Dai zek lo

it has been a long time watching film doesn't leave any strong feelings to me... I left feeling conflicted, yet enlightened.. Perhaps one of the best Andy Lau's best performance in his acting career. Cecilia Cheung did a good job as well. There were some good action and a bit romantic scenes, there were some "strong' scenes that makes me freaked out as well,but I think it i necessary. The script and plot is great. Please make sure you watch the HK version not the Chinese cut. Go and watch for the experiences.

A lot of comments have been made about the gimmick of Andy Lau's body suit but I think the director intentionally used it. Much of the film is metaphorical and symbolic. The movie artfully provides a story that is richer for its indirectness. Just as Daai Chek Liu fights the form of his would be self, and prevents the triggering of a new karmic thread through a potential revenge/ justifiable killing of Sun Ko, the body suit may in fact symbolize the effort that many people put into developing the unimportant/ ineffectual aspects of their lives. In the first part of the movie, none of his highly developed skills or extrasensory perception can avert the eventual course of karma; and only in the second part, when he forgives Sun Ko, is he successful in making any difference.

His shedding of his over-developed physique during this journey is perhaps symbolic of his return to simply pursuing "the only thing that Buddha taught" (per his soliloquy after he resolves the conflict with his alter ego). If you watch carefully, everything you need to understand the story is right there; but it's not obvious. There are many places where the director has only sown the seed for further inquiry. I could go on; but suffice to say it's not a movie that can be fully appreciated without at least some analysis on the part of the audience :) In the end, if your interpretation even makes you think about the laws of nature, the meaning and purpose of your life, that's what matters, and is perhaps what the director/ scriptwriter intended.

I feel that the plot is excellent: A Buddhist monk who is able to "see" past choices that lead to present day Karma. This was an excellent plot but... They should have made it more of a love story, i.e. a strong attachment by the viewer between "Big" and the police woman. And somehow it should have had a clearer ending. the plot had a potential for a great movie. Also it would have been nice to have a good ending. There were some interesting things in the movie...For example, the director certainly understood something about karma as explained by buddhist. I recalled in the movie when the monk says that the Japanese soldier is a different person than the policewoman, but that she is carrying his karma. That is an interesting distinction from the Hindu explanation of karma.

About the movie, it's entertaining, wonderful story, fantastic make-up techniques and efforts, Cecilia Cheung has improved a lot in interpreting the young policewoman who is in search of a good life ending, good good good as a whole...

Yet, please tell me the names of the two Indians who have taken pains to act well at the beginning? Why no credits to them? I kept searching for their names both in Chinese translation or English romanization from the roller for three times but in vain. Discrimination against the Indians or Pakistani does exist in Hong Kong. But now even China is taking about something like "bridging with the international scene", please learn something from USA or Europe. On their film rollers, carpenters or people who has taken small part(s) got their names on it. That's international.

Hey, Lighten up angry folks. It's just a movie. Did you have fun enjoying it like me?

If you like martial arts, superheroes, and are intrigued by the power of mythology here's your ticket. Cecilia Cheung and Andy Lau shine like usual for you loyal fans. Loved the element of examining Karma which is lacking so much in the consequence ignoring messages of late. The gradually unraveling storyline and visual games will keep you thinking and will draw you back to examine the movie again and again.

The transitions are nice to take in as they travel from city to country and through past lives and the present. They hop along nicely from place to place to keep the story going. Andy Lau is funny as the beefcake parody and Cecelia Cheung is so herself as the unassuming pretty girl with the crush on the muscleman/superhero/monk.

I believe that people inclined to study Karma probably know more about it than the film covers so enough said on that. I'd recommend meditation, serious study and training with an expert over any film designed for entertainment.

The Asian aesthetic, over the top action, charismatic stars, creativity and a penchant for the fantastic are why I love so much of Hong Kong and Mainland Cinema and this is a fine example. More HK blockbusters please!!!