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6.4/10
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The Wongs struggle to cope with life, love, and family dysfunction in the suburbs of New York.The Wongs struggle to cope with life, love, and family dysfunction in the suburbs of New York.The Wongs struggle to cope with life, love, and family dysfunction in the suburbs of New York.
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This movie is great and has a lot of heart. It focuses on one Asian American family, and of course, each family member has a distinct personality and set of issues. Red Doors is able to touch on these different characters and themes in a substantial and meaningful way. You walk away from the film feeling moved and that it did justice to all the characters and issues they dealt with. Additionally, this movie represents several groups that often do not receive much attention or coverage in Hollywood. For instance, minority groups, specifically Asian Americans are not a prevalent group in film today. Lesbians also do not have many positive representations of them on screen. This movie, however, is able to address both of these groups as well as other issues in a deep and moving way. Everyone should see this movie!
The story of a Chinese-American family experiencing transition. The father retires, the three daughters make changes in their lives, and the entire family begins to discover their true selves and what truly matters - family and love.
Some of the descriptions call this family bizarrely dysfunctional - but really there is nothing outlandish or extremely unusual going on. Just people finding their way.
The dinner scenes made me wish I was there - so much yummy food prepared lovingly by a caring mother. People from large families that eat together in a traditional way might take it for granted. But those of us whose families never sat and ate together, long for that kind of togetherness (and home-cooked food).
Some of the descriptions call this family bizarrely dysfunctional - but really there is nothing outlandish or extremely unusual going on. Just people finding their way.
The dinner scenes made me wish I was there - so much yummy food prepared lovingly by a caring mother. People from large families that eat together in a traditional way might take it for granted. But those of us whose families never sat and ate together, long for that kind of togetherness (and home-cooked food).
I really appreciated the slow, deliberate, and organic way this movie unfolds. The film is nearly plot less in the best way possible; it is a movie about people simply existing within their world, and writer/director Georgia Lee wisely eschews the temptation to up the ante or artificially increase the dramatic conflict beyond what is absolutely necessary. There are no villains here, just people trying to exist and navigate their way through their relationships with one another.
Everyone in this film -- from the three sisters (Jacqueline Kim, Elaine Kao, and Kathy Shao-Lin Lee) to the depressed father (Tzi Ma) to even the high school prankster (Sebastian Stan) and the overbearing mother (Freda Foh Shen) -- are fully fleshed out characters who transcend their respective "types" (aloof father, overbearing mother, responsible older sister, etc.) Only Sam Wong's distracted fiancé (Jayce Bartok) comes close to caricature, but his quiet interactions with Sam are always believable and never forced. The script is delicately and subtly written, and Lee manages to find a gentle humor in even the more potentially dark situations.
It's nice to see such a quiet and subtly realized movie today, when even smaller character dramas have a tendency to resort to melodrama or artificially "quirky" characters to make their impact. This film definitely feels like Ang Lee at his "Ice Storm" and "Brokeback Mountain" best, but it has a lightness of touch that Lee himself hasn't had since "The Wedding Banquet" over a decade ago.
This is both a film and a filmmaker that deserve to be discovered.
Everyone in this film -- from the three sisters (Jacqueline Kim, Elaine Kao, and Kathy Shao-Lin Lee) to the depressed father (Tzi Ma) to even the high school prankster (Sebastian Stan) and the overbearing mother (Freda Foh Shen) -- are fully fleshed out characters who transcend their respective "types" (aloof father, overbearing mother, responsible older sister, etc.) Only Sam Wong's distracted fiancé (Jayce Bartok) comes close to caricature, but his quiet interactions with Sam are always believable and never forced. The script is delicately and subtly written, and Lee manages to find a gentle humor in even the more potentially dark situations.
It's nice to see such a quiet and subtly realized movie today, when even smaller character dramas have a tendency to resort to melodrama or artificially "quirky" characters to make their impact. This film definitely feels like Ang Lee at his "Ice Storm" and "Brokeback Mountain" best, but it has a lightness of touch that Lee himself hasn't had since "The Wedding Banquet" over a decade ago.
This is both a film and a filmmaker that deserve to be discovered.
10vkubach
I saw Georgia Lee's "Red Doors" at the 2005 Tribeca Film Festival in New York, and was really moved by this film.
I connected with the experience of being a part of a family that is in transition -- what seems to have once been a tight-knit family unit is now diverging into different directions. The parents are getting older...the children are entering into adulthood...and basically the dynamics have changed, and they are having to relearn how to be a family in their new lives.
There's emotion, there's humor, there's rawness and sincerity, there's good writing, acting, and music, and a window into a Chinese-American family -- what's not to love?!
And I can't wait to see what Georgia Lee does next.
I connected with the experience of being a part of a family that is in transition -- what seems to have once been a tight-knit family unit is now diverging into different directions. The parents are getting older...the children are entering into adulthood...and basically the dynamics have changed, and they are having to relearn how to be a family in their new lives.
There's emotion, there's humor, there's rawness and sincerity, there's good writing, acting, and music, and a window into a Chinese-American family -- what's not to love?!
And I can't wait to see what Georgia Lee does next.
It was so nice to see a movie that was not the standard crap that so often comes out of Hollywood. This film was very funny and very moving.
Coming from a family with 3 daughters and a father who often was left in a daze by the constant chaos around him, I really felt a connection with this movie.
The cast was awesome and really delivered great performances. The story was credible, entertaining, and filled with humor at just the right times. This is without a doubt a film I would go to see again in a heart beat.
I would definitely recommend it!
Coming from a family with 3 daughters and a father who often was left in a daze by the constant chaos around him, I really felt a connection with this movie.
The cast was awesome and really delivered great performances. The story was credible, entertaining, and filled with humor at just the right times. This is without a doubt a film I would go to see again in a heart beat.
I would definitely recommend it!
Did you know
- TriviaThe film was shot in twenty-three days, ten of which were at the director's parents' house in Waterford, Connecticut. Other locations included the Chuang Yen Monastery in Carmel, New York, Dwight-Englewood School in New Jersey, Lawrence and Memorial Hospital in New London, Connecticut, and various apartments and bars around Manhattan.
- Quotes
Julie Wong: I'm so sorry.
Mia Scarlett: It's fine.
Julie Wong: You know what I'll get you a new one.
Mia Scarlett: It's fine, it's fine, it's fine.
[as she leans in for a kiss]
- Crazy creditsThe family dog, Lucky, is listed in the cast credits as playing himself.
- How long is Red Doors?Powered by Alexa
Details
Box office
- Gross US & Canada
- $97,848
- Opening weekend US & Canada
- $35,050
- Sep 10, 2006
- Gross worldwide
- $97,848
- Runtime1 hour 30 minutes
- Color
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