Godzilla: Final Wars

A very unusual Godzilla film.

It Moves very fast. The monster battles are not like any of the previous films and the human side of the story is as much a focus as the Monsters tale is and surprisingly it is interesting. It works mainly as an adrenaline rush though, it's cathartic. The "monsters" have a lean, muscular look and move fast- they are not the puffy slow moving beasts of the past.

No long drawn out scenes of endless wrestling, this is more like boxing and Godzilla is the master dispatching them all. No need to be a fan to find it entertaining.

This movie does something similar to what "Aliens" did way back in '86. It redefines Godzilla as an Action Hero and goes past what any casual viewer might expect. This is a hard core action film that never lets up and leaves you drained.

The main negative is that it cribs way too much from the film "The Matrix". While Matrix lifted from Asian cinema generously, Final Wars does a Xerox of the copy and in several places has a tin ear regarding some things that are now considered trite and overused the world over.

The movie is just a lot of fun.

The story of "Godzilla Final Wars" is like "Godzilla Vs. Monster Zero", "Independence Day", and "Matrix" rolled into one. An alien from Planet X comes to earth pretending to warn earth people about the danger of planetoid Golath which will be impacting earth in 11000 hrs. They also remove monsters that are on rampage in several cities around the world. But of course this is all just a show to win favors from the earthlings. They are secretly out to destroy civilization and transform earth people into human cattle. Earth has seen birth of mutants which have special powers. They all have the same "M" gene that people from planet X has. Ozaki (Masahiro Matsuoka) is one of them, and like Neo in Matrix, he's the only mutant who's powerful enough to beat the Planet X invasion force leader (Kazuki Kitamura). Earth's last chance to save itself is the core Earth Defence Force team on Gotengo (Atragon), and Godzilla who's kept in hibernation. Gotengo goes on a mission to wake Godzilla up and confront all the monsters under the influence of Planet X leader and destroy their mother ship.

Out of all Godzilla movies made in the 21st century, which was on again off again at best, this one in my opinion is the best. Being the 50th anniversary Godzilla movie, this movie doesn't skimp on nostalgia. The old faces like Akira Takarada (Gojira '54), Kenji Sahara (Rodan), Kumi Mizuno (Matango) shows up to say fare well to the franchise that lasted 50 years. CGI special effects are also more realistic on this movie than say the '90s Mothra franchise.

On the minor note, music by Keith Emerson is terrible, and acting is as soul less as the actors themselves. Wardrobe is unbelievably bad, and the plot - well, there's really no plot to speak of.

Godzilla fights the following monsters: "Gigan (1)", "American Godzilla (Called here Zilla)", "Kumonga", "Kamacuras", "Anguilas", "Rodan", "King Caesar", "Hedorah", "Ebirah", "Monster X", "Gigan (2)" and "King Gidorah". Mothra and Minilla (Son of Godzilla) makes appearances as well. I had some loathing about Toho's poor selection of talents, and sometimes cheezy special effects until I heard they make these movies for under $10 million, and I had renewed respect for Japanese efficiency (average Hollywood picture costs $64 million). This movie seems to be made on slightly bigger budget than usual and effects are better. So after some disappointing shows since the death of Heisei Godzilla, this movie recaptures the excitement of Godzilla movies, and in my opinion, this is more like it !

I think there is a tendency with hardcore Kaiju fans to forget that these movies should not be taken so seriously. They are never executed to perfection. There are always plot holes. There is always some sub-par acting. Some of the special effects always look a little weak. Get over it.

I also attended the world premier of Final Wars, and I would say this has to be the most exciting of them all. It takes a very similar sci-fi angle to Godzilla vs. Monster Zero and adds a dash of Matrix stylization while constantly bombarding you with fantastic Kaiju fight scenes.

I am not sure that "Final Wars" will see the same shelf-life as some of the older classic Godzilla flicks due to the fact that it is so action-oriented. This film is definitely not going to get the camp appreciation that so many older films do. However, if you are a Godzilla fan and want to see some absolutely fantastic battles along side an entertaining sci-fi plot, you will really enjoy this film.

My favorite Godzilla movie since TERROR OF MECHAGODZILLA (Toho; 1975)! Since 2000, I felt the series was a string of indistinguishable films. I was also never impressed by the 'heisei' or post-GODZILLA 1985 series. So for better or worse, GODZILLA: FINAL WARS stands out. It tends to emulate the more over-the-top Godzilla movies of the 1970s, which I certainly don't mind. Instead of following the exact same pattern as all of GODZILLA 2000's (Toho; 2000) predecessors, GODZILLA: FINAL WARS takes a more creative approach and swipes ideas from THE MATRIX (Silver Pictures; 1999), all them X-Men comic books, and spatterings of typical Japanese TV hero stuff. While all these mixed genres may not play off each other perfectly and we have a mess of a film at times, at least we've finally got a Godzilla movie that actually stands out from the rest (I think the only other stand out film is 1971's GODZILLA VS. THE SMOG MONSTER).

However, its over-the-top approach was headache-inducing: The fast pace is overkill (in sharp contrast to every movie in the series starting with GODZILLA 1985), and reminded me of crazy Hong Kong fantasies of the 1980s or 1990s, specifically Tsui Hark farces like ZU: WARRIORS OF THE MAGIC MOUNTAIN (Golden Harvest; 1983). It got frustrating trying to keep up, amid all the quick edits and flashy gimmicks which hide a fairly simple story we've seen before (space invaders attack Earth and control giant monsters). Yet despite all this, I still like the movie a lot, and consider it an improvement over everything to come out of the series in the 1980s and 1990s.

The human characters at least offer old timers like Kumi Mizuno and Akira Takarada some interesting roles, and I didn't recognize Akira Takarada right away. The younger actors are interesting too-- better than the generic, boring soldiers of the last few movies, at any rate. The main villain, in his typical post-MATRIX black cape, has this eerie make-up, but is so emotional and bumbling that he's more clown-like than scary.

Many Godzilla fans dislike the movie, but with me, you're seeing it from the point-of-view of a fan of superheroes & martial arts. So I think this puts me in a position to evaluate & appreciate the over-all movie on another level. When the heroes and villains clash, it's fairly exciting action, but being a post-THE MATRIX movie, everything is over-enhanced with CGI junk. Their plight is diminished because we know there's really no thrilling stunt work. I met action choreographer & stuntman Tsutomu Kitagawa last year, and we did some comical martial arts moves for video cameras. His karate skills are first rate, having studied at Sonny Chiba's Japan Action Club and made his debut in superhero programs such as the classic AKUMAIZER 3 (Toei; 1974) series. Unfortunately, his work is diminished because of the CGI 'enhancements' which give all the choreography & stunts an artificial feel. What's the point of a high-speed motorcycle chase that isn't real? It's like a radio ventriloquist; simply defeating the purpose. While it might not impress the average dai-kaiju fan, there are fans of superheroes & martial arts who will find fun in GFW. Though the typical Godzilla fans might hate GFW, the typical Kamen Rider fans will like it.

There's an impressive list of nostalgic names on hand: Not just Godzilla and Ghidrah, but Rodan, Mothra, Atragon, King Seesar, Minya, Manda, Angilas, Hedorah, Gino, Spiga, Gimantis, and Ebirah all make appearances. This tops the masterpiece DESTROY ALL MONSTERS (Toho; 1968) in that respect (sheer quantity). It's always exciting to see old favorites return. Angilas looked pretty damn slick, but I didn't like the designs of the two new (and over-used!) Gigans, felt Gimantis & Rodan relied too much on CGI artificiality, I never liked the "Godzilla with ears" look, and thought the meager cameos by Gino & Hedorah were way too brief and abrupt; amounting to little more than in-jokes than actual monster battles. Sad to say, for the first time ever, I thought Minya had one of the better designs and was the most interesting monster! So I guess I didn't like the way all the monsters looked, but just seeing them all in one film made it amusing.

All in all, it strikes me as a great film and if it wasn't the "final" (?) film in the series, I would consider it a step in the right direction. -Damon

I attended the world premiere of GODZILLA: FINAL WARS in Hollywood tonight, and I must say the experience was incredibly exciting. The film itself, however, was indeed a "mixed bag" of greatness and mediocrity, and I left Grauman's Chinese Theater a bit conflicted.

I found the film's much anticipated title sequence to be too rushed and erratic, much like the film itself. The titles were not easy to read as they literally flashed on and off of the screen on top of distracting clips from classic Godzilla films.

The film's script was as confusing and scattered. The film started with a good, deliberate pace but quickly degenerated into an orgy of images and scenes spliced together in such quick succession, as one person I talked to put it, it was like you were channel surfing between several sci-fi and kaiju films playing at the same time.

The special effects were at times spectacular and beautiful...at other times they looked as if they had been executed in a rather hasty fashion. Some notable effects sequences: the Earth Defense Force's battle with Ebirah, Rodan's attack on New York, Godzilla's battle with Kumonga in New Guinea. Deserving special recognition is Zilla's daytime attack and night time fight with Godzilla in Sydney, Australia. Zilla's CGI was very well executed. There were a handful of effects shots that were not totally bad, but could have used some fine tuning. Manda attacking Atragon could have used some more work, for example.

Keith Emerson's electronic and pulsating music must be the most unique ever heard in a Godzilla film, but well done and intriguing.

As mentioned earlier, the pace of the film is so fast and erratic, it is hard to keep up with. Without giving away specifics, this must be one of the most out-of-control, if not THE most out-of-control script in the series.

It will take me a few days to figure out my true feelings about this film, but I imagine, with its high points and its flaws, this will be one of the most controversial films in the series among fans.