La Sapienza is the latest from Eugène Green, an American born, French filmmaker known for his highly theatrical, Bressonian films. Highly esoteric, the film will undoubtedly turn off many viewers with its intentionally stilted acting where actors often address the audience directly. My first experience with a Green film was Le pont des Arts, which was concerned with the transcending power of music beyond time and space. I was too, put off by this aesthetic choice at first, but got used to it by the middle and ended up adoring the film.There are no Altmanesque, overlapping conversations like in real life in the world Green creates. Instead, people talk in their turns, medium shot/reverse medium shot back and forth in dead seriousness, in order to...
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- 3/19/2015
- Screen Anarchy
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