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7.2/10
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Momoko, a strange and seemingly emotionless girl obsessed with 18th century France, befriends a Yanki biker and the two experience the ups and downs of their unusual lives in a rural Japanes... Read allMomoko, a strange and seemingly emotionless girl obsessed with 18th century France, befriends a Yanki biker and the two experience the ups and downs of their unusual lives in a rural Japanese town.Momoko, a strange and seemingly emotionless girl obsessed with 18th century France, befriends a Yanki biker and the two experience the ups and downs of their unusual lives in a rural Japanese town.
- Director
- Writers
- Stars
- Awards
- 14 wins & 3 nominations total
Kyôko Fukada
- Momoko Ryugasaki
- (as Kyoko Fukada)
- Director
- Writers
- All cast & crew
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Maybe the one and only movie with a theme about Embroidery, that still can be considered "cool". Kyoko Fukada as cute Lolita-look Aficionado and Anna Tsuchia in a tough Biker-Gang Wardrobe make up a most strange, yet sympathetic pair of friends. Makes you laugh, makes you feel warm, yeah, even nostalgic. "Kamikaze Girls" is the archetypal essence of Manga-Culture come alive, pure J-Pop Fanservice in psychedelic, overbidding videoclip visuals (including one hysterical Anime story sequence), and one of those rare movies, where you don't ever want to see the credits. Also features a great entrance by my favorite Pin-up Idol Eiko Koike.
A completely enchanting and engrossing comedy-drama about two 17 year old girls, vastly different from each other (one a self-absorbed dreamer with a love for Rococco period fashion and behavior; the other a rebellious biker chick), who become friends and change each other's lives. The film makes the most of this simple plot line, and it's the compelling personalities of the characters, beautifully overplayed by Kyoko Fukada and Anna Tsuchiya, respectively. The film is told through a color-saturated visualization and stylish direction by Tetsuya Nakashima, who adopts a manic style not unlike that of Jean-Pierre Jeunet in AMELIA or Tom Twyker in RUN LOLA RUN, with jump-cut flashbacks, bizarre cut-aways and edits; the effervescent vitality of Nakashima's direction coupled with the performances of the lead and supporting cast really make this film a fascinating and repeatedly watchable experience. Also of note is a terrific score, which varies from J-Pop to American hard rock and punk, to classical (one fight scene is set to Strauss' Blue Danube) and really sets the film's aural tone and pacing; Yoko Kanno (MEMORIES, ESCALFLOWNE, GHOST IN THE SHELL: STANDALONE COMPLEX, and Nakashima's previous SUMMER TALE) is responsible for the underscore and several of the songs.
The story is about a girl who goes to Tokyo to buy her Lolita clothes, and the moped gangster girl she very unwillingly befriends. This movie is funny cute and sexy. Laughed a ton, and then got misty eyed too. A great Thelma and Louise kinda female bonding movie. Haven't seem T&L though, so don't take my word for it. The camerawork and cinematography, wait, the entire storytelling is funky and pop, but it's such a good story. Glad to have caught the last showing. The climax is surreal. But so is everything else. it's a movie driven on fashion, but the plot is knit tightly :) And still I wouldn't care, these two girls are both incredible. Very hot, very hot. A classic for Japanese pop culture conoisseurs. A decent story for all others.
This a well-done girls' coming-of-age tale, like a Japanese 21st-century Alice in Wonderland - one Lewis Carroll would probably have liked. And I presume whoever gave the Kamikaze Girls title to the American edition would have titled the Alice work Kamikaze Alice. The underlying themes are independent thinking, the value of friendship, and the need to pursue one's creative impulses while critically evaluating surrounding people and opportunities.
Most the adult figures in the film are - in one way or another - failures. Though seen in an exaggerated, humorous, or empathetic light, they serve as guideposts to the two girls who come to realize that salvation (or "sallvation" as Ichigo misspells it for emphasis) lies not in following the crowd, not in seeking leaders' approval, but in following one's own dreams - as much as they can be realized in this limited, 3-dimensional, mortal world.
Early in the film, I feared it was headed to be too sweet, especially with the main characters being Momoko (Peaches) and Ichigo (Strawberries). But this sweetness is quickly counterbalanced with the challenges and adventures they face.
This is a fun and very unique film, good for people of all ages. In ways, it's set in a society that seems closer to the U.S. of the 1950's - around the "beat" and the James Dean eras, when youth could be wild without police being called, and yet neighborhoods could leave front doors unlocked without fear and kids could even hitch-hike - an age of greater homogeneity when America had some cultural unity and - with exception of its black-white scar - was not afraid of itself.
I obtained this film, by the way, in VCD format (not the best, but adequate), I believe, from HKFlix. I couldn't find it anywhere in DVD format.
Most the adult figures in the film are - in one way or another - failures. Though seen in an exaggerated, humorous, or empathetic light, they serve as guideposts to the two girls who come to realize that salvation (or "sallvation" as Ichigo misspells it for emphasis) lies not in following the crowd, not in seeking leaders' approval, but in following one's own dreams - as much as they can be realized in this limited, 3-dimensional, mortal world.
Early in the film, I feared it was headed to be too sweet, especially with the main characters being Momoko (Peaches) and Ichigo (Strawberries). But this sweetness is quickly counterbalanced with the challenges and adventures they face.
This is a fun and very unique film, good for people of all ages. In ways, it's set in a society that seems closer to the U.S. of the 1950's - around the "beat" and the James Dean eras, when youth could be wild without police being called, and yet neighborhoods could leave front doors unlocked without fear and kids could even hitch-hike - an age of greater homogeneity when America had some cultural unity and - with exception of its black-white scar - was not afraid of itself.
I obtained this film, by the way, in VCD format (not the best, but adequate), I believe, from HKFlix. I couldn't find it anywhere in DVD format.
Nakashima Tetsuya's wonderful "Shimotsuma Monogatari" (Shimotsuma Story) is quite a unique and charming film. I had my doubts at first but the film turned out to be a refreshing surprise. Mixing anime, quirky narrative, inventive storytelling, outrageous comedy and Japanese Pop Culture charm this movie is a really endearing movie.
Stylistically, as others have noted, it does recall movies like "Trainspotting" and "Run, Lola, Run" but I think "Shimotsuma Monogatari" is much closer in style to Yaguchi Shinobu's "Swing Girls" and "Waterboys", both of which are also really wonderful.
J-Pop singer/actress Fukuda Kyoko is infectiously cute as Momoko, the "Lolita" fashion obsessed girl with a naive yet surprising take on life. Her French 17th Century (Rocco) styled fashions are at times oddball and avant-garde and yet surprisingly cool looking that it's little wonder why American Pop Singer Gwen Stefani has drawn inspiration from this fashion trend for her L.A.M.B. fashion line and to dress her Harajuku Girls.
Anna Tsuchiya is also a wonderful surprise as Ichiko/Ichigo, the tough talking "Yanki" Sukeban with a heart of gold. She has most of the best lines in the movie and is also quite a cutie (behind the Sukeban makeup).
The only criticism I have for the film is the stupid American title "Kamikaze Girls". It really doesn't do justice to the film at all and is a real turnoff as it brings to mind a "Yakuza" film or perhaps a war picture in a stereotyping tongue-and-cheek way. Why not just call it simply "Momoko and Ichigo" (i.e. Peaches and Strawberry) or some other title that is a bit more relevant.
Other than that this film is a pure joy and delight and a welcomed change to Japanese cinema.
Stylistically, as others have noted, it does recall movies like "Trainspotting" and "Run, Lola, Run" but I think "Shimotsuma Monogatari" is much closer in style to Yaguchi Shinobu's "Swing Girls" and "Waterboys", both of which are also really wonderful.
J-Pop singer/actress Fukuda Kyoko is infectiously cute as Momoko, the "Lolita" fashion obsessed girl with a naive yet surprising take on life. Her French 17th Century (Rocco) styled fashions are at times oddball and avant-garde and yet surprisingly cool looking that it's little wonder why American Pop Singer Gwen Stefani has drawn inspiration from this fashion trend for her L.A.M.B. fashion line and to dress her Harajuku Girls.
Anna Tsuchiya is also a wonderful surprise as Ichiko/Ichigo, the tough talking "Yanki" Sukeban with a heart of gold. She has most of the best lines in the movie and is also quite a cutie (behind the Sukeban makeup).
The only criticism I have for the film is the stupid American title "Kamikaze Girls". It really doesn't do justice to the film at all and is a real turnoff as it brings to mind a "Yakuza" film or perhaps a war picture in a stereotyping tongue-and-cheek way. Why not just call it simply "Momoko and Ichigo" (i.e. Peaches and Strawberry) or some other title that is a bit more relevant.
Other than that this film is a pure joy and delight and a welcomed change to Japanese cinema.
Did you know
- Trivia"Himiko" is the name of Japan's first "historical" Empress. Himeko was reported in Chinese histories as the ruler of Japan during their Wei dynasty, dying in 248 AD. Being a woman ruler and priestess (as reported by the Chinese), she is something of a feminist icon in Japan. Also, like the Himiko in the film, she is believed by some to be mythical.
- Quotes
Ichigo Shirayuri: Hey, Momoko. Women shouldn't cry in public.
Momoko Ryugasaki: But there's no one here.
- Crazy creditsAt the end of the film, Momoko and Ichigo pose together in a photo booth.
- ConnectionsReferences Combat sans code d'honneur (1973)
- How long is Kamikaze Girls?Powered by Alexa
Details
- Release date
- Country of origin
- Official sites
- Languages
- Also known as
- 下妻物語
- Filming locations
- Ushiku, Ibaraki, Japan(location)
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $34,424
- Opening weekend US & Canada
- $2,795
- Sep 11, 2005
- Gross worldwide
- $5,290,748
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