Sortie de route

Pablo is a high executive on a bank, he doesnt like his job nor his life. One day he has a car accident and crashes into a young woman's car. Since that day everything changes for him , he finds a way to enjoy life again but...

Pablo López is a dull businessman who engages in an unusual relationship with a fourteen-year-old, María. This will change his perception of life in a way he would never have suspected.

Based on a brilliant novel by Lorenzo Silva (who also co-writes the screenplay), the movie is quite loyal to the original text, although some pivotal parts seem to have been lost somewhere in between the novel and the script (the meaning of the title is not explained, for instance). Nevertheless, the writers are to be praised for their marvelous dialogs, which make the characters more real and unaffected.

The two leading actors (Luis Tosar and teen María Valverde) provide excellent performances. Valverde's performance is extremely unaffected for a debut, while Tosar once more shows his natural skill and versatility. It's a pity two fine actresses such as Mar Regueras and Nathalie Poza are left with not much more than a couple of scenes each, but the focus of the story is clearly and understandably set on the leads.

Given that this is only director Martín Cuenca's first film, I am eager to see what he will be directing in the future.

Overall rating: 8/10

it´s a sad tale, also hopeful, about the opportunity for becoming human again of a man who lost his soul in the financial elite of Madrid. He get to see the light in the eyes of a beautiful girl, but there is a but. Y hasta aquí puedo leer...

Embittered man in the thirties (Pablo), who is fed up of his daily routine and the society, meet a young girl (María) that brings him a puff of fresh air and makes him think that life has sense again. He knows he shouldn't do it but, he realize that it's fruitless to fight against that kind of feelings. The film is based in the homonym novel by Lorenzo Silva.

Fantastic performance of Luis Tosar (Los lunes al sol, Te doy mis ojos, Inconscientes...), able to transmit all kind of emotions with his face, and María Valverde, always innocence and freshness (I'm also in love with you, María), on her debut.

It made a lot of time a film didn't surprise me so, I strongly recommend this film to those that want to be surprised.

An aggressive spiritually empty businessman in his early thirties meets a 16yo girl while pursuing a nasty vendetta against her equally jaded older sister with whom he has had a traffic accident.Whilst no angel herself,the girl nevertheless reawakens his long-lost idealism and enthusiasm for life but his egregious past behavior catches up and destroys them both. Does the older man-younger girl sound clichéd? Yes,but it is done with enough style panache and plot twists to keep you riveted throughout. Is the central relationship tacky? It keeps threatening to be but somehow manages to retain a wonderful sweetness about it despite the sizzling chemistry between Luis Tosar and Maria Valverde. Art-house relationships cinema at its best.