Two for the Money

Al Pacino stars with Matthew McConaughey and Rene Russo in "Two for the Money," a 2005 film directed by D.J. Caruso.

Pacino plays Walter Abrams, a man with a serious heart condition, a wife, and a child. As his wife says, "he's held together by meetings. If it has an "anonymous" after its name, he goes to it." A former compulsive gambler, he now runs a sports betting business. He becomes interested in a former football player, retired due to a knee injury, named Brandon Lang (McConaughey). Lang gives out accurate predictions and point spreads on a 900 line, and Abrams invites Lang to work for him.

Lang moves to New York, where Abrams changes his name to John Anthony, dresses him professionally, and ultimately puts him on television. Anthony is very successful - the business gets a percentage of every win, and Anthony does very well by his clients.

Unfortunately, as Abrams himself says, Anthony is not a psychic - which Anthony seems to forget, becoming too interested in golf games with his clients instead of research, and the inevitable happens. "John Anthony" then must come to terms with the complex man he's working for and how and if he's going to get back in the game.

This is a good-looking film with Pacino sucking out all the air in the room, overpowering both McConaughey and Russo with his take no prisoners acting. McConaughey is one hot number, and there was a time, when he first started acting, that he wanted to be another Paul Newman. Then he was pulled into chick flicks. The result is a successful career but not necessarily a successful acting career. Therefore he's not really a good match for Pacino.

Jeremy Piven plays another analyst who works for Abrams, and he does an effective job, as does Armand Assante, a bettor who doesn't like to lose - he's really excellent in a short role.

But Pacino rules - you can sense this man's volatility and you have no idea what he's going to pull next. This is definitely a film for Pacino fans. It's not terribly original, but there are some good scenes and some witty dialogue.

Al Pacino continues his run of starring alongside a younger rising star. In Two for the Money he plays Walter Abrams, domineering, highly strung sports book adviser and former gambling addict with a dodgy heart.

Matthew McConaughey plays Brandon Lang, a former American Footballer whose out of the game permanently due to a knee injury but has an instinctive ability to call the game and game-plays.

Abrams takes Lang under his wing as his protégé, grooming him, shaping him, changing his clothes, style and even his name as Lang picks winners and attracts big time gamblers who bet more on more each week.

The film itself is standard text of a sports drama film with first you see the coaching of the young star, then his swift rise to the top and then the catalyst that leads to a decline before the film heads for a finish.

In this case Abrams refuses to share the wealth with Lang who is now attracting high rollers and Lang hits self destruct and starts to pick losers affecting the company and his clients who are losing big time. Of course from very early on from Pacino's full on performance as larger than life Abrams, this is a person you can never keep up with and he is in fact warned early on by Abrams's wife played by Rene Russo.

Of course the biggest problem from the outset is that we see Pacino play these characters before and you see a trail already as where this film is going. Also we have to swallow just because a person has played the game, understands the game he can call the game. In that case, surely other footballers could do the same? Sports is based on many factors such as mistakes, slips, bad calls and incidents rather than pure skill from the other side, it what makes the game exciting and difficult to predict.

So what starts as mildly interesting is as predictable as a tame roller coaster ride. Nothing too exciting but both leads have charm enough to keep you watching.

Two for the Money is a decent, diverting picture. The material at times seems a little beneath these fine actors, but the film ends up hitting enough of the right notes to make it worth seeing.

Matthew McConaughey would seem a little out of his league on the same screen with Al Pacino and Rene Russo. By the end of the film, you will most likely feel that he's more than held his own, however. McConaughey plays a former college football star who sees his chances of a professional career destroyed by a serious injury. He quickly finds himself picking college football games for a low-rent betting line. With all of his past experience as a player, he does quite well with it. Well enough to attract the attention of Al Pacino, who runs a more up-scale operation in New York. By the end of the first half hour, McConaughey is picking all kinds of football winners, and making Pacino a ton of money. As you would expect, this success does not last very long as various egos spiral out of control and the betting gods turn on our heroes as they eventually do to all of us. The film is more of a character study about the minds of gamblers and lost identity than it is about the workings of an actual betting organization. Overall, it works on a couple different levels.

Pacino is fine, but not as out of control as you might hope. His character has a bad heart, so any typical Pacino tantrums are not really in order for him. He brings as much dignity as one could to the role of an addicted gambler, though. Rene Russo is terrific as his long-suffering wife and a former junkie. Pacino at some points seems to be trying to lose her to McConaughey. He being one of those terribly afflicted gamblers who only feels alive when he's just lost everything he wagered. The supporting cast is pretty good, too. Jeremy Piven is always appreciated, and so is the appearance by Armand Assante.

The best scene in the film takes place at a betting support group meeting that Pacino and his new protégé walk in on. Pacino, being a hopeless gambler himself shows empathy toward these degenerates, then has the nerve to pass out his business card to them!!! The logic I guess being that if you people have to lose, you might as well do it through a fellow degenerate gambler.

The biggest flaw I noticed was too many shots of McConaughey without his shirt on. Yes, the guy has great abs, but we don't need to see so much of them!! Overall this is a good film with some interesting things to say about people who bet. Notice how in the end, the "experts" are really just like the guys they take calls from. During the big games, we're all just sitting there with a beer in our hand, hanging by every first down or dropped ball.

7 of 10 stars.

The Hound.

Six years after a career-ending injury, former college football player Brandon Lang (Matthew McConaughey) is doing little more than a phone service for gamblers. After some amazing success, he is lured to NY to join Walter Abrams (Al Pacino) in his business of gambling predictions. It's a fast talking adrenaline junkie's business and Walter's wife Toni (Rene Russo) tries to keep ever present dangers in check.

The story isn't that exciting. The characters are questionable. The big takeaway is the acting. Matthew McConaughey is a master of this brash young guy. He works well with the master Al Pacino. Al has more intensity than the rest of the cast. And Rene Russo has that superior regal airs about her. The movie starts well, but it does slow down around the middle. It is just too long, and the second half gets quite tiresome. Maybe the Pacino intensity wore me out. At the end, I really didn't care about anybody in the movie.

Al Pacino carries this film all by himself.

I can't think of a way that this could have been made without Pacino. Sure, Matthew McConaughey and Rene Russo gave convincing performances, but Pacino makes you feel sorry for the miserable, empty shell of a man he is.

The plot was amazingly intricate and well carried, but (once again) without Pacino it would not have been delivered nearly as well. I think that they should have found a way to include a small explanation as to how sports betting works, so the fans who came in just to see Pacino would be able to understand how it works. Also, at times the movie just dragged on and on and on...

I still think that Al Pacino is that movie. Pacino really extends himself the way he always does to keep the movie alive and moving. His character was one of the most miserable men I have ever seen, and while i hated him, I still identified a small part of myself with him, and that is the sign of a truly great actor.

7/10