Metacritic reviews

One of the most impressive movies ever made about espionage.

De Niro pulls the viewer into the world he has created and holds him there, sometimes spellbound, until the story is over and the end credits roll.

While a bit unwieldy at nearly three hours and at times slow going, the film is absolutely fascinating for anyone who shares De Niro's passions.

Damon is terrific in the role--all-knowing, never overtly expressing a feeling. Indeed, so is everyone else in this intricate, understated but ultimately devastating account of how secrets, when they are left to fester, can become an illness, dangerous to those who keep them, more so to nations that base their policies on them.

Here, he's (Damon) the ultimate enigma machine, a man willing to erase himself for his country. Does that make him a hero? The Good Shepherd is too closemouthed to let on.

Still, even if the movie's vast reach exceeds its grasp, it's a spellbinding history lesson. The Good Shepherd demands you watch it like a spy: alert, paranoid, never knowing whom you can trust, or who will stab you in the back.

Shepherd wants to say something profound about the effect of a deceitful government on human values. But it's tough to slog through a movie that has no pulse.

The most interesting thing about The Good Shepherd is how hard the filmmakers work not only to demystify the agency, but also to strip it of its allure, its heat.

Robert De Niro's second film as a director adopts a methodical approach and deliberate pace in attempting to grasp an almost forbiddingly intricate subject, with a result that is not boring, exactly, but undeniably tedious.

The Good Shepherd needed to be either considerably longer -- more like 1979's "Tinker, Tailor, Soldier, Spy" miniseries -- or considerably shorter (word has it De Niro cut 30 minutes). Right now, it's stuck in the deadly dull middle in which everything happens but nothing matters since the filmmakers can't stick with one event or idea long enough for it to, well, stick.