whole point of Michael's enigmatic life, the desperation of the obsession with sex and narcissism of the body, the sheer horror and cruelty of Bruno's existence, all this is downplayed to the point of absence. Houellebecq created a gripping world in his novel that you cannot shake off even if you think you know that he isn't right. The director produced a made-for-TV movie.

I think this movie have accomplished something very rare. It's an adaptation that respects the spirit of the novel but doesn't follow it blindly. That's very welcome because Houellebecque is notorious for his polemical discussions, something that would be very hard to fit on a movie or entertainment television. The Movie, then, avoids any major discussion of society, individualism, decadence, and the scientific fiction that closes the novel. It keeps things simple and offers viewers only the "story" of the two brothers, keeping the more hardcore stuff on the books. Photography is very colorful, casting is excellent. The new ending is beautiful. At the bottom, maybe the best introduction to Houellebecque's world.