Le Secret de Moonacre

In London, young, almost-a-teen Maria (Dakota Blue Richards) has just lost her father. Her nanny, Miss Heliotrope (Juliet Stevenson) tries to comfort her. When the will is read, Maria is dumbfounded to find out that she must move to the countryside and live with an unknown uncle, Benjamin (Ioan Gruffudd) at a remote estate called Moonacre. With no other choice, Maria and Miss H make the journey. Immediately, her uncle's gruff manner upsets the young lady. Yet, over the course of the next few weeks, magical things begin to happen to Maria. Elves appear and tell her of Moonacre's curse, that is, a pearl necklace was stolen from the Moon Princess long ago, by Maria's relations. In order to break the spell, the gems must be returned and are said to be hidden somewhere on the premises. Can Maria find them? The young girl also has to deal with dangerous, evil neighbors who inhabit a dark castle beyond the woods that separate the two properties. This family, headed by a horrid man (Tim Curry) wants to capture the girl to prevent her from breaking the curse. Also, living in the woods, is a beautiful lady (Natascha McElhone) who was once in love with Benjamin. Unhappily, their engagement went awry and the two are mild enemies, at present. But, since this beautiful woman knows the woods, can she help Maria in her fight against the wicked castle? This is one very lovely film, as beautiful as the moon, as they say. The art direction and special effects are superb, making the movie enchanting to watch. Also fine is the cast, from the stars to the supporting members. With very fine sets, costumes, script and direction as well, why wait for the moon's next appearance? Get this one today!

The costumes the sets and themes throughout this movie are truly one to be beheld.

The script is almost Shakespearian in its themes especially in exploring the theme of pride and it's effect upon the two family's.

In short I love this film and I always will.

Having seen Dakota Blue Richards in The Golden Compass which I loved immensely, I was excited to see her again in another fantasy movie. And while this is a fantasy movie of a different type, I must say I enjoyed this just as much. This movie has a really simple plot which develops slowly but I do think most things are explained in one way or another. However I would have loved a bit more background story about some of the characters such as Robin and his father Coeur De Noir. I have not read the book so I am sure the director left some things out that weren't developed in the movie. There is obviously a suggestion there could be a relationship between Robin and Maria. The ending seemed a bit rushed and I had loved they gave that some more attention, some more screening time. I must say that this movie was maybe not so good if Dakota didn't give such a strong performance as Maria Merryweather. The others really couldn't have carried this movie but play their role well. There is some humor in it in the characters of Miss Heliotrope (she is a little burpy) and the chef (French accent so cliché) which the children will love. I didn't find that funny but wasn't bothered with it either. The story in itself was serious and good and that was what mattered to me. And there are fantasy elements like unicorn, black lion which are mostly symbolic. It's no Chronicles of Narnia, not as overwhelming as Golden Compass or Stardust but a sweet little movie that has its place in the fantasy genre. I had no regrets seeing it.

I went to the European premiere on Sunday when the film was shown as part of the London Film Festival. Some of the cast were there, also the director and producers who spoke before the screening.

I have read the book, The Little White Horse, many times, but was prepared for a lot of changes from the book. I don't think it's really a spoiler to say that the character of Sir Benjamin is VERY different in the film! And there are many characters omitted, including Old Parson. I enjoyed the film - it is absolutely gorgeous to look at - the costumes, the sets, the cinematography - all beautiful and lush. Ioan Gruffedd a bit wooden but all he really has to do for most of the film is look brooding. Juliet Stevenson gets nearly all the comedy. Tim Curry only has to phone in a performance. Dakota thingummy is surprisingly good (I have a prejudice against child actors). She's fine. Most of the film works quite well but I would have liked more scope for some of the characters to develop. You barely see any relationship development between Maria and Robin - they only really meet about twice. The ending was a little abrupt - I would have liked just five minutes more to develop the happy ending a little further, perhaps back at Moonacre Manor. An enjoyable film but doesn't quite hit the mark. I would watch it again just for how lovely it is to look at, not for the plot or the characters.

First of all, I am 17 and I absolutely love the book "The Little White Horse" by Elizabeth Goudge, with its beautiful imagery, memorable characters and above all its magical story, and I do agree the book is better than the film in many ways. In fact, the Little White Horse is probably my favourite book of all time. I think the film Secret of Moonacre is a beautiful film, that unfortunately is undermined by one or two problems with the story, and doesn't quite capture the magic of the book.

The film looks absolutely exquisite, with those gorgeous costumes and the lovely sets with the huge menacing moon. The music by Christian Henson is gorgeous and very fitting with the scenery. Gabor Csupo, the director of Bridge of Tarabithia, which is admittedly better, obviously has an eye for art, as he used to be an animator. Other directors that have directed visually stunning fantasy films are Ridley Scott with Legend and Guillermo Del Torro with Pan's Labyrinth.(which is the best foreign language film I have ever seen) Whoever trained the animals, must be told he/she did a truly remarkable job.

The acting is very good, an obvious standout is Dakota Blue Richards of Golden Compass fame in a strong central performance as the protagonist Maria Merryweather. Juliet Stevenson and Andy Linden provide the comedy, with the jokes about indigestion, and whizzing quickly around the kitchen. Tim Curry brings a touch of melancholy to an otherwise menacing and complex character, and it made a difference after seeing Curry in over the top roles such as FrankNFurter and Wadsworth. Though, if anything, I wish Curry had more screen time. Natasha McElhone looked lovely as Loveday, with a lovely face that sometimes defies her when she is cursing for instance. Though I will confess I wasn't entirely convinced by Ioan Gruffodd as Sir Benjamin. In the book Sir Benjamin is fat with three chins, which is a far cry from the gorgeous Gruffodd. I am not saying he was bad, he wasn't. He was very brooding at times, but other times when he looked uncomfortable. That I can understand, because since I have participated in operas with similar costumes,(like the Magic Flute) I do know from experience they can be very uncomfortable to wear.

The story I do agree takes a while to get going, but the book takes one or two chapters to explain the story, which isn't a problem as it is called character development. The basics are all there, the Moon Princess, the pearls and the battle of good and evil, but a lot was changed from the book, and one or two of the characters were changed, and others like Old Parson were left out entirely. I was prepared for a lot of changes when I saw this film (they do it all the time), and although I was fine with most of them, I was annoyed that Maria and Robin's relationship from the book was virtually eliminated, as that was one of the book's main merits. The ending was a bit rushed, I am putting a huge emphasis on the bit, but I liked the underwater sequence very much.

All in all, a flawed but hugely enjoyable film (not the best fantasy I have ever seen but a solid attempt) that is well worth watching for the visuals. 8/10 Bethany Cox