IMDb RATING
6.9/10
1.1K
YOUR RATING
Filmed during his "Black Album" era, Jay-Z looks back on his career as one of rap music's most successful emcees and entrepreneurs.Filmed during his "Black Album" era, Jay-Z looks back on his career as one of rap music's most successful emcees and entrepreneurs.Filmed during his "Black Album" era, Jay-Z looks back on his career as one of rap music's most successful emcees and entrepreneurs.
- Awards
- 1 nomination total
Fonzworth Bentley
- Self
- (as a different name)
Sean 'Diddy' Combs
- Self
- (as Sean 'P. Diddy' Combs)
Featured reviews
It's nearly impossible not to get caught up in the insane energy of the live performance scenes in this movie (from Jay as well as the audience, who were in love with the world, Jay, and whatever joker standing next to them in the rows out there too), and the man is obviously at his peak here. It didn't feel like a super-cohesive film, but that doesn't bug me too much. I could watch hours of him doing his thing in the studio and Rick Rubin and whoever else is there just sort of marveling at Jay's self-proclaimed "Rainman" routine of just sounding everything out until the puzzle pieces fit. He is not my favorite hip hop artist by a long shot but he is sure as hell interesting, and this film needed to be made, if not for anything else other than posterity. I've watched Fade to Black a good dozen times over the years. I like the authenticity of this film a LOT more than the recent documentary, Made In America-- which was amusing as hell and I loved the collection of artists, but many of the montage bits and segues were pretty pretentious.
10milk-11
Concert films by definition are boring. After 30 minutes you always start looking at your watch. Fade to Black somehow stays fresh for almost two hours. Although the film is far from perfect it is swollen personality and charisma. At points, it's down right hilarious. It breathes life into an almost dead genre of film. I like the way it hops back and fourth between the legendary concert and now historic Black Album studio sessions. Also, I've never heard a concert film sound that good ever! I thought my face was going to melt once Jay-Z took the stage. Fade to Black rewrites the definition of concert film and as time goes on will eventually be called a classic.
I have just looked at this concert film on Turner Classic Movies. There have been a lot of concert movies running on that venue recently, and I run the risk of overdosing on them. Nonetheless, it was there, and it look at it.
First, I need to note that I am not the core audience for rap music. It's not my music at all, even though I can link it to the talking blues and recitative. The simplicity of its music and the crudeness of its language both bore me. So, can I place myself in the dual position of one of this show's audience, while standing far enough outside to judge its inherent value? You be the judge of that.
It is mostly a stage show, and an obviously and carefully plotted one, that makes its performers and the artists that walk onstage for an 'impromptu' rap battle look far less than spontaneous to my eye. Clearly, however, the theater audience doesn't care, and it's their energy that is infectious, energy that breaks through the constrained pace of the rappers.
First, I need to note that I am not the core audience for rap music. It's not my music at all, even though I can link it to the talking blues and recitative. The simplicity of its music and the crudeness of its language both bore me. So, can I place myself in the dual position of one of this show's audience, while standing far enough outside to judge its inherent value? You be the judge of that.
It is mostly a stage show, and an obviously and carefully plotted one, that makes its performers and the artists that walk onstage for an 'impromptu' rap battle look far less than spontaneous to my eye. Clearly, however, the theater audience doesn't care, and it's their energy that is infectious, energy that breaks through the constrained pace of the rappers.
Here are my credentials for reviewing the documentary about Jay-Z's 'farewell' performance in Madison Square Garden. Talk about 'square': I am a student of language and literature (Ph.D. in English) and trained in rapid talking (licensed auctioneer), but I cannot repeat to you more than a half dozen words from this energetic and positive look at one of rap's icons. His glossing of 'idiosyncrasy' for the audience was both a kindness and a put down but at least understandable.
Although I saw Eminem's early Detroit life in '8 Mile' and connected with Metallica's challenges in 'Metallica: Some Kind of Monster,' because of my inexperience with Jay-Z's music, I could not get past my ear's inability to hear the lyrics or even the dressing room and studio talk, a slight testimony to Bill Cosby's warnings about language. Yet, virtually everyone at that November 2003 concert knew every word of his songs. I am in the minority on this one.
Anyway, about a well-structured film I already have some idea. 'Fade to Black' is a faithful rendering of the excitement and beat of the Garden show. With the likes of girl friend Beyonce (whose scantily-clad, lip-syncing performance of 'Crazy in Love' is worth the admission price), Mary J. Blige, and R. Kelly (before the rift) joining Jay-Z, the film relays the energy and synergy of performers who speak to countless hip-hop fans. It is also as good a billboard for his platinum-selling "Black Album" as he could get.
Therefore, because so much of the documentary is dedicated to the performance, little is allowed for getting to know the rapper and how he creates. That he does not write down his machine-gun lyrics is a rare insight (In '8 Mile' I loved the exhilaration of seeing and hearing young people fight with 'vocabulary' rather than guns); that he cares about how his words effect his fans is sweet; what he does to shape the 'tracks' into pop gold as he listens to them in the studio is never satisfactorily explained (and surely the most boring part of the film). 'Metallica,' for instance, has an accurate rendering of the rock group's long struggle to create its latest album. Perhaps an exploration of Jay-Z's 'Hard Knock Life' would have better taught us about this post-gangsta powerhouse. A documentary should teach; 'Fade' mostly shows. Or maybe that's all there is.
As even I know, he reneged on the 'farewell,' remarkable because his other businesses such as his 'Roc-a-fella' recording label and clothing line could have kept him busy for a lifetime. I suspect music is much better for his forsaking retirement.
Like the opening and closing aerial shots of New York at night, we are too far away to get close to understanding the performer. Like the city, he dazzles and eludes.
Although I saw Eminem's early Detroit life in '8 Mile' and connected with Metallica's challenges in 'Metallica: Some Kind of Monster,' because of my inexperience with Jay-Z's music, I could not get past my ear's inability to hear the lyrics or even the dressing room and studio talk, a slight testimony to Bill Cosby's warnings about language. Yet, virtually everyone at that November 2003 concert knew every word of his songs. I am in the minority on this one.
Anyway, about a well-structured film I already have some idea. 'Fade to Black' is a faithful rendering of the excitement and beat of the Garden show. With the likes of girl friend Beyonce (whose scantily-clad, lip-syncing performance of 'Crazy in Love' is worth the admission price), Mary J. Blige, and R. Kelly (before the rift) joining Jay-Z, the film relays the energy and synergy of performers who speak to countless hip-hop fans. It is also as good a billboard for his platinum-selling "Black Album" as he could get.
Therefore, because so much of the documentary is dedicated to the performance, little is allowed for getting to know the rapper and how he creates. That he does not write down his machine-gun lyrics is a rare insight (In '8 Mile' I loved the exhilaration of seeing and hearing young people fight with 'vocabulary' rather than guns); that he cares about how his words effect his fans is sweet; what he does to shape the 'tracks' into pop gold as he listens to them in the studio is never satisfactorily explained (and surely the most boring part of the film). 'Metallica,' for instance, has an accurate rendering of the rock group's long struggle to create its latest album. Perhaps an exploration of Jay-Z's 'Hard Knock Life' would have better taught us about this post-gangsta powerhouse. A documentary should teach; 'Fade' mostly shows. Or maybe that's all there is.
As even I know, he reneged on the 'farewell,' remarkable because his other businesses such as his 'Roc-a-fella' recording label and clothing line could have kept him busy for a lifetime. I suspect music is much better for his forsaking retirement.
Like the opening and closing aerial shots of New York at night, we are too far away to get close to understanding the performer. Like the city, he dazzles and eludes.
Fade to black is one of the most amazing hip hop videos of all time...revolving around Jay-Z's magical night of performance in Madison Square garden...in his song "ENCORE" the lyrics "from marcy to madison square" were stated, and is exemplified in this terrific video. Showcasing his vast talents of rapping, getting the crowd to "vibe" with him, and with wonderful cameos and collaborations...from foxy brown, to the roc-a-fella crew, to R. Kelly, this is truly one of the best concerts caught on film...the footage of "the making of the black album" was incredible...i was dumbfounded at the method of Jay-Z writes his lyrics...this type of insight make this video an instant classic...i am giving it a rating that it deserves, 10 out of 10...Jay-Z mentions "this is history in the making" in the video, and with this video as proof, it only shows that "history has been made"...
Did you know
- TriviaThe Madison Square Garden, where the film was shot, was under common ownership with distributor Paramount from 1977-94, when it was sold by the studio's then new owners Viacom.
- ConnectionsReferenced in From Marcy to Madison Square: The Story Behind 'Fade to Black' (2004)
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Затемнение
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $728,921
- Opening weekend US & Canada
- $449,331
- Nov 7, 2004
- Gross worldwide
- $755,231
- Runtime1 hour 49 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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