The Grudge

"The Grudge" is quite possibly the most scariest ghost/horror movie I have ever seen. Sarah Michelle Gellar takes on the main role as nurse Karen living and working in Tokyo. While working she is exposed to a supernatural curse involving a vengeful spirit which locks a person in a powerful rage before claiming his/her life and spreading its curse to another person.

This movie starts out with Karen moving to Tokyo with boyfriend Doug (Jason Behr), where we get a taste of drama as they adjust to their new lives in Japan. The suspense builds when they encounter mysterious events in the house Karen is a caretaker in and, what follows, are one creepy moment one after the other as main ghosts Kayako (Takako Fuji) and Toshiro (Yuya Ozeki) take center stage, wreaking havoc with those unfortunate enough to cross its path.

Takashi Shimizu did a great job directing the movie that grabs the audience attention with scenes that send chills down your spine, has moments that make you jump, and has disturbing images that will stick in your mind after the movie is over. The mysterious yet dramatic atmosphere of the movie created an eerie feeling of the ongoing horror and the built-up suspense, which are contributed by the cast members' realistic and dramatic acting. Some of the plot lines dangled and are unexplained, but that is a minor flaw.

Overall, this is a movie with the right balance of horror and drama - no over-the-top stuff. If you are a fan of horror movies, "The Grudge" is highly-recommended.

Grade B+

I saw this movie on satellite. I originally started to watch it because I was curious to see what Buffy the Vampire Slayer was up to now.

Thirty minutes...or maybe less...into the movie, I was hooked. For sheer skin-crawling creepiness, this film is near the top of my list. Unfortunately, it was on so late that I had to go to bed right after it was over. I didn't sleep well that night. One of my sons had seen it before, in a theater, and now I could understand his reluctance to go up into the attic of our house. More is implied than is explicitly shown in this movie, which makes the few explicit moments all the more scary. But the implied stuff will work its way into the darker recesses of your imagination and last longer, so that for a while afterward you'll have an aversion to stairwells, elevators, small children, train rides...and dark attics. If you like a good horror film, I can heartily recommend this one. The only complaint I had about it was the ending, which seemed a little too Western for a remake of a Japanese film.

According to The Grudge, there's a Japanese belief that when someone dies in a powerful grip of rage, then a curse is left behind. It's a "stain" that forever becomes a part of the place where the death occurred, and it will kill everything it touches. All I can say is if that were true then the movie-going public better hope I never die in a theater. The audience at this movie was probably the most obnoxious crowd I've ever had the displeasure of watching a movie with. Talk about being in a powerful grip of rage. More on that later.

Jump scenes rule the day here. That's right, this baby is stocked with jump scenes! If you're having a hard time deciphering my complicated terminology, then let me explain that a "jump scene" is one in which something startling happens to catch you off guard and makes you jump in your seat. Some people think jump scenes are cheap ploys to get a scare from the audience, but they're really well done in this movie. And they're manufactured frequently and shrewdly enough to keep you in a constant state of unease.

Unfortunately, when most moviegoers get scared they like to scream and then laugh and talk about it for 2 minutes afterwards. If you're gonna scream then scream. But then SHUT UP and WATCH THE MOVIE! This ain't a comedy and it certainly isn't a coffeehouse, so quit killin' my atmosphere.

Some of you might be a little agitated to know that The Grudge does follow some clichéd horror movie conventions, such as a character investigating a creepy noise in a dark attic with only a cigarette lighter to illuminate the way. And of course, one character has to slowly follow a strange figure that shouldn't be there in the first place. But it's forgivable. Keep in mind, characters aren't necessarily supposed to know they're in a horror movie. I'm sure we've all explored strange noises before, except rather than a horrific, disfigured ghost producing the noise, in real life the sound is usually coming from Uncle Larry's bathroom excursion. Never underestimate the horror of a night out at the Taco Bell.

Comparisons to The Ring are inevitable, so I'll just say that I personally feel The Grudge is the creepier of the two. This is a movie that's heavy on atmosphere and freaky imagery. The Japanese ghosts creeped me out even more than the time I caught some pervert staring at me in the men's bathroom stall back in my college days. Lucky for him, he took off before I had a chance to demonstrate what happens when a person is caught in a powerful grip of rage.

But The Ring has the better story and a much better ending. The Grudge does a great job of keeping you guessing. You never really know where it's going, and since the story isn't linear you really have to pay attention. I know a lot of you have the attention span of a goldfish (about 9 seconds, you just learned something today, thank me later), so this may be problematic. I think it works fairly well, but one of my complaints is that near the end everything is wrapped up and explained rather quickly.

As a result, I wish the movie had been longer. A longer running time could've produced more in-depth character development, a more clever way to explain what was going on, and maybe even a better ending. And there's my biggest complaint. Why do so many horror movies feel the need to use the I Know What You Did Last Summer-esque "look, there's gonna be a sequel" ending? Come on, how about some closure? It's similar to if you're waiting for me to close out my review in a witty and funny fashion, but instead, for some reason I just decide to end the review in mid sent...

THE GIST

If you're looking for some Halloween entertainment, then The Grudge will give you some good jumps and surround you with creepy imagery. But I strongly recommend that you see it at a time when there won't be a big crowd because I know I would've enjoyed the movie a lot more had I not been surrounded by a lot of stand-up comedians who felt the need to crack jokes at the most tense and inopportune times. Folks, this is a horror movie. Tension and atmosphere are a big part of it, so please keep your laughing and talking to a minimum. I look forward to watching the DVD in peace and quiet one day where the only idiots I'll possibly be surrounded by will be friends and family.

Rating: 3.75 (out of 5)

'The Grudge' isn't the best horror film and it isn't the scariest either, but there's something about it that always manages to get to me. From the very first scene, which is appropriately bizarre, to the last, 'The Grudge' is a very creepy movie and I can't quite put my finger on why.

It is successfully unnerving partly due to the eerie and tense atmosphere that surround the whole story. There are a few jump scares but nothing that will scare the average horror fan, but it does have the ability to make you feel uneasy and does a good job at building and maintaining tension.

'The Grudge' is nothing special or new and there are certainly scarier horror films out there, but it does have the ability to put the viewer on edge every now and then. I've seen it several times and it still creeps me out.

This review is really a word of warning, if you've seen any of the earlier Japanese versions of this story you've seen this movie before. If you've seen all four of the earlier films, you've really seen everything (except the frightening opening with Bill Pullman) and you'd best wait for home video.

I understand that the film makers wanted to make sure that this film worked and made them money, so they repeated what worked, even casting the same Japanese actors for the kid and other roles; but it would have been nice if they had done more that was new beyond the opening sequence.

This isn't to say that the film is bad, its not, rather, its just that unless you're walking in to the film fresh odds are you're going to be like me and know what each five or ten minutes is going to bring because of the set up of the sequence.

For me it was a 6 out of 10, for fresh eyes probably higher.