Fenêtre secrète

Not exactly a memorable or path-breaking movie of its genre, 'Secret Window' does manage to be fun to an extent. The story is easily predictable and there are plenty of unintentionally funny moments (which were supposed to provide thrills). It is pretty much just another thriller but the locations (especially the landscape and nature round the lake house) are very pleasing to look at and the cinematography is quite impressive, even though it's highly overdone in the end sequence. The way the 'revelation' is displayed towards the end is hilarious and overly dramatic. Perhaps 'Secret Window' would have worked better had it been more subtle. The plot holes do not provide much advantage to the film. Johnny Depp is great at what he's given to do but the role itself suffers from poor writing. Torturro is adequate. The supporting cast are just there. They don't contribute much and the actors are just okay. If it weren't for Depp and the nice lakeside view, this would be just another mediocre thriller

I've seen psychological thriller's that try to scare you more than melt your brain, this one I'm proud to say does both. It's a very, very malicious and haunting thrill machine. I t brings the very essence of how horror and Psycho thriller's are suppose to be done, not with over the top gore and CGI, but with old school conventional means.

Secret Window is as sinister as it is smart it rolls along at a very steady pace and brings more to the table than what was required. It shows you what the decent into madness and utter chaos looks like, it shows you the depth and moral ambiguities of a torn man who's lost everything. With that said you can examine the physic of the mind as it cracks under extreme and constant pressure and how your choices do affect who you help, or who you hurt. This film's pace and dark style is meant to reflect horror films of the 40's, 50's, 60's and early 70's before gore became cool but that makes this film such a joy to watch and study. And that makes it a great film, not a good film, a great film.

Johnny Depp( who was fantastic here.) gives a very eccentric and brilliant performance as the conflicted writer Mort Rainey, John Turturro does exceptionally well as the sinister and vicious Shooter and he almost outclasses Depp in this film. Charles S. Dutton does well with the few scenes he's. But the main let down and I think the reason for this film's poor reviews from critics were the bland and very lame performances of Timothy Hutton( he won an Oscar he can do better than this.) and Maria Bello, they really lowered the caliber and class of this film and forced Depp to try harder to make them look good and make there time on screen with him good, but he succeeds and they fail. But Turturro and Depp hold up strong.

Secret Window is a very Keene and captivating psychological/horror thriller that is surefire mind boggling entertainment and out of this world fun. This movie is great rainy day entertainment or any day entertainment for that matter it's just all around a fantastic and mind boggling film that makes you question the sanity of writers and the world they live in ( speaking as one myself.) it brings to question as the thoughts in our mind really our conscious or our selves just speaking out to right the wrongs doe against us It's a film that ask those questions and then you have to answer. All in all Secret Window was a sinister, malicious and thought provoking film that delivers a movie going experience like no other.

This is one of the few movies that you will either love or hate. There is no middle ground. The people that have slammed this movie must not have understood a lot of the symbolism. Seriously, some of it is obvious but a lot of it would require you listen to the Director's commentary to catch.

While aspects of the story are predictable, you will never see the last couple minutes coming. Koepp made a film that HE believed in, with a finale that may not sit well with the general public. For this, I applaud him.

As I've noted on the message board, Koepp borrowed a page from Hitchcock's book and relied on our imagination to fill in the gaps during the violent sequences. Some of it is shown but certainly not all. Without question this film tested the limits of the PG-13 rating but Koepp did not take the easy way out and turn this film into an R-rated gore fest. This film proves that PG-13 films can be gritty and poignant.

Depp's performance is amazing, as can be expected. The cinematography is awesome. Watch this film with an open mind, taking to heart each character's motivations.

If you've already seen the film I would strongly suggest you watch the Featurettes and listen to the Director's commentary on the DVD. You may find this to be quite an eye opener.

My Score: 8/10 stars

Director David Koepp has written some nice screenplays ('Carlito's Way', 'Panic Room') and I liked his 'Stir of Echoes'. Here he comes with a thriller based on a Stephen King novel that is not very good but has some qualities. The best quality here is another terrific performance from Johnny Depp. No matter what he does, he succeeds in making a film entertaining even when it should not be.

Depp is a writer named Mort Rainey, recently divorced because his wife (Maria Bello) cheated on him. Now he lives in a cottage near a lake, alone, writing his new book. One day a man rings his bell telling Rainey he has stolen one of his stories. Rainy is unaware of this fact and he can prove it; a magazine printed his short story a couple of years before the man, who is named John Shooter (John Turturro), claims he has written his version. Shooter wants to see this magazine before he believes it, causing quite some trouble in the meanwhile.

This is a film with a secret, something we understand pretty soon. I will not reveal it, but most people will come up with an idea and find out they are right. Even though it has a secret it plays too much like a lot of thrillers we have already seen. Interesting performances (Bello is pretty good as the wive too) and some dry humor does not change that. There is one other thing I liked. Koepp payed some good attention to what David Fincher did with his 'Panic Room' screenplay, especially with the camera. There are some great shots here and together with Depp they make sure 'Secret Window' is not wasted.

Secret Window's tag line – "Some windows should never be opened" – is so snarkily appropriate in its unintentional damning of this ridiculously overwrought psychothriller that it's a wonder some smart underling at Columbia hasn't leapfrogged up the studio ladder by pointing it out to the powers that be. Their error is the critics' gain, though, and even the presence of Johnny Depp, as novelist Mort Rainey, can't save this film from its own unintended melodramatics. Secret Window lacks a B-movie sucker punch, and by the final reel it degenerates into a hackneyed mishmash of obvious revelations and cheap, ineffective horror theatrics despite Depp's mangy fun. There's no car crash in this one as in his current television project Kingdom Hospital and much of his recent writing – King penned it before that wayward van almost took him out of the running forever – but the film itself is an effective enough metaphor for out-of-control bs that frankly was part and parcel of King's novella from page one.