Le couperet

I've seen "Le Couperet" and it impressed me.

There is a lot of suspense.

And influence from Alfred Hitchcock movies.

Costa-Gavras himself came to my country (Brazil) to give a lecture and answered questions about cinema and his movies in March 29, 2005.

He talked about how he started making movies and the French movies.

In his opinion, France is a good place to make movies because the government helps filmmakers and there is at least 150 movies made every year.

In March 31, an avant-premiere of "Le Couperet" took place in Salvador, Bahia, Brazil.

It was great to see this movie having Costa-Gavras present.

Amazing.

Many years ago there was a film starring Alec Guinness called "Kind Hearts and Coronets", which took the case that a member of a wealthy family murders off his relatives to inherit the estate. "Le Couperet" offers a similar plot, although this time a disgruntled unemployed engineer becomes an inept assassin to remove his competitors for a top job with often-hilarious consequences.

In this very dark comedy Jose Garcia does well as the bumbling killer, at times reminiscent of a young Jack Lemmon, and there are many surprises along the way. The film does highlight more sincerely than you may expect the plight of middle-aged professionals that are retrenched, and find it difficult to obtain positions in the current climate. Many watching the movie might well relate to its characters and their plight.

Excellent sequences include the job interview, which has more than a ring of truth, the discussions about unemployment and its social consequences by the discouraged out-of-work executives, and the scenes with the marriage counselor. Despite its black humour, there is a very human side to this film. Costa-Gavras is an exceptional filmmaker, with experience that shows in the smooth integration of the hilarious with an undertow of real pathos. The story ends on a suitably enigmatic note.

Costa -Gavras 's body of work does not lack in unity.

Except for his two fist movies,which were thrillers , a romantic tale ("Clair de Femme" ) and a comedy that does not count ("Conseil de Famille' ) all that he has made display social and political concerns.

From his early French classics ("Z "(He is alive) "L'Aveu" ,"Etat de Siège") to his American period ("Missing" "Betrayed" "Music Box" ) to his French comeback ("Amen" ) there is a cohesion which even André Cayatte ,his closest contender in the field,did not reach.

And then "Le Couperet" .Don't be mistaken.It's not that much different from CG's previous efforts.Based on a Donald Westlake novel-a writer whose black humour was fierce- ,it contains lines Henri Jeanson or Michel Audiard would not have disowned.Comedy walks a fine line ,but it walks hand in hand with tragedy .You must watch it seriously to realize what heavy things CG is saying.While making his film verge on parody,he is also putting the French society in a less exalted light than we have been used to seeing it in.Suddenly our world seems frightening (the gas station man who hides a gun in his cash register,the icily impersonal female headhunter -I wish I had had my gun!-)It is really the society of the leave-you-behind and perhaps -I hope not - an omen of things to come in the future.I do not speak of the murders obviously.There are other ways of destroying a human being."When I saw them enter the restaurant ,the German ex-engineer says,I knew that I didn't stand the slightest chance ".

The last picture has (and will be) widely talked about.Actually it reminds me of the ending of Mankiewicz's "All about Eve " when Phoebe tries Eve's crown .When you get to the top,there is nowhere to go but down.

A film noir,a farce,a psychological drama ,a social satire and a movie where CG talks politics.One of his most accessible and one of his strongest works.At seventy plus,CG is as young as the reporter who bothered the fascists in "Z".He is abetted by Jose Garcia on top of his game.

Like this?Try these.....

"Extension du domaine de la lutte" Philippe Harel 1998

"L'adversaire" Nicole Garcia 2002

"Working girl" Mike Nichols 1988

Bruno DAVERT (Jose Garcia) is locked-out for economic reasons. To find a new job, his method is simple : kill the other candidates. His behaviour changes, and his wife Marlène(Karin Viard) feels Bruno moving away from the family, from herself and from the true life.

Costa-Gavras shows as the unemployment can make a man crazy.

A perfect look on the stupidity of our society when a man is only the money he can earn. Costa-Gavras show us the vacuum we are running to, destroying everything to obtain what ?

Probably the best political movie of the ten last years. Garcia is excellent, probably because he does not know he his good. K. Viard change her usual energy in distress, her performance is excellent. Everybody is good.

Run to this movie. It shows you your future

I completely disagree with the reviewer who called this a'TV movie'. it's anything but... (did he see it on a TV screen?). It's a thriller that actually deserves to be called by that over-used adjective 'Hitchcockian' as we gradually identify more and more what the lead character who starts off as what, a hit-man, a serial-killer? As we get into his motives and hit and miss way of carrying them out together with unrelated encounters with the cops we are willing, despite ourselves, that he will succeed. Why does this not have a US distributor yet? I saw it with an appreciative crowd in Paris earlier this year. Jose Garcia who I last saw overdoing it in a so-so comedy called APRES VOUS is very good as the ordinary guy pushed to the limit and Karen Viard also always watchable as his blandly oblivious wife, who also becomes involved via a different set of crimes involving their family.