Génération RX

I saw this movie at Sundance and just loved it. The director introduced it and sort of nailed it on the head. The movie cannot really be easily explained - it's a sort of dark comedy. It has a lot of society commentary that if you paid attention was really great. It also had a bit of a teen type of movie theme but was also very adult. The actors were great. Everybody seemed to steal the show and you really got into their characters. Also there was a lot of symbolism/themes that were very nicely inserted in the movie. I hope it gets a lot of exposure as it is my favorite movie right now. The whole audience was laughing during the movie as well as gasping at certain moments.

I was able to see a screening of this film at Sundance tonight (1/26/05) and I just wanted to let anyone who was curious about this movie that it is definitely worth seeing. Some lucky distributor is going to make bank off of this great film by a skilled director and soulful screenwriter.

Although I was pleasantly surprised as famous face after famous face came on the screen, Jamie Bell (main character Dean) is without equal. In the Q&A session after the screening, the Director talked a little about wanting to make a movie that examined the hypocrisy and muted subjects of our culture. I think he hit the nail right on the head. He also talked about how they removed all pop culture references in the movie so that they could create their own archetype of pop culture-- the Chumscrubber. The characteristics of this comic book/video game hero are an allegory that can help you decode the messages of the movie. (On a comic note, he also said that once you see this movie you will see dolphins EVERYWHERE. When you see it, you'll know what I mean.) Screenwriter Zak Stanford said that a Chubscrubber is the worst job in the fishing village he grew up in. It's the person that has to mop the floor clean after everyone else has gutted and processed the fish. This movie, in part, discussed "what it would be like to have someone do that for you."

There are parts of this movie that are definitely funny. However, I didn't find myself laughing at all them because I couldn't shake the feeling that I would have been laughing at myself. I guess I'm saying that for those of us who find themselves seeking escape in a world that finds us trivial, there is a lot of truth in this movie. But don't worry... it also shows us the power a single human connection can have.

SEE/BUY/DISCUSS/ANTICIPATE/DEVOUR THIS MOVIE!!

Ascender

P.S.- Don't be put off by trite descriptions of this film as a "tale of a young boy fending off the evils of suburbia." It really doesn't do it justice. It's fresh, fun, and moving.

I just saw this at Sundance, and I sincerely hope this film ends up with distributor and a good marketing campaign, because it is worthy of a wider audience. What was particularly interesting was listening to the director's comments after the film. He pointed out that his biggest challenge in working with this extremely talented ensemble cast was making sure everyone was on the same page in terms of mood. "It's not exactly a drama and it's not exactly a comedy," he said. "We didn't want them playing for laughs, although there are some comedic moments, obviously." Now, usually when movies can't figure out their tone, it's a kiss of death. But this film succeeded because of, not despite, it's delving into the gray area between drama and comedy. The result was a movie about teens that didn't play like a "teen movie," at all. It doesn't exploit and it doesn't play down to any sort of perceived teen audience. Part of that was due to the excellent cast. Jamie Bell was sensational. The adults were equally solid, particularly Glenn Close. I'm interested in seeing how this film is marketed. Some comments I've seen have been critical of the title, but it makes perfect sense once you know the story. All in all, this is one of those movies that obviously started with a great story — full of dramatic tension and social satire — and built from there. All too rare these days.

There are two kinds of independent movies, those that belongs to the first one passes unnoticed for most moviegoers. They are playing mostly in art houses and patiently waiting for you in video stores. At the same time, movies from the second and much smaller group for some reason (which is hardly explainable sometimes) get all possible attention and sometimes they can replace mainstream production in theaters.

Chumscrubber, which obviously belongs to the first group, is a rather unique and courageous satirical attempt of showing on the surface quiet and peaceful life of suburbia and middle class people there. Welcome to Hillside, a town where all people know each other and at the same time, no one of them cares much about others. But, the unexpected event brings some changes to a monotonous life of the town.

Dean Stiffle's best friend Troy, a teenager who supplied drugs to a local high school commits a suicide and a company of school tough guys believe that Dean knows where to find Troy's store. After the school, they kidnap Dean's brother Charlie but they make mistake and take a wrong Charley, thirteen years old Charlie Bratley. It's not completely a kidnapping; for some of them it looks just like a funny game and even for Charlie himself, big boys and a pretty girl at least for the first time is a funny company and amusing experience he have never had before. Dean gets a threatening call but to his surprise and relief, he sees his brother playing video games in a neighboring room. He expectedly gives "I don't care" answer and mistake soon will be revealed. Day passes but no one from adults don't see what's going on. They are totally absorbed in planning their personal lives and making own careers and unable to see anything above that. The only subject for Dean's father is his books on psychology, which he is trying to use on his son while his mother is elsewhere trying to sell some herbal medicine. They don't see that the family is falling apart and then his brother Charlie found a way to escape reality in video games, Dean, who is one of very few relatively normal teenagers, become an outcast among his schoolmates and withdraw into himself. Troy's mother spends all the time telling her neighbors that she doesn't blame them for her son's death. Divorced Charlie Bratley's mother for a long time has been planning her wedding with city's major, who becomes obsessed with a strange visions and ideas. She doesn't even notice his son's disappearance and talking to him through a closed door. Billy who is the head of the company and its inspirer bring Charlie to his home but his parents also don't see anything special. "It's for school" is a perfect answer that assures everyone that everything is on its tracks and in order. Even a direct truth is taking as a joke. The children are completely left on their own and soon Dean realizes that nobody's noticed that a kid is not home for a long time and he's the only one who could do anything to resolve a conflict even if it is no concern of him.

The movie cast unites too many famous actors for a small budgeted indie movie. The adult actors always have good performances of their satirical characters, but they are mostly the background of the story, where the main stars are young actors and their characters. Jamie Bell (mainly known for his first role in Billy Elliot) who is playing the main young character is excellent and his ability of creating required accent deserves the highest praises. Justin Chatvin is strong enough as a company leader Billy and the youngest of characters, Thomas Curtis as Charley Bratley steal the show in a couple of crucial moments.

Such rather absurd satirized image of selfish behavior combined with blissful ignorance works pretty well with adult characters in the movie. This is satire that doesn't make you laugh watching the movie, its just make you think why such things could happen. Unfortunately, on the contrary, important young characters are underdeveloped and sometimes the movie doesn't give us a reasonable explanation for their acts and way of behavior. The story itself also has perceptible lapses and problem points, which don't let creating a complex image and evoke obvious questions. However, despite some problems with characters, continuity flaws and possible overusing of symbolism without a certain need, the director was able to make a mostly captivating picture that brought me to deep thoughts for a while. The main problem is that the movie and its intensive climax don't give any solution or escaping for the situation as well as it doesn't give the answer for above mentioned question why such Hillsides are possible. The Chumscrubber is a striking contrast to mainstream movies, a movie that obviously worth seeing and makes you think, but because of its perceptible flaws and partly narrow-minded approach, it's unable to reach complete success.

8 out of 10

This movie (please don't call it a "film") is a mish-mosh of styles, themes and techniques lifted from the library of films these dudes must have adored in their short lives (movies like Heathers and Edward Scissorhands). All of these wishful elements that hope to become a film never gel. It really can be summed up in one word: boring. It tries way too hard but ultimately says nothing. Do we need another movie about disaffected teens in a twisted, exaggerated suburbia with crazy Danny Elfmanesque music? Yeah, there's a lot of "hype" about the movie. That's what you get when people spend $ advertising and realize they made a mistake in financing this project. A few performances are good but most are two dimensional. The whole film is two dimensional and superficial, which is ironic because if you try real hard to piece together a theme for this project I think the kids who made it were trying to make a statement against such superficiality. If you find yourself noticing the blue eyeliner on "Crystal's" eyes so much you have to draw only one conclusion -- the story is SO boring, that I'm watching the chick's eyeliner.

We saw this movie at the academy and most in the audience were 70+ years old. But these folks have worked in the business their whole lives and know movies. Guess what they did at the end of the movie? They hissed! The auditorium was full of hissing seniors. Never once have I been to a screening at the academy and heard grandma and grandpa hissing. That was the most entertaining part of the entire evening.

If you want to see an artful film about teenagers go rent "The Virgin Suicides". There's a film where technique exists as a storytelling device as opposed to the technique used in Chumscrubbers which merely exists as a mechanism for the filmmakers to show how "cool" they are.