Reinas

In Spain, a couple of days before a collective gay wedding, the lives of five mothers, whose sons will get married, are entwined: Judge Helena (Mercedes Sampietro) is in charge of the ceremony; the entrepreneur in hotel business Magda (Carmen Maura) is hosting the guests in her hotel and is responsible for the banquet, while facing a strike leaded by her lover and chef; the nymphomaniac Nuria (Verónica Forqué) is facing problems due to her uncontrollable disease; the wealthy Reyes (Marisa Paredes) is having a crush for the father of her son's mate and her gardener; and the Argentinean cooker Ofelia (Betiana Blum) is facing financial problems and difficulties in the relationship with her son's mate. Along three days, they have complicated relationships with their sons and mates, ex-husbands, lovers and employees.

"Reinas" is a nice movie based on a fashionable theme, the marriage of gay couples, being a great entertainment. There are funny and dramatic situations, but they are satisfactorily resolved in an optimistic way. The controversial and unthinkable affair of Magda and her married chef Cesar is probably the weakest point of the story. I was particularly impressed with the beauty and elegance of Ms. Mercedes Sampietro. My vote is seven.

Title (Brazil): "Rainhas" ("Queens")

Director Manuel Gómez Pereira has long been respected both in Spain and around the world for his edgy, hilarious, clever and wildly entertaining films. Writing with Yolanda García Serrano he has hit the mark with REINAS ('Queens') not only in taking on controversial subject matter and creating a successful comedy out of politically dangerous topic, but he has also done so by avoiding the usual pitfalls of gay stereotypes, making the focus of this film about Spain's approval of gay marriages not on the men involved, but instead on their mothers - the real Queens.

The story is fairly straightforward (if you will): there is to be a group wedding of gay couples in which three of the couples involved have frantic problems with their mothers' attending. Some of the mothers approve, others despair, others take advantage of the situation to meet their own needs. The effect of these 'double mothers-in-law' on the six men involved is packed with surprises, secrets, bizarre behavior, confessions, manifestations of life patterns less than reputable, and whirling dervish spins on acceptance.

The mothers are portrayed by some of the finest actresses in Spanish cinema: Marisa Paredes portrays Reyes, a famous actress (hysterically identified as Carmen Maura) whose class refuses to accept the cat that her son is marrying her gardener's son; Carmen Maura (yes) plays Magda, the owner of a new hotel chain catering to gays; Verónica Forqué is Nuria, a sex addicted nymphomaniac whose drives don't prevent her form bringing her lusts home to her family; Mercedes Sampietro plays Judge Helena who barely tolerates the effect of a public wedding of her son on her career but ends up being forced to perform the ceremony; and Argentine actress Betiana Blum is Ofelia, a restaurant owner/worker who arrives form Buenos Aires for the wedding with her runabout dog causing antics that threaten her son's relationship. The sons are played to perfection and without the slightest bit of stereotypical behavior we usually encounter in these films by six excellent actors: Gustavo Salmerón, Unax Ugalde, Hugo Silva, Daniel Hendler, Paco León, and Raúl Jiménez.

Manuel Gómez Pereira makes fine use of flashbacks and flash-forwards that enhance the breakneck speed the story needs. There is enough tenderness on the part of every actor to offset the near-slapstick comedy scenes, and in the end the movie leaves the audience with a true sense of celebration - not only for the characters involved in the story but also with the forward movement of human rights in Spain. This is a highly entertaining, polished, classy film that deserves a very wide audience. Grady Harp, September 06

Manuel Gómez Pereira was one of the finest Spanish directors in the 90's, with such comedies as "Boca a Boca" or "El Amor Perjudica Seriamente la Salud". His latest projects, however, tanked ("Off Key" was a failure both economically and artistically) or simply didn't deliver ("Cosas que Hacen que la Vida Valga la Pena" was plain and average).

"Reinas" is Pereira's return to top form, with a clever and engaging plot which uses the celebration of the first gay wedding in Spain as a macguffin to tell the story of six gay men who are about to marry and their parents, especially their mothers. The film avoids clichés in an intelligent way, so the gay sons are portrayed as people from different social strata and conditions. The actors also avoid the affected mannerisms with which gays are often portrayed in cinema. Special mention to Gustavo Salmerón in a fine performance, although the rest are also very good.

However, the film belongs to the mothers. They are in fact the "queens" the title refers to. Pereira has been lucky enough to assemble a bunch of our greatest actresses: Carmen Maura, Marisa Paredes, Mercedes Sampietro and Verónica Forqué. Betiana Blum, an unknown Argentinean actress, is, however, the standout with her over-the-top character, Ofelia.

The story is very nice plot-wise and treats gay love stories in the same way it treats straight love stories. The screenplay manages a few laughs from the audience, and it is so action-packed that you never loose your attention from the film. The only flaw I can find is that it ends so abruptly that some of the story lines are left unexplained and some character arcs end up being implausible.

In any case, I found the film highly satisfying and very entertaining, so if you like spending two hours with a good comedy you won't feel disappointed.

Overall rating: 8/10

I saw this film recently as part of the Manchester celebrations of the enactment of the Civil Partnership Act and I was expecting from the write up a foreign language film with an ethereal link to this specific political moment in time. However it was a fantastically funny film! The film follows a series of couples over the weekend prior to the first gay weddings in Spain.

The delight of the film for me was the intensity of the spectoral gaze upon the relationships between 'gay in-laws' and between gay men and their mothers. The film refuses any clichés.

The defining aspect of this film that makes it excellent is that I totally forgot about the subtitles and just lived the action! The other defining aspect of the films greatness is that this was the first film I have watched at the cinema since 'The Full Monty' that had a raucous round of applause verging onto a standing ovation!

I too saw this movie in Spain when I was at school in Barcelona.

I saw it 3 times actually because I was learning Spanish and since no subtitles in spain of course it was a great exercise in learning. Plus it's so funny! I can't wait to buy it on DVD (of course subtitles optional for my English friends) THIS movie is funny. The Spanish really do believe viva como tu quieras (live as you want) Though yes some of the mothers don't fully understand homosexuality you can see how they simply want their children to be happy.

This is a great movie about finding happiness and letting go of prejudices.

Go see it at the artsy theatres when it comes here or rent it when it's on DVD.