Warai no daigaku

Entirely realistic depiction of the relationship between a government censor and a writer. They each come to respect the other - to enjoy each other's company - with interesting results. The action, such as it is, mostly takes place in one room. Yet the picture isn't stagey, it flows like a movie, the viewer keen to know what will happen next. This wouldn't work except for the marvelous chemistry between the younger and older actor, who close the generation gap while each staying true to himself. The end is especially moving.

In Showa era, before the World War 2, a prosecutor named Sakisaka and a dramatist named Tsubaki meets in an investigation room of the metropolitan police department. At first Sakisaka tries to prevent Tsubaki's theatrical company "University of Laughs," but as they rewrite the script, Sakisaka comes to enjoy the rewriting with Tsubaki…

This movie is almost composed of the conversations of the two and the situation hardly changes from the investigation room. Thus, some people may think this movie do not have passionate scene and the images are boring. On the other hand, the two actors play the contrastive characterized men. I think it great that their conversations which draws the attentions of the audience. Tsubaki has a ready wit and promptly thinks of the lines which are full of humor. The humor which Tsubaki think every time made me laugh.

I was also impressed with the set of the structure. Actually they are buildings now exist, they looks like the real Tokyo in the beginning of Showa era.

Not a film for the easily bored or sub-title phobic, as this film is a strictly dialogue based story between a comedic writer and his draconian censor set in pre-war Japan, where humanity is pitted against authoritarianism. As flat as that may sound, the dialogue that ensues between the protagonists is both incredibly comedic and emotional, and moreover brutally insightful into a dark period of imperialistic Japanese history that a Western audience has dwindling knowledge of. I cannot recommend this film enough, perhaps even best watched alone, which helps the viewer empathise more personally with the embattled comedic writer pitted against the brick wall of the state. This film will remain with you.

The story is set in the age when the comedy in public was restricted by the government. An inspector and a comedy writer make a comedy within the legally permissible level together. The funny words and rhythmical music still linger in my head because two of them repeat practices again and again while working out a detailed plan. This film was scripted by Koki Mitani who is the famous scriptwriter and director in Japan. Most of his works are comedies and make me laugh every time. As the title says, this film also makes me laugh. I like Koji Yakusho who plays the part of the inspector in this film and he appears on most of works by Koki Mitani. In this film, "Mitani World" is developed like other his works. I recommend everyone to watch the film because the film not only is funny but also describes the times.

Sakisaka, working as an inspector of comedy script, hardly laughs. One day, he meets a scriptwriter named Tsubaki Hajime. Tsubaki comes to him to get the script checked, then it can be on at his theater. However, Sakisaka doesn't say "ok", he asks him to rewrite and bring it the next day. Tsumaki follows his advice and the two come to make the script more interesting together. But it doesn't last so long. One day, Tsubaki brings a sad news with a great comedy script and then,,,

I laughed a lot seeing this movie. Koji Yakusho, acted Sakisaka, is one of the greatest actors in Japan. I'm a big fan of him. Sakisaka is a serious person. He doesn't laugh and dislike comedy, but gradually changes. Yakusho expressed the small change faithfully in the film. And I'm also a fan of Koji Mitani. His movies are always funny and interesting.

This movie must make you laugh and give you bravery to keep going what you like to do.