Les Choristes

Spoilers

Taking France by storm this summer, Les choristes purportedly led to a surge in applications to join choirs all over the country. The magic is unquestionably in the music, but I'll come to that later.

The success of Les choristes as a film (with or without the divine music) lies in its not trying to be anything more than what it is, a simple tale that opens up to you instead of manipulating you. You'll find neither heart-breaking poignancy nor rousing heroism. Within the short duration of a school term or two he spent with the somewhat notorious boarding school, teacher and musician Clement Mathieu had his modest ambition fulfilled, of having a choir sing the music he wrote, then moved along to a continuously modest life of teaching and music. Talented protégé Pierre Morhange did achieve fame and success, but we have essentially been spared laboured scenes of Titanic struggles or exuberant jubilation. To ensure that I'm not misleading towards the other extreme, let me hasten to add that Les choristes does touch our hearts. It does this gently, sensibly.

But in the end, it's the music. Purely the celestial beauty of the music alone will brings tears to the appreciative audiences' eyes. The story is touching. The character are likable. But the ultimate magic is the choir and boy soprano Jean-Baptiste Maunier chosen from two thousand auditions. Such a magical choice.

The excellent film "The Choir" takes us back to a France of the past where the director Christophe Barratier and Philippe Lopes-Curval place their story about a school for problem children.

In a way, we have seen similar situations where a good teacher is the catalyst for turning around a group of unruly students into good and productive young men and women. Mathieu Clement, is such a man. His kindness toward the children is returned to him by the students, as they respond to the way he teaches music to motivate and interest them. M. Clement has a keen sense of how to deal with the students; instead of the hard line approach the principal, Rachin, insists in dealing with them, he has other ways to make them change.

The music created by the film director, M. Barratier, and Bruno Coulais, gives the film the right tone. We also hear a song by Rameau, "La Nuit", which is sung with such sweetness that it disarms us and get us into the right mood for enjoying "The Choir" even more.

The film owes a great deal to Gerard Jugnot, who plays the kind teacher who sees possibilities among all these kids. His take on Mathiew Clement is the right one, because the children see in him someone that is the opposite of the other teachers and the mean principal. As the director of the school, Francois Berleand does a good job in portraying this egotistical man who can't see what his own cruelty is doing to the young people in his charge.

The children are as sweet as one expects them to be. Especially Jean Baptiste Maunier, who plays the young Pierre Morhange. Also an angelic Maxence Perrin enchants the viewer as the young orphan Pepinot. Marie Bunel plays Pierre's mother well.

This film is music to the ears of viewers, young and old.

Two Continental European films with campus setting are on show right now in town: Spanish director Pedro Almodóvar's "La mala educación" and French director Christophe Barratier's "Les choristes". However, the former deals with the devil which is pretty disturbing while the latter the angels that touches the viewers' heart and soul. It blows in new fresh air into the cinema world.

People may associate the film with the 1945 production "La cage aux rossignols". Yet, "Au revoir les enfants", "La gloire de mon père", "Le château de ma mere", "Nuovo cinema Paradiso" and the literature namely "Le Petit Chose" by Alphonse Daudet and the hugely popular series of René Goscinny's "Le Petit Nicolas" were rushing into my head when the film rolled on. They all share a number of common features: younger carefree days, reminiscence, scenic countryside, pastoral living etc, they are all ingredients of French fresh (salad) movie, warm, humane and unforgettable. The genre is perpetually popular and it is ever-lasting. Strangely the subject matter though is related to "To Sir, with Love", "Mr. Holland's Opus", they didn't come up to my mind immediately.

French people are capable of producing movies or books with nostalgic ideas, the power again captures the world's heart. A country with long history or brilliant history provides much space for artists, France is one of them. Perhaps the French have no incentive to push forward like the Brits or Americans or they are pessimistic about the future or they lack funds, many the French artists (of various art form) keep looking into history for inspiration. Many French global blockbusters are filmed in nostalgic background setting, "Amélie" is the one in the 50s or early 60s. Cruelly truthful is if we compare the development (in most areas) of the developed nations on the west and east Atlantic coasts, the UK and the USA are exactly more advanced.

Pierre, Pépinot, Le Querrec, spectacled Boniface and all the other children form not only a choir but an angelic choir. The boys' angelic voices has resounded inside my head for pretty long time. The angels rekindle Clément Mathieu's abandoned hope on music and hope again falls onto these young souls. On top of it, he is the unsung hero on the making of the world famous conductor Pierre Morhange. Mondain, apparently sexually harassed, is not a incurable boy but a boy in his quest for love. Mathieu wants to carry out his "experiment" on him. And the young boy knows the class tutor is a kind and reasonable teacher. His smile to Mathieu before he is pulled away by the police tells it all.

Mathieu believes in moral education (or educating children in love) which is entirely different from iron-handed Rachin's hard-line pedagogical conviction and administration. Should time be given, Mondain would find his way out from the excruciating self-destruction. Just a side thought: Hong Kong educators should have more thought on dealing with "problem students", from time to time what these young people need is a tender light guiding them onto a path which they can have satisfaction and security. Well, we are somehow regressing now.

200 people were attending this movie in the theater, when the light went back after the movie was finished, nobody had moved, all the eyes were red. When Jean-Baptiste sings, it just takes you by your guts. The story is fantastic, the music is magic, Jugnot is expectedly grandiose... The picture itself is made "à la" 50s, it's very special but truly desserves the highest awards. I cannot give anything below 10 here. I swear you'll love this movie, if you don't, get back to your pop corn bucket and go and watch that Riddick sh1te, at least you'll get what you desserve.

...

The locale for this French sub-titled film is a locked fortress-like school for poor boys from broken homes, WWII orphans and juvenile delinquents, very Dickensian in feel. The principal of the school,is a detestable man who abuses students and teachers equally. You've seen the plot before, of course, and some of the characters are "stock" sorts. But the acting of the lead, the teacher who "saves" the students by luring them into singing, is portrayed charmingly by Gerard Jugnot. Mostly bald, a bit stocky and no beauty, he is nonetheless disarming. The boy soprano, Jean-Baptiste Maunier, has a wonderful voice, and the chorus is splendid. Particularly fine was the score, almost entirely original, by Bruno Colais. I was looking for something inspiring on this bitter cold inaugural day in the U.S. Les Choristes made my spirit soar and reaffirmed that kindness, generosity of self and the gift of music still have the power to change people's lives.