Hom rong

An excellent biographical representation of a great musician. It is important to note some of the quotes that relate to the importance of keeping traditional music if a culture considers itself civilized. This may be a hint for we Americans to remember. I knew nothing of the instruments played in the movie. However, it surely held my interest and has encouraged me to do some research on them. Some of the scenery is so beautiful that it makes you want to make travel plans. More information on the musicians in the movie would be of interest. It is easy to understand why this movie won awards and nominations for awards. More movies showing the cultural side of Thailand will be welcomed in my home.

I am proud that the new generation has produced a great movie like Hom Rong. Thai people should be glad that there is at least a group of people who celebrate our beautiful culture and our unique way of life that is calm, beautiful, contemplative, and modest. The movie brings out the distinct character of Thai civilization. Hom Rong has romance but is not dirty, Thai history that is both real and engaging, music that is both original and creative, and actors and actress who portray appropriately the unique Thai spirit and temperament that are hard to find in the present.

It is sad that there are still so many Thai people who have never had an opportunity to touch the beauty of the lifestyle of past Thai generations. Many have ignored being Thai and appreciate only Western art without learning both before judging them.

[The 'ranad ek' or 'ranad' is the Thai equivalent to a xylophone.]

Homrong ("The Overture") is a story about Sorn (the 'r' is not pronounced), who is a ranad ek musician that gradually grows from being arrogant and rebellious to becoming refined and dignified, discovering a new style of playing an old instrument.

The story takes place during the 80's and a time a bit earlier, when the monarch of Thailand decided to selectively adopt certain Western concepts and lifestyles. It's one of those movies that shows the character old and dying in the beginning, and then flashes back to when he was young and how he got to where he is. During this time, the music of the ranad, among other classical Thai instruments, becomes suppressed and controlled by the government of Thailand and playing in public becomes illegal. One scene shows a piano being brought into the old music teacher's place and there is a divine duet between the ranad and the piano (this serves as a subtle hint of the incorporation of Western standards and also shows the potential harmony of the East and West ideals.)

One thing I really respected was that the movie didn't overdose on the love factor, I felt that it kept it just right, given the overall tone and the intended effect of the movie.

The movie is, ultimately, about traditional Thai music and the pride that goes along it. I believe that this movie aims to bring about a new respect for the instrumental classical music, which my Thai friends would say, is a dying genre in Thailand. There was this dialogue between the older Sorn and a military official, where Sorn was likening the ethnic roots to the roots of a tree and how it can survive against torrents if it is deeply rooted that I found to be rather profound on many levels.

The movie borrows A lot from other movies (stately "The Legend of 1900"), yet it holds it's own unique charm. The acting is great for Thai standards and the music is ever-so-enchanting. The scenes where they play fast ranad songs are especially encapturing and intense. It follows a lot of basic formulas, and some of the scenes use really cheesy effects (such as the rain that falls when antagonist, Khun-In plays the "musical rebuttal" in Bangkok), yet I would say this movie is definitely worth watching, if not only to catch a glimpse of some of Siam's heritage.

I, definitely, believe that this is an all-round good movie. Worth watching on the big screen and owning on home video. I, for one, want to purchase this opus from Asia when it comes out on DVD, and I strongly recommend any international music-lover and/or ethnically-curious inquirer to look into getting ahold of this movie.

Judging this movie by Thai standards, I give it a 4/5.

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(By the way: I tried playing the ranad myself a few months back... the instrument is not easy AT ALL! It takes very skilled wrists to play at even an intermediate level.)

I'm going to keep this comment short.

This is the best Thai movie I've seen thus far. I am half Thai, and born in the US. I often seek out Thai movies to try to get a little closer to my heritage, which is difficult in the States. This was a poignant, well-written story, which touched my heart. I have seen several Thai movies in the past three years. I won't name them, but they were filled with violence, gratuitous sex, and more than enough foul language. Yes, foul Thai language. The Overture is funny without the crude language, and is a heartwarming trek through Sorn's life. If you are a fellow Thai, or are interested in Thai culture, especially its music, this is a must-see. I'm definitely going to try to obtain a copy of this movie for my DVD library.

"The Overture" certainly had a number of flaws, not least of which was for the audience to figure what was when. I had very little sense of time and place for any of it, and, at first, the flashbacks and flash-forwards were unanticipated and difficult to differentiate from the previous scene.

Nonetheless, such movies provide a rare insight into foreign cultures, and this one did just fine in that regard. The strongest element of "Overture" was the acting. I thought the cast did a generally wonderful job in bringing substance to the disparate collection of characters who populated this story.

While, to be frank, much of the music of southeast Asia is difficult to listen to for extended periods, this film did manage to demonstrate the subtlety and beauty of some Thai music. And is the competitiveness shown in this film part of the reality of traditional Thai music? If so, it seems the Thais have also made music, at some level, into nearly a blood sport.

By the way, some have written here of this film in relation to "Amadeus". To me, it is more like "Drumline".