Kidulthood

Kidulthood is an energetic snap shot of wasted youth in London that's flawed, but definitely interesting.

For the most part, the young cast (except for a very hammy jamie winstone) give strong, naturalistic performances-particularly noel clarke whos shocking turn as the local badman sam, will instantly make you forget clarkes "oafish boyfriend" routine on doctor who. What gives the performances a higher level of authenticity is the slang and profanity heavy dialogue that serves as an accurate representation of how the kids talk these days (you don't know how old i feel writing that!).

However the films mission to keep things as raw and gritty as possible ends up as its down fall- the script tries so hard to make the kids seem so reckless and hedonistic that the trouble they get into just gets unrealistic and shocking for the sake of being shocking after a while. Also, the story is very predictable- you will know how this one turns out , not even halfway through its running time .

Kidulthood doesn't come close to being as good as the likes of city of god or La haine, but its a well acted drama that I have to commend for trying to show a side of London that many other local films choose to ignore.

I have seen a bundle to Brit flicks that show a hyped by stylish glamorised side of London . Should be Lock Stock , or Snatch , or maybe even Notting Hill these movies have always shown the romantic side of London . However that Ladies and Gents is only the sugar coated topping , there is another world underneath that what is known to most of us who grew up on the streets of London as the real world . The director of Kidulthood does a masterful job giving us a vision of the urban hell-hole that we have all come to know ! The social issues that are highlighted in this film are spot on , whether it be the drug abuse , teenage pregnancies or the ever looming threat of the gang culture with the idiotic craze which is known as Happy slapping .We have all read about , seen it and, probably worst experienced it . Kidulthood presents to the viewer a true , grim , depiction of a life a 15 year old black teenager Trife and his life growing up in the tough neighbourhood and school where words come cheap .We are taken into his world for just 1 day and meet a whole host of characters who fit into the doomed path of life probably just like Trife . The acting was over the top brilliant to the point where to me personally it felt that it was not a film but you were watching someone's life unfold in front of you as the director chose's location's that were truly urban nitty and gritty to the point that you don't need to marvel at the breath taking scenery , you just want to focus as the story rolls along . I'm not a huge fan of Uk hip-hop but this time it seemed to fit in and add to the flavour of the film . The only drawback was that it was a little to over hyped and once or twice it did feel a bit unrealistic in some places but it stood on track and the humour was pretty funny in places as well especially with the white hoody guy. In general Kidulthood is a deep , dark , depressing look on the darker side of London's youth and by looking at it one will walk away probably wanting to take a look back at his life and see where is his or her future heading for . Kidulthood is highly recommended film by not only my-self but several other movie lovers and I shall very likely purchase this when it hits the DVD'S.

KIDULTHOOD SCORES : 8 OUT 10 FOR NOW THIS IS THE SHADOWMAN WISHING YOU ALL GOOD LUCK AND GOOD NIGHT .

Good movie and a pretty good insight in to what growing up in todays society is really like, for far more teenagers than many people think. It demonstrated what growing up is really like for teenagers growing up on council estates in every major city in the UK as well as many other towns alike. Many people who do not intermingle in such areas would not believe this to be a common occurrence and would consider this as anything more than an exaggerated view of the youth of today.

However, I believe this to be a very true to life film, well directed, great screenplay, with a suitable sound track and quite impressive acting from a young cast. It's a bit unfortunate that not many of these types of British films get the recognition they deserve sometimes.

Like one of the other reviewers on this site I am going to vote 10 out of 10 for Kidulthood to try to redress the anomaly of its incredibly low score. Something is surely wrong with the IMDb system when most of the reviews on the site are positive yet the film has such a low rating. Anyway I thought Kidulthood was a very realistic 'urban streetkids' film which captured perfectly the style, speech and violence that happens every day around London's inner city schools. I thought the acting was absolutely fine especially considering the age of most of the actors - have those criticising the actors actually seen the way that teenage kids behave because I think they were all very believable. The film was tense, violent and gripping and is a nice London take on the issues of teenage gang violence.

Over the waters, it seems anyone not from England is in love with that wonderful Richard Curtis-like view of the globe, which is neither bad or drastically inaccurate, but covers a very small percentage of what life in the UK and particularly ordinary UK people are actually like.

Refreshingly comes "Kidulthood", an all too accurate if at times sensational version of average school-kids in London. We meet an assortment of characters, most of them only likable on a limited level, who's only motivation is to get through each day and fill the voids with partying, be it with drugs or sex, or petty crime. The film takes us through two days of their lives and how each character, be it the misguided Trife (Aml Ameen) or the sexually motivated Becky (Jamie Winstone) as well as others, on the day when a big party looms and the suicide of a classmate seems lurking in the background.

Growing up on a London housing estate and seeing the changes throughout the years has made me over-critical of films depicting this. The dialogue always being too polished or too neat, the accents as caricatured as Dick Van Dyke's cockney chimney sweep (the recent "Green Street" and anything Guy Ritchie suffered from this in spades) but refreshingly all this is absent here. The performances are very real, so real, that it would be easy to confuse them as weak, particularly with characters such as Claire, played pitch perfectly by Madeleine Fairley with her words always having that hollow ring of someone saying what everyone around her wants to hear, rather than what they're really thinking. The language is fluid and the style completely believable; this is an excellent window into an average group of modern teens, as depressing as that is to admit.

Marrying it to the excellent visual style and the lack of obvious moralising is both a strength and a weakness. Visually fast paced, using sliding split-screen and cinema scope, married to the creme of British gangster rap, this looks great, hiding it's indie roots and looking more like Steven Soderberg's 'Ocean's Eleven' than Larry Clark's 'Kids'. The pros of this are the audience it needs to reach will interpret this as 'cool' and maybe will end up seeing the characters as teen movie icons, more than stopping and thinking what the overall message is.

It's disturbing, mostly in small gestures rather than the grand shocking ones. A pretty teenage girl is bullied, punched with a bone shattering crunch as her attacker screams at her to pick up the ring that flew off her finger, Claire is intimidated by her boyfriend by him warning that he'll tell everyone she is a lousy lay (and that's the clean version) with personal hygiene issues, as she pathetically begs him to stop; it's certainly not a film for those seeking a rose-coloured view of society.

"Kidulthood" is a much needed reply to the belief that England is a pretty cool place and it's teens as going through a harmless phase. It is entertaining but without selling itself out, despite an ending thats a little too explosive to believe.

Not since Garly Oldman's 'Nil By Mouth' has a film seemed so richly realistic and it's to the director and the writer's credit that they have achieved this.

Whilst sad, it's not as 'slash your wrists' depressing as you might assume either; the power of the film is one that lingers after and hopefully it is that, that might reach to people not only affected by what they've seen but most of all identifying with it.