The Trouble with Dee Dee

I sat through this amateurish mess at the Rhode Island Film Festival and dear god, it was tedious. The lead actress is actually quite charming, given what she has to work with; but there is simply no getting past a script this bad. The characters are one-dimensional and cartoonish -- DeeDee the crazy cutup, the stern patrician father with a hidden sensitive side -- and the story simply doesn't make sense. Particularly laughable are the "board meetings," scenes clearly conceived by a writer who has never been inside a boardroom and whose idea of this world comes straight from television. I haven't heard dialogue this hackneyed in a long time. If you make it to the mawkish ending, you will be punished for your patience. Never, never see this film.

A must see comedy that will have you shocked and laughing all at once. Lisa Ann Walter as Dee Dee Rutherford is absolutely outrageous and audacious. She takes us through the restrictive obstacles of modern living e.g. driving within the speed limits-and her responses are an imaginative spin on normal acceptable behavior. Things get a bit tough on Dee Dee when her father retires and decides it is mano a womano with his daughter. Her father, like old King Lear, strips his only daughter of everything, food, money, shelter until she decides to live according to daddy's rules. Dee Dee cannot and will not be tamed. with hardly a shrug she says okay, fine. I don't need it anyway. And she doesn't. a rollicking and tender hearted ending ensues wherein DeeDee reunites everyone by giving them a bit of what they want from her. Ms Walter deedeelightfully carries the day in this feature.

Thank you all for your comments both positive and negative. This industry thrives on people talking about our movies. I'd just like to address a comment from an otherwise spot-on remark from "dedmouse." Thank you for defending me but the editing that so bothered you is ENTIRELY my "fault." I do not believe in "the line" that most filmmakers find it taboo to cross. I believe today's audiences have seen enough filmed entertainment and behind-the-scenes documentaries to understand they're not watching a play but looking through a camera that can be moved and are no longer prone to becoming disoriented when the camera captures something from the other side of a scene. I may be wrong. It does certainly seem to be disorienting to filmmakers. Also, in terms of the shots going from CU to master to over-the- shoulder in a slipshod way, you may be right. My priority was the actors' performances. Whatever brought out the best verbal timing, best reaction, facial expression, tone, etc. won out over issues of visual pacing and was placed in the movie. It was simply my priority. I was heavily involved with the editing and was the final word on editing decisions. It's entirely possible that these were lousy decisions - I just thought it would be in the spirit of these comment pages to let you know that they were on purpose and that they were my call. --Mike Meiners, Director

Why can't all comedies be this good? I loved this film. Lisa Ann Walter gives an amazing performance -- her "Dee Dee" is completely charismatic: brash, blissfully un-self-conscious, irrepressible, warm-hearted, stubborn, sassy and hilarious. Kurtwood Smith as her father is the perfect foil for her: the two of them are like oil and water. It is obvious from the beginning that neither character truly "gets" the other--and isn't that true of most parent/child relationships? Through all of the film's kooky twists and turns, Mike Meiners' deft hand at the camera and his right-on-the-money script carry us along with Dee Dee and her father as they develop a real understanding of themselves and of each other. By the end of the film, after laughs galore and several very poignant scenes too, father and daughter have forged a connection they never had before. The film yields up so many comedic gems: the director's own turn as the persistent cop who is increasingly frustrated by Dee Dee is one of my favorites of these -- as is J.P. Manoux's hilarious turn as Dee Dee's ever-faithful "help," Yugo, and Mason Gamble as Dee Dee's gay son Christopher, who does "get" his mother and in a great bit of role-reversal often finds himself having to act as the parent figure in their relationship. The soundtrack is wonderful -- quirky and evocative without being intrusive. Mike Meiners displays a profound understanding of the misunderstandings that can plague parents and their children and tells his story with humor and with heart. For a first full-length feature film, this work is impressive indeed. I look forward to Meiners' next project!

This movie is a riot - we were lucky enough to see it at the Chicago International Film Festival and the entire audience laughed out loud throughout the film. Lisa Ann Walter (playing Dee Dee) is a comic genius: She brings so much dimension to the character. Dee is crazy, lovable, annoying and courageous all at once. She's so "out there" that you just can't help but root for her. Kurtwood Smith gives a powerful performance as Dee Dee's father. The scene in his painting studio/office where he "loses it" was superb; and the one in the hospital with his loyal assistant Stuart (played by Jeff Clampitt)is great also. The rest of the cast is excellent too. Keep a watch out for J.P. Manoux, because he is going places for sure. This is Mike Meiners' first full feature movie, but it does not show at all. The directing, editing, etc. is top-notch, and the soundtrack is awesome. I really hope others get to see this film - it is laugh-out-loud-funny. Mike Meiners' full-feature debut is a hit.