Sex Traffic

It's easy to understand why someone who is starving and homeless might risk everything in search of a better life abroad. But there are countries in which, although they are poorer than the affluent west, people can get by. So why do their citizens endure the most appalling hardship as economic migrants and illegal immigrants? Blame it on the grotesque disparities in exchange rates, which mean that a year's savings in Britain might be a lifetime's in Moldova; but blame it also on our most corrosive export, the myth that sustains our own societies, that man can control his own destiny, that we can, that we must, always seek to make something more of our lives. The irony is that the pursuit of this dream can take all of us only further away from what matters: a place in which, and people with whom, we can be at home.

The subject matter of migration has been excellently served in recent years, through the wonderful Channel Four documentary, 'The Last Peasants', and through Michael Winterbottom's sublime film, 'In This World'. 'Sex Traffic' completes a noble trilogy, with its harrowing but sadly convincing script, fine direction and stunning performances from its leads: British actor John Simm and, in two more demanding roles, a brilliant pair of young Romanian actresses, Anamaria Varince and Maria Popistasu. Serious but also dramatic, this is an outstanding mini-series. I have only two relatively minor quibbles: the journalistic, pseudo-documentary feel is slightly overdone, especially in episode one (the story doesn't need such heavy-handed treatment); and the strange way the film stigmatises an American multinational company. It's perfectly reasonable to believe that the power of such companies is one the main causes of the economic imbalances that fundamentally drive migration; but this company is merely guilty of covering up the fact that some of its employees have done bad things (but of course, it's easier to blame a bogeyman than it is to blame ourselves, and our own outrageous share of the global wealth). Don't let these matters put you off watching one of the most outstanding, emotional, and important, dramas of the year.

I am saddened that this film could not be seen by more people. Yes, it is gritty. Yes, it is rough. But it will change your life and will make you want to change the lives of others. David Yates crafts the horrific images and reality of the sex trafficking world. He is a hero for affecting so many (or so few?) by taking on this task.

When the film was over, I wished there was a list of phone numbers of organizations I could call to help prevent these atrocities from occurring any longer. You will too. Please, instead of passing on one of those ridiculous emails, thinking that you will make a change, pass this movie on - it might actually get the job done.

I guess we just haven't been out of our caves long enough if these depraved specimens of human kind still walk among us. Whereas I could happily watch the traffickers neck deep in an ant nest there was one aspect that seemed a little odd. The price paid for these women seemed way low considering the ROI. I am naive enough to hope for some black ops assassin squad to clean up some of these slavers and at least put some mortal fear into the rest. Shame is that, as usual, those in power are usually enmeshed in this disgusting tapestry. An excellent film that is unfortunately wasted on the likes of us. We will be appalled then dismayed to the point of tears then look for the nearest comedy.

I came across this film while flicking through the TV channels one late evening. Funnily enough, my wife and I thought that we might have a night of romance before watching this film. However, after nearly thirty minutes of watching the terror unleashed on the women in this film, any thoughts of sex quickly disappeared from our minds. The film portrayed the truly tragic story of young east European women sold into the sex trade. After living in England for many years, there were some chilling reminders for me, such as the brothel in a normal residential street, and the east European gangs that operate in London's underground stations - all of which I have seen with my own eyes! Perhaps the most terrifying detail in this film was the level of sophistication of the gangs, resident in almost every European country, with far reaching contacts in the community. I would advise everyone to watch this film, as it is chilling reminder of the level of double standards in this world, and how corporations in war torn countries operate with total impunity, under the premise of "we're helping them with their reconstruction".

I have to apologize to you all if my English is bad. I will try to be the most understandable then ever. I just finished with watching the first part of this movie. No movie left such a powerful impression on me as this one. I was crying like a baby. And those tears were not the result of happiness. I do not want to talk about production. That is not important. Important is the thing that there are some people, girls, and they are just like Lena and Vara, but not in the movie yet in real life. How we could help them? What can we do for not happening these things to some girl? It is awful...really awful. And I am ashamed for being a human!