Le guerrier de jade

I heard about this movie over a year before its release, and followed the progress of the project with mild curiosity throughout the production. When it finally premiered, I expected to see a campy martial arts film with tongue-in-cheek action sequences, and a feeble plot. What I got was the opposite; the movie turned out to be much less of a Kung Fu film than it was cracked up to be, but I was pleasantly surprised with the plot and the character development. Thus, I left the theatre with mixed feelings, though my general opinion of the movie was more on the positive side.

The first third of the film is rather... odd. It opens with a stunning scene set in ancient Finland, but when the story shifts into modern times, it temporarily loses its touch. The plot is dragging, and characters are introduced in a way that leaves the viewer confused about who they are, what they want, and what has happened to them prior to point where the story picks up with them. I suppose it's the director's fault that half of the time everything the characters do feels irrational and pointless. However, when the plot line set in ancient China kicks off, the quality of the movie immediately improves. The parallel stories support each other, the main character gets more depth, and the pace of the story becomes steadier. By the end of the movie, the two plot lines have neatly entwined into a coherent whole, providing the story a beautiful finale in perfect contrast to the messy beginning. In the end, the plot manages to even out its flaws, though only scarcely.

What I particularly liked about Jadesoturi was the delightfully original plot. Generally speaking, the plots of Kung Fu movies aren't exactly epitomes of originality and great character development, and I expected that the makers of the first and only Finnish Kung Fu movie ever wouldn't even need to bother themselves with a proper script as long as the action scenes work. That's why I was surprised that not only did Jadesoturi manage to tell a tremendously humane story about a man's fear and desperation when facing the inevitable, it also provided believable character development and an unexpected twist ending. And all free of the typical Hollywood clichés! The hero isn't your average sword-shielding action god, but a lonely, insecure man with a painful desire to love and be loved, who consciously disregards the greater good in order to pursue personal happiness. Even his name is an apt pun - Kai meaning "perhaps", and the 'pelko' part of his surname Pelkonen meaning "fear". His inner conflict is the heart of the movie, and the one thing that sets this movie apart from all the rest.

In addition to the good plot, the movie contains lots of beautiful imagery, like the shots of Kai's rundown workshop, and the secluded Chinese village. The action sequences are quite stunning, though more artistic than realistic. I also liked most of the actors. These are the reasons why I personally enjoyed the film enough to be able to forgive the movie for its flaws - such as the weak beginning, the pointless subplot including Ronja and Berg's co-worker, and the Worst Evil Scheme Thought Up By A Villain Ever (seriously, am I the only one why is still confused about what the demon was trying to achieve with his cunning plan in the first place?). Jadesoturi has also been criticized for the lack of Kung Fu scenes, which are limited to the minimum. I personally think the problem isn't the lack of martial arts itself, but the fact that it was marketed as a Kung Fu movie even though the emphasis was on the drama, not on the action. It's more of a fantasy/drama film with Kung Fu elements, rather than the reverse.

My opinion? Jadesoturi is an interesting movie, but not an outstanding one. It has plenty of flaws, but also an original story to tell.

There is an old Soviet joke where the punch line is that all is quiet on the Finnish-Chinese border. That is where, psychologically at least, this film is set. It is a pioneering Finnish- Estonian-Chinese co-production, which takes the Finnish national epic, the Kalevala, as its starting point.

It was clearly made on a limited budget, without much provision for travel. The result is that, in effect, we have two films with parallel plots and casts, one set in ancient China and one in a sort of modern Finland, where most of the action is divided between a junk shop, a museum and a subterranean forge. Only Tommi Eronen, who plays both protagonists, Kai and Sintai, appears in both parts. The dialogue is split roughly 50:50 between Finnish and Chinese. In style it is much more Asian than Finno-Ugric - swords-and-sorcery with mysterious sacred items, along with the aerial acrobatics and severed heads that have long characterised Asian martial arts flicks.

I found it intriguing rather than gripping or exciting, and had to work quite hard at times to follow it. Some of the symbolism was mystifying. Why was a yellow plastic duck floating in a barrel in the forge? What is the significance of the fly on the face of a dumb, or at least silent middle-aged woman? Still, trying to work out what is happening brings pleasures of its own. And much about the film deserves praise – the acting is generally good, the special effects work, and the costumes and settings looked good, though without a real wow factor. The musical score fitted the film until the very end, when an English-language rock theme tune rapidly dispelled illusions which had taken nearly two hours to build.

Six out of ten.

I can't understand why so many movie fans from Finland loved this film,in my opinion,"Jade Warrior" is the worst so-called blockbuster I've seen this year!Not only me,but also most people of China who have seen it.

It is said that the story of "Jade Warrior" came from the myth "Kalevala" of Finland.As to the story which is adapted from the myth,I have to say,it's attracting,here is the general storyline :2000BC,Sintai,son of a blacksmith,has the power to destroy the 10th son of the Monster and eradicate the evil,which survived from Sintai's selfish desire,for he falls in love with a beautiful Chinese girl named PinYu before killing Monster's 10th son.But PinYu has already been engaged to another man,Sintai expects to see PinYu in his next life,which he wants to repeat again and again until she loves him.Unfortunately,love always comes at a cost,which is to let the 10th son of Monster slip away so that he has the chance to meet PinYu.Sintai did it over and over in his every new life,and so does the evil doing harm to the human being.Eventually,Sintai realizes that he couldn't satisfy his own desire while disregarding the entire human beings' safety.Once,in Sintai's new life of modern time,who is named Kai,made up his mind to kill the 10th son of evil finally,after which he has to leave his lover.

The storyline is beautiful,however,As to the film,"beautiful" deteriorates to "awful",and I doubt how many people understand it under the the director's awful direction.So many direct flashbacks between the past and the present,which easily make the audience confused,and the dialogues,which sounds almost retarded,Especially Sintai/Kai in his Chinese talking,it's not people's usual talk at all!!!I am not pointing his strange accent,I mean his words meaning.

About the love between Sintai and PinYu,at the beginning,PinYu refused Sintai,then without a day,PinYu changed her mind and decided to marry him!!!What happened??Not enough pavement for her behavior,and there are so many sudden turnings like this.I guess that may be the main reason we are not touched by the love story.

Let's focus on the most acclaimed parts,the kung fu scenes and cinematography,oh,god,if that were kung fu,"Hero" and "Crouching Tiger,Hidden Dragon" must be the best film in the world ever!!!!!!!when they fight,it's like two people dancing slowly with the music!!How ridiculous is that!!!And the cinematography,I would say it's just OK,without a engrossing,lively screenplay attracting the audience,best cinematography counts nothing.

During watching "Jade Warrior",the audience just sit there,trying really hard to understand actors' every abnormal behavior,how tired the audience are!!

Last year,we talked about "Mo Gik",and considered it as the worst legendary movie about myth of 2005.Today,I would say,"Jade Warrior" has already won the title of 2006,sorry.

A good story is not properly laid out,what a pity for "JW",the director's fault?maybe.

The movie mixes together Finnish and Chinese mythology, a very interesting and definitely unique basis. Visually the fighting scenes were excellent and I really enjoyed watching them, there just were too few of them. Of course it's good that the movie is more than just fighting, so there would be plenty of time to tell the - as said, interesting - story. Two stories are told at one time, one from ancient China and the second from present-day Finland, and they mixed very well together. But unfortunately the characters remain blank through the whole movie. I didn't get anything out of them, though the story made me yearn to know everything. The characters are captivating, especially Pin Yu's person and Kai's and Ronja's relationship, but too much stays as a mystery. The beginning half is very entertaining and makes your imagination fly. But then the movie becomes disordered and the spectator becomes confused. There are lots of things that are left unexplained, and some things don't seem to have anything to do with the movie. Sometimes it feels like 'a scene has now been cut away from here, and it would explain what I now don't understand.' Those missing little parts didn't start to haunt me after I went to sleep though, the movie wasn't that special. It was definitely entertaining, worth watching, but perhaps not twice. A big plus for the imaginative theme, good music and the courage to do such a film.

We haven't seen any attempts to combine Kalevala, the old stories, gods, myth, etc with any other culture or epic before. This film deserves a high rating score for being bold enough to try and manage it quite well indeed. A different kind of movie, feels and tastes fresh, contains enough little oddities and elements to be of cult stuff. I hope somebody will take it from here: develop the excellent old stories even further into something equally fresh. Same thing could be done with the equally rich stories of Aesir and the norsk gods etc. Along the lines of Neil Gaima's "American gods" and other such brilliant works.