The Fantastic Fest film festival in Austin, Texas, played an unearthed Ed Wood film to much ire. Fantastic Fest Airs Ed Wood Porn Film, Met With Ire The film, called Take It Out In Trade, is a rarely seen movie that has never been available on home video either. The annual secret screening drew anger over […]
Source: uInterview
The post Ed Wood Film ‘Take It Out In Trade’ Airs At Fantastic Fest After Controversy appeared first on uInterview.
Source: uInterview
The post Ed Wood Film ‘Take It Out In Trade’ Airs At Fantastic Fest After Controversy appeared first on uInterview.
- 9/27/2017
- by Hillary Luehring-Jones
- Uinterview
Last week, Austin’s annual Fantastic Fest bowed under a cloud that stemmed from the secret re-hiring of former Birth.Movies.Death. editor-in-chief Devin Faraci by Drafthouse founder Tim League and the continuing fallout of accusations directed at co-founder Harry Knowles. As the beloved genre festival kicks into its second half, it continues to draw attention for programming choices that reportedly left audience members on edge.
Over the weekend, Fanstastic Fest attendee Kim Sherman took to Instagram to share her experience with a Saturday afternoon showing of Ruben Östlund’s Palme d’or winner “The Square,” an event capped by a post-screening stunt that didn’t strike Sherman and other audience members as a wise choice.
Sherman wrote that, after the film concluded, “They asked us to remain seated after the film while they brought a ‘special guest’ into the room. Then they brought out an actor from the film...
Over the weekend, Fanstastic Fest attendee Kim Sherman took to Instagram to share her experience with a Saturday afternoon showing of Ruben Östlund’s Palme d’or winner “The Square,” an event capped by a post-screening stunt that didn’t strike Sherman and other audience members as a wise choice.
Sherman wrote that, after the film concluded, “They asked us to remain seated after the film while they brought a ‘special guest’ into the room. Then they brought out an actor from the film...
- 9/25/2017
- by Kate Erbland
- Indiewire
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