Dangerous Parking

Having been recommended this book by friend I did the usual and tracked down the movie version. Good move on my part, and thanks to my friend.

'Dangerous Parking' tells the story of a man named, Noah Arkwright, a (fictitious) successful independent film director, who after a long drug fueled orgy of a life, decides to trade it all in for rehab, sobriety, and the stability of a nuclear family. Yet his struggles to maintain his power over addiction become only secondary to a much more grave struggle, an illness that his addictions to drugs and alcohol have already put on him before he could sober up.

The entire film is narrated by Arkwright, sometimes in the first person, yet in many scenes he narrates as if he's an outsider watching himself act out a scene in a movie. The moments where he separates his narrative voice from his character in the film are positively brilliant and usually serve to bring humor to the situation quite effectively.

While the movie is mostly light on drama and heavy on comedy for the first three-quarters of the film, the last quarter of the film takes a decidedly darker tone, a tone which I didn't anticipate considering the majority of the film before that point had been comedic and humorous. This movie is both comedy and drama, emphasis on comedy (specifically dark comedy and British humor), with a dramatic conclusion to top everything all off.

The story structure is chronologically broken, consisting of several out of sequence scenes, often intertwined with flashbacks of Arkwright's life. It's quite simple and easy to follow the plot because Arkwright's narration sets up each scene rather well for the viewer but his narrations don't reveal everything leaving some rather fantastic surprises for the viewer to discover on his or her own.

The acting is fantastic, really, really amazing. Peter Howitt, who assumes the role of the protagonist (in addition to writing and directing the film) is stunningly powerful in this role. This performance is truly an achievement in acting, and if Howitt won awards for his work in this film I would be very deserved. Howitt's performance can only be so well appreciated due to him being surrounded by a great cast with equally well done performances. Saffron Burrows and Sean Pertwee put in top performances as well which only strengthen the absolutely flawless acting accomplished by Howitt.

If you are in the mood for a drama but don't want a heavy or overly serious drama there is no better film than 'Dangerous Parking' to watch. If you are in the mood purely for laughs I would recommend on holding off on watching this film as there are many moments where laughing is anything but appropriate. This is one of the best combination of comedy in drama in a film I have experienced in quite some time, truly refreshing, and any avid film viewing individual should not pass this movie up.

10/10. Will be recommending, the movie version, to all of my friends.

In some ways Peter Howitt's work of (undiluted) genius is a counterpart to Truffaut's "La Nuit Américaine", although it's kind of an updated version. Following the other reviewer's suggestion I would say it's the "Trainspotting" version of it. If there ever was a portrait of a filmmaker on film, this is it. This film should be required watching for everybody who loves films and who wants to know how it is to make one. And yet it's so much more. It's a huge portion of life squeezed into 110 minutes of yours. It's amazing, it's f.....g brilliant (as a German I'm hesitant to use swearwords, but hey) it's a ride-of-a-lifetime it's so much more than in my humble words I would ever be able to describe. I watched it in Tokyo on the film festival and one hour after I left the screening I started to cry, in the middle of a crowded street. Or no, I laughed and cried at the same time. Actually I thought they might arrest me, but nothing happened. Maybe they felt pity for me, or thought people do that in Europe - but what they didn't notice was, it was a GLORIOUS crying, because I realized, in an instant, how wonderful it is to be alive. What a film.

What an unexpected Gem, British film making minus Danny Dyer minus Guy Ritchie minus Colin Firth = ' Excellent ' … Don't switch off after the first 5 minutes as this could be our typical British flop. Narration,, freeze frame ,, loser introspective rewind, loads of swearing, attitude, over use of flashback etc

However the film draws you in . And succeeds through the bombastic central performance from its lead Peter Howit through the effective use of narration and non chronological story telling, all too often exploited in modern cinema

On reflection this is a modern day shakespearean tragedy .. A triumph in modern cinema which succeeds in making you laugh whilst conveying a very sad and poignant message of one mans search for redemption

With a raw honesty served on a plate of hilarious self destructive loathing the narrator introduces his world of drug fuelled decadence with at times hilarious results, before his admission to rehab in an effort to resurrect his life . The latter part of the film turns decidedly dark and is at times difficult viewing so be prepared for an emotional roller-coaster..

Try and imagine Ivan's XTC meets Trainspotting meets Witnail and I ? I !

A MUST SEE

I have read the book after seeing the trailer for the movie and wasn't overawed by it, but last week saw the movie and I have to say that Mr Howitt has created a work of genius.

He has managed to take all the tat out of the book and turn it into one fantastic movie. Admittedly it would be difficult to follow with the time flips if you hadn't read the book and the film is based in the UK as opposed to the US in the most part in the book.

But what a movie. Shocked by the ending, but what a ride all the way there. It was a movie that stayed with me all day the next day after watching it - it made me laugh, cry and feel emotive towards Noah - the anti-hero.

It will be the next Trainspotting for cult status. It was the only film in an awful long time that I wanted to watch again the next day to absorb everything that went on. Peter - you have managed to turn a good book into a wicked movie. I just cannot understand why it wasn't bigger, when you see the tat that the big studios release and earn millions - why was this not one of them? Wonders never cease.

My name is my own!

I must say that coming out of the screening for Dangerous Parking is one of the rare occasions where I have genuinely been 'moved' by a film, so I think that coming out saying "I really enjoyed it....It was a great movie....What a great performance etc etc" now seem like stock and clichéd responses to a film that deserves so much more.

I find it hard for anybody who has lived, loved and lost, not to be profoundly moved and affected by Dangerous Parking. It is one of the most honest, real, raw and beautiful films that I have ever seen about the human condition, warts and all. Peter Howitt gave a performance that was, to most Oscar nominated male leads, what junior school nativities are to RSC performances. He gave a blistering, acerbic, and - in more ways than the literal - naked, performance. It demands to be noticed and acclaimed.