Nandha
- 2001
- 2h 45m
IMDb RATING
7.6/10
2.8K
YOUR RATING
Looking to put behind a past that haunts him, Nandha tries to reconcile with his mother and live life on his terms.Looking to put behind a past that haunts him, Nandha tries to reconcile with his mother and live life on his terms.Looking to put behind a past that haunts him, Nandha tries to reconcile with his mother and live life on his terms.
- Awards
- 4 wins & 2 nominations total
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
A biggest turning point for suriya
Thanks to Director Bala for bringing out the extreme talent from Suriya
As a result, he is now a versatile actor next to legendary Kamal Haasan and other versatile Vikram.
Cried out during climax
Powerful performances by Rajkiran and others
Cult classic... Loved it!!!!!
Cult classic... Loved it!!!!!
Have u ever felt the ache of watching a movie that hit u so hard! I felt it for sethu and then for Nandha! This movie will leave you speechless after that emotional climax!
My personal favourite is Nandha from suriya movies. Collaboration of Suriya and Bala for the 1st time got an superhit talks 🔥
10aakinz
After turning the Tamil cinema upside down with the ground breaking "Sethu", director Bala came up with another masterpiece which is this film Nandha. The story in one line - a tragic and dark side of a human life, in this case a ex-convict youngster Nandha who is desperately seeking affection from his mother. Indian cinema is known for its mother sentiments, but here with a whole lot of difference and with soul.
Great story, perfect screenplay, great locations, awesome performance from cast, spell binding cinematography and music, with real emotion. Great work from Bala.
What is in this film that defined this decade
1. Director Bala - A man with unique thoughts, who is brave enough to make films without compromise and telling true feeling from the heart. Who made people notice the things that they normally ignored. A great craftsman.
2. Surya - I still remember when this film was started the popular news was Surya, who was a hansom but named as flop hero acting in this movie. But Bala helped him to prove people wrong. For me this is still his best performance. Nandha, the man with most expressive eyes. Now he is the most bankable star in South-India, perhaps soon in India by expanding all over India with Ghajini and soon Raktha charitra.
3. Yuvan Shankar Raja - After this film he has no turning back. What a composition, both songs and background score. The song "Mun Paniyaa" is ever green. Now he is the most sought after composer in south India, doing more number of film than anyone else.
4. R. Rathnavelu - Cinematographer, his success rate is 100% and most critically acclaimed in this decade. His latest Robot/Endhiran shows it all.
5. Rajkiran - His comeback film with stunning performance, now he is the most sought after character artist.
6. Laila - her best performance of her career.
7. Karunas - Real pop singer turned in to reel - actor and comedian.
A must watch film for anyone who wants to see a different film.
Great story, perfect screenplay, great locations, awesome performance from cast, spell binding cinematography and music, with real emotion. Great work from Bala.
What is in this film that defined this decade
1. Director Bala - A man with unique thoughts, who is brave enough to make films without compromise and telling true feeling from the heart. Who made people notice the things that they normally ignored. A great craftsman.
2. Surya - I still remember when this film was started the popular news was Surya, who was a hansom but named as flop hero acting in this movie. But Bala helped him to prove people wrong. For me this is still his best performance. Nandha, the man with most expressive eyes. Now he is the most bankable star in South-India, perhaps soon in India by expanding all over India with Ghajini and soon Raktha charitra.
3. Yuvan Shankar Raja - After this film he has no turning back. What a composition, both songs and background score. The song "Mun Paniyaa" is ever green. Now he is the most sought after composer in south India, doing more number of film than anyone else.
4. R. Rathnavelu - Cinematographer, his success rate is 100% and most critically acclaimed in this decade. His latest Robot/Endhiran shows it all.
5. Rajkiran - His comeback film with stunning performance, now he is the most sought after character artist.
6. Laila - her best performance of her career.
7. Karunas - Real pop singer turned in to reel - actor and comedian.
A must watch film for anyone who wants to see a different film.
of all the sentiments tried and tested in Indian movies, the mother-son relationship is the most cherished and sacred...some movies have done wonders with it, some not that much and some are too cheesy and in-the- face that it disgraces one of mankind's dearest sentiments... and then there is Nandha - one that is so true and grim that you wish it never happens in real life...we dread the path the film takes and bala makes sure that our worst fears come true, and more...
Rajkiran's role in this movie is any character actor's dream - a well etched out role with wonderful camaraderie moments and neat, powerful dialog. Bala's movies have some wonderful acting pieces in it, Nandha is no exception. Its the role that made Surya what he is today, no doubt. With captivating body language and demeanor he delivers with remarkable restraint and sincerity...the only aberration is his lens. Now, why in the world did Bala use a revolting blue eye shade for Surya ? Surya's normal eyes are themselves very expressive and piercing , negative marks for the otherwise near-perfect director.
if Mani Rathnam, Balachander and others were thought of as being masters of human relationships, in walks Bala - shaking that credibility and leaving behind a mark that he can truly claim to be his own. Such easy flowing screenplay with an eclectic choice of current political subjects, this movie is a gross deviation from its contemporaries, and thankfully so.
very few, and i mean really very few films can claim to stun the audience with an intrepid, bold ending note and Nandha ends with a particularly loud bang, leaving us all spellbound causing us to contemplate our own beliefs and aspirations...hats off Bala sir !!
Rajkiran's role in this movie is any character actor's dream - a well etched out role with wonderful camaraderie moments and neat, powerful dialog. Bala's movies have some wonderful acting pieces in it, Nandha is no exception. Its the role that made Surya what he is today, no doubt. With captivating body language and demeanor he delivers with remarkable restraint and sincerity...the only aberration is his lens. Now, why in the world did Bala use a revolting blue eye shade for Surya ? Surya's normal eyes are themselves very expressive and piercing , negative marks for the otherwise near-perfect director.
if Mani Rathnam, Balachander and others were thought of as being masters of human relationships, in walks Bala - shaking that credibility and leaving behind a mark that he can truly claim to be his own. Such easy flowing screenplay with an eclectic choice of current political subjects, this movie is a gross deviation from its contemporaries, and thankfully so.
very few, and i mean really very few films can claim to stun the audience with an intrepid, bold ending note and Nandha ends with a particularly loud bang, leaving us all spellbound causing us to contemplate our own beliefs and aspirations...hats off Bala sir !!
Did you know
- TriviaThis marks the debut of comedian Karunas.
- Alternate versionsDespite given an ''A'' (adults only) rating for theatrical release, a total of 6 cuts were made;
- Delete the sentence # Naan oru bachelor # . - Deleted: (Reel 2) or (Guideline 2(vii))
- Delete the word # Zip # and the visual of policeman zipping the pants. - Deleted: (Reel 2) or (Guideline 2(vii))
- Reduce the number of shots of bloody face of father of hero to two times.- Reduced: (Reel 3) or (Guideline 2(iv))
- Modify the scene of Rowdy molesting the girl, especially the following dialogues:(a) # Pottai naayo # . (b) # Kaarthigai maasam # .© # Vennai. (d) # Podhu va (Reel 4) or (Guideline 2(vii))
- Delete the visuals of breaking legs and also hands & hanging them on the tree during fight sequence.- Deleted: (Reel 4) or (Guideline 2(iv)
- Reduce by 40% the death sequence of Raj Kiran.- Reduced: (Retained length....35 ft.) (Reel 12) or (Guideline 2(iv))
- ConnectionsReferences Vaastav: The Reality (1999)
- SoundtracksMun Paniyaa
Written by: Pazhani Bharathi
Produced by: Yuvan Shankar Raja
Performed by: S.P. Balasubrahmanyam and Malgadi Shubha
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