King of California

Fifteen-year old Miranda(Evan Rachel Wood,luminescent!!) has had to grow up fast,since her mother left her and her father and said father,Charlie(Michael Douglass,in a word:WOW!) was institutionalized for reasons not entirely made clear but discernible through observation. When Charlie is de-institutionalized,he returns to his daughter with a grand plan to find gold in the hills along the Pacific Coast Highway. She is,in a word,skeptical.

Director and writer Mike Cahill makes a movie that is both at once full of quirk and melancholy,with the daughter as somewhat of a de facto narrator. The quest for finding the treasure,while ridiculous and unquestionably irresponsible,is still almost noble and pure. Wood and Douglass shine very nicely as the estranged,mentally delicate father and daughter duo who haven't stopped loving each other,even if they get each other even less than they did before. A simple story,framed by quirky music(jazz?folk?) and a nearly poetic filming of contemporary California coastline as it contrasts the 16th century maps that Charlie references. Lost in the sea of fall releases from last year,this film is a very pleasant find on the rental shelves.

"King Of California" is the art house version of "National Treasure" or "Indiana Jones". It's the story of Charlie (Michael Douglas) who is released from the mental institution in which he has spent several years and is reunited with his sixteen year old daughter Miranda (Evan Rachel Wood). Although he is obviously a few sandwiches short of a picnic, Charlie manages to convince his daughter to join him in a quest for buried treasure. Together they move through Southern California looking for clues leading to the lost doubloons.

If, after reading that description of the plot, you're now expecting these two characters to run through dark tunnels with giant boulders rolling after them then you'd be wrong. "King Of California" is a slow and very quiet movie which focuses more on Charlie and Miranda repairing their relationship than the actual treasure hunt. Miranda has been forced to take a job at McDonalds in order to survive during her father's absence meaning that she is now the rational one whilst Charlie acts as a child. Their search for the treasure takes them to golf courses and busy stores where Charlie sees signs that they're on the right trail whilst Miranda, not fully believing in Charlie's dream, simply wants to spend some time with the father she's lost touch with.

Douglas gives one of his finest performances in recent years as Charlie, managing to make the character seem insane whilst also being totally appealing (witness the way in which he wins arguments by stating absurd facts and telling people to "look it up"). Evan Rachel Wood is also perfect in her role. It may not be as showy a role as Douglas' but Wood convinces you that Miranda absolutely loves her father despite all his faults (and he certainly has a lot).

Although I liked "King Of California", I really can't say that I loved it - the plot was perhaps a little too slow moving for my tastes. I certainly admired its message, however, that you should follow your dreams because dreams give you something to believe in. If you have patience and like character-driven movies which reveal their charms at a very leisurely pace (such as the movies "Sideways" or "Rushmore"), then I'd recommend watching "King Of California" for its superb acting and life-affirming message. Others - like myself - however, who prefer story lines to move along at a much quicker rate may find it a bit boring in places and slightly too whimsical overall.

It was too easy to expect a rug-chewing performance from Michael Douglas as a crazy person, and an exasperated, eye-rolling two-dimensional "oh I'm so put-upon by the world" job from Evan Rachel Wood.

Thankfully, those clichés were avoided in this poignant and ultimately joyful and uplifting (thank God!) story of quiet nobility, personal vision and purpose, and underlying love and strength amongst otherwise "broken" people.

It's refreshing to go into a theatre not expecting much and coming out enlightened by the combined vision of the actors, writer, director, and cinematographer.

Bravo to all involved, and here's hoping to see a strong presence at the Academy Awards.

KING OF California may not break any records for innovation of thought or script but it is a tightly made little film that allows veteran actor Michael Douglas a lollipop of a wacky role to remind us that he does have comedic talent! It also gives 20-year old Evan Rachel Wood the opportunity to compete with a Pro and come out an equal - quite a feat for such a young actress. Written and directed by Mike Cahill the story does have appeal, especially since it is set in Santa Clarita, California, a rapidly developing 'hinterland' that is suffering from the effects of too rapid industrialization, changing from a picturesque remnant of California raw beauty into yet another perky little town.

Charlie (Michael Douglas) has been in and out of mental institutions for his wacky behavior. His life as a jazz bassist and entrepreneur has always veered off the map, leaving him alone with his only daughter Miranda who has survived her father's irresponsible life by keeping the old family home (in the midst of a huge housing development) with the money she makes double shifting at the local MacDonalds. When Charlie is released his focus is on discovering the gold left behind by Catholic priests in the mid 1600s, a fact he has researched while hospitalized, on the Internet, and from the journal of one of the priests. Miranda slowly buys into Charlie's madcap scheme and adventure as a gold hunter and the caper results in a bonding between father and daughter that has been teetering on the brink of disaster for years. The manner in which Charlie, Miranda, and an old ex-con friend Pepper (Willis Burks II) go after the treasure provides most of the energy of the film.

Yes, there are bits and pieces of this project that have been done many times before (and often better), but the pleasure of KING OF California lies in the bravura and touching performances by Douglas and Wood. This is a pleasant excursion of a movie, worth an evening's gander. Grady Harp

The King of Calinfornia features excellent performances and character development from Michale Douglass and Evan Rachel Wood. Douglass' character is especially weird and wacky, but respectable. The film is very slow moving, but enjoyable. The film is definitely not as it appears to be about the extrinsic treasure hunt. Rather is more of an intrinsic hunt for the relationship and love between a misguided father, and his prematurely grown-up daughter.

The film has a great balance of drama and humor, with just a touch of adventurous excitement. Other posts have similar offerings regarding the quality and depth of this film.