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2.7/10
2.3K
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In one of the most faithful adaptations of HG Wells' science fiction masterpiece, Martians launch a ruthless assault on an unsuspecting Victorian England, in an attempt to escape their dying... Read allIn one of the most faithful adaptations of HG Wells' science fiction masterpiece, Martians launch a ruthless assault on an unsuspecting Victorian England, in an attempt to escape their dying planet.In one of the most faithful adaptations of HG Wells' science fiction masterpiece, Martians launch a ruthless assault on an unsuspecting Victorian England, in an attempt to escape their dying planet.
- Director
- Writers
- Stars
Darlene Sellers
- Mrs. Elphinstone
- (as Darlene Renee Sellers)
Andy Clawson
- Nextdoor Neighbor
- (as Andrew Clawson)
- …
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
I must admit I burst out laughing when I saw one reviewer compare this to LOTR. Well yes, if you exclude the dwarfs, the cast of thousands, the great special effects, the big battles, the strong characterization, the decent plot, the good acting, the classy direction and everything else. Which leaves you with the walking. And boy, does this film do walking! If Mr Piano had his way, this would probably be an uninterrupted three hours of hardcore walking through the Wisconsin countryside, but every 40 minutes or so these pesky Martians pop up for a few seconds to interrupt him before he goes for another bit of a ramble. You've never seen so much walking in a movie. If this really had a $20m budget, most of it must have gone on Mr Piano's shoes, because he had to get through plenty of pairs with all the walking he does. Which explains why there's no money left for decent effects, a decent video camera or proper actors. Honestly, it's like watching some bizarre fetish video for people with a thing about going for long walks in period costumes. Even on fast-forward, this is a looonnnggg walk.
As for the sci-fi stuff, I think it was a mistake to put Martians in the film: they only get in the way of the walking, which is clearly much more interesting to the director than the story.
I wonder how much Mr Piano charges to walk dogs?
As for the sci-fi stuff, I think it was a mistake to put Martians in the film: they only get in the way of the walking, which is clearly much more interesting to the director than the story.
I wonder how much Mr Piano charges to walk dogs?
Wow...
I picked this up at the local Wal-Mart after reading online that it had been released early. I've been following this online for some time, and just had to buy the film.
Wow...
I guess the thing that really struck me was the editing, or lack thereof. Time and again, characters (usually The Narrator and whoever he is with) are shown walking...and walking...and walking. I am not an editor, but I do know that you can cut between someone leaving point A to show them arriving at point B. There is no need to show almost the entire journey! Wow...
I actually ended up feeling somewhat sorry for the actors involved in this. They seem to have been given no direction as to what to do during scenes other than to look scared or look happy, depending on what action was to be added at a later date.
Wow...
Why it was decided to do almost all the effects using CG is beyond me. Even ILM still employs miniatures sometimes. One of the most distracting uses of green screen in this film is the constant rushing about of (according to the end credits) the same group of people representing the citizenry of different towns and cities, including London. At times these folk are coming and going with no regard as to the angle of the shot or the distance they are from the camera. In one shot in London, there appear to be at least two men over six feet tall walking just behind the narrator's brother (played by star Anthony Piana without his distracting mustache). Not since GETTYSBURG have I seen such a fake piece of facial hair.
Wow...
Why Timothy Hines talked up this film the way he did is beyond me. It is a turkey, plain and simple. On the plus side (at least for me) it has provided some of the most genuine laugh-out-loud bits of hilarity I have seen in quite a while.
I picked this up at the local Wal-Mart after reading online that it had been released early. I've been following this online for some time, and just had to buy the film.
Wow...
I guess the thing that really struck me was the editing, or lack thereof. Time and again, characters (usually The Narrator and whoever he is with) are shown walking...and walking...and walking. I am not an editor, but I do know that you can cut between someone leaving point A to show them arriving at point B. There is no need to show almost the entire journey! Wow...
I actually ended up feeling somewhat sorry for the actors involved in this. They seem to have been given no direction as to what to do during scenes other than to look scared or look happy, depending on what action was to be added at a later date.
Wow...
Why it was decided to do almost all the effects using CG is beyond me. Even ILM still employs miniatures sometimes. One of the most distracting uses of green screen in this film is the constant rushing about of (according to the end credits) the same group of people representing the citizenry of different towns and cities, including London. At times these folk are coming and going with no regard as to the angle of the shot or the distance they are from the camera. In one shot in London, there appear to be at least two men over six feet tall walking just behind the narrator's brother (played by star Anthony Piana without his distracting mustache). Not since GETTYSBURG have I seen such a fake piece of facial hair.
Wow...
Why Timothy Hines talked up this film the way he did is beyond me. It is a turkey, plain and simple. On the plus side (at least for me) it has provided some of the most genuine laugh-out-loud bits of hilarity I have seen in quite a while.
Finally i thought someone is going to do justice to H.G. Wells's classic , not another version set in the wrong locale or era , but one based firmly on the book . Well it definitely follows the book pretty closely , and that is the only plus to this mess.
This is 180 Min's (yes 3 hours) long , the book is only around 150 pages .
If Timothy Hines had the nerve to come on here and say "if you can do any better ..." i would say "yes , i could" and i have never used a video camera or been to any sort or drama school in my life.
I paid good money to get this crap over to the UK from the USA , do not make the same mistake as me .
This is 180 Min's (yes 3 hours) long , the book is only around 150 pages .
If Timothy Hines had the nerve to come on here and say "if you can do any better ..." i would say "yes , i could" and i have never used a video camera or been to any sort or drama school in my life.
I paid good money to get this crap over to the UK from the USA , do not make the same mistake as me .
After hearing the word of mouth of just how bad this film is I took the plunge and bought the DVD. That said everything previously mentioned about this film is true. For a film that claimed to have a budget in the millions it just does not show on the screen at all. The list of problems with the film could drag on forever. Chief amongst them is the film is simply too long. It dragged on for a few minutes short of 3 hours. Nearly an hour probably could have been cut off the run time had the editor simply removed the overabundance of scenes dealing with nothing more then the main character wandering around aimlessly.
Secondly, as many had pointed out from the "trailers", the special effects are anything but special. The tripods looked OK in a few shots here and there but beyond that everything was grade-Z 1970's or 1980's quality. Probably the worst effects of all were the horses, which stiffly tottered back and forth as they moved. The heat ray effects were laughable, as people were reduced to bones that somehow were still able to flail about without any muscles. Also pitiful was the Thunderchild sequence, in which the Thunderchild, described in the book as an ironclad ram, looked nothing of the sort. Instead it resembled a World War 1 era destroyer, complete with deck guns (which fired but had no visible crew), and torpedo tubes.
The colors and backgrounds were just as bad as the effects. Most laughable of all was a scene early on in which the main character and his wife go for a nighttime stroll and he points out Mars to her in the sky. Well, the sky is black, but the views of the characters and the landscape around them is broad daylight. There is also a very sharp demarcation between the real landscape, bathed in full sunlight, and the fake black night sky with overly large fuzzy stars. To detract even further, the color of the scenes made no sense. In some they are bathed in orange light. In others green light. In still others it's blue light. In some instances the outsides are orange lit but the interiors of houses are green or blue. The frame-rate and camera is very shaky, giving everything a stuttering look.
Finally, the acting is overall sub-par. One man portrays two characters who's sole difference was one lacked a mustache. This led to some confusion at times as to who was who and where they all were. The English accents, even to American ears, are outrageous.
In summary, this movie could very well make a claim to being the worst film released in recent times. I have not seen Gigli or some of the other recent flops but this one, because of it's poor quality in every respect, must easily be worse then anything that mainstream Hollywood has put out. I would not be surprised if the movie makes it to the bottom 10 or 20 in the IMDb rankings. It's a pity that Mystery Science Theater is not still around.
Secondly, as many had pointed out from the "trailers", the special effects are anything but special. The tripods looked OK in a few shots here and there but beyond that everything was grade-Z 1970's or 1980's quality. Probably the worst effects of all were the horses, which stiffly tottered back and forth as they moved. The heat ray effects were laughable, as people were reduced to bones that somehow were still able to flail about without any muscles. Also pitiful was the Thunderchild sequence, in which the Thunderchild, described in the book as an ironclad ram, looked nothing of the sort. Instead it resembled a World War 1 era destroyer, complete with deck guns (which fired but had no visible crew), and torpedo tubes.
The colors and backgrounds were just as bad as the effects. Most laughable of all was a scene early on in which the main character and his wife go for a nighttime stroll and he points out Mars to her in the sky. Well, the sky is black, but the views of the characters and the landscape around them is broad daylight. There is also a very sharp demarcation between the real landscape, bathed in full sunlight, and the fake black night sky with overly large fuzzy stars. To detract even further, the color of the scenes made no sense. In some they are bathed in orange light. In others green light. In still others it's blue light. In some instances the outsides are orange lit but the interiors of houses are green or blue. The frame-rate and camera is very shaky, giving everything a stuttering look.
Finally, the acting is overall sub-par. One man portrays two characters who's sole difference was one lacked a mustache. This led to some confusion at times as to who was who and where they all were. The English accents, even to American ears, are outrageous.
In summary, this movie could very well make a claim to being the worst film released in recent times. I have not seen Gigli or some of the other recent flops but this one, because of it's poor quality in every respect, must easily be worse then anything that mainstream Hollywood has put out. I would not be surprised if the movie makes it to the bottom 10 or 20 in the IMDb rankings. It's a pity that Mystery Science Theater is not still around.
I guess I am better off than most of the people who commented on this film. I checked mine out from the local library, so I haven't lost $8.00.
I really wanted to see a version of the movie that was faithful to the book. While this version is faithful, it is so badly made that I could not continue watching it.
What is with the frame rate? At points it looks like they shot it at 24fps and then deleted every third or forth frame! There are a few shots were the characters skitter about so fast that I expected to here the music from the Benny Hill chase scenes.
The worst Dr. Who episode looks better than this. My friend in high school made better films with just a Super8 camera.
Very Disappointing.
I really wanted to see a version of the movie that was faithful to the book. While this version is faithful, it is so badly made that I could not continue watching it.
What is with the frame rate? At points it looks like they shot it at 24fps and then deleted every third or forth frame! There are a few shots were the characters skitter about so fast that I expected to here the music from the Benny Hill chase scenes.
The worst Dr. Who episode looks better than this. My friend in high school made better films with just a Super8 camera.
Very Disappointing.
Did you know
- TriviaAccording to the website owned by one of the the providers of the horses used in the film, the portion of the production involving their horses was shot on a horse ranch outside of Seattle. Other horses and carriages were shot at other ranches with large green-screen setups over eight weeks.
- GoofsAfter the narrator flees the pit after the Martians' first attack, the train that passes in the background is a late 20th century Americal diesel model rather than a British steam locomotive.
- Crazy creditsThe Copyright date is given as "MMDCCLVIII", which is the year 2758.
- Alternate versionsIn response to the criticisms over the 3-hour running time, a Director's Cut released that excises approximately 45 minutes of the original version.
- ConnectionsReferenced in DVD/Lazerdisc/VHS collection 2016 (2016)
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- H.G. Wells' 'The War of the Worlds'
- Filming locations
- Production company
- See more company credits at IMDbPro
- Runtime2 hours 59 minutes
- Color
- Aspect ratio
- 1.78 : 1
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