In Los Angeles, an ex-con takes the underground fighting world by storm in his quest to fulfill a promise to a dead friend.In Los Angeles, an ex-con takes the underground fighting world by storm in his quest to fulfill a promise to a dead friend.In Los Angeles, an ex-con takes the underground fighting world by storm in his quest to fulfill a promise to a dead friend.
Kevin 'Kimbo Slice' Ferguson
- JC
- (as Kimbo Slice)
Ernest Miller
- Mommie Dearest
- (as Ernest 'The Cat' Miller)
Andre Edwards
- Curtis
- (as Andre L. Walker)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
First, this is not one movie but two. The first is a standard drama about a mysterious stranger that comes out of nowhere to extract vengeance for .. whatever. No offence to the writing team, but we've seen this before. I think Van Damme alone has done this about a dozen times. It's not bad, mind you, but there is nothing in the drama portion of this film that would make you stand in line to see the movie. Which brings us to movie no 2, the fight movie. Now a martial arts is an entirely different kind of movie, and its success rests with two factors, the building of the suspense and the quality of the skills of the lead. Bruce Lee understood this perfectly and if you do your homework you will find that the film he was working on at the time of his death was about "structured" fights where each fight built on the next to a grand finale. The best fight films of our era -- the first Rockies, ONG BAK 1 (not the rest), and the early Van Dammes all understand this principle. Ever Warrior, a great fight film, gets it. (The Chinese don't and many Kung Fu films from China miss the boat). Now, if you are still with me, you probably suspect that BLOOD AND BONE has one of the best fight structures in film, therefore putting it as a contender for greatness. Which leaves the lead actor. To make this one of the best fight films ever, you would also need an actor who is not only credible but moves like the wind and gives the impression he could actually make the moves in real life ... if he had to. And that brings us to Jai White. Why this guy never become a fight legend, I don't know. Hell, Stallone is still fighting on the way to pick up his pension checks, so it can't be age. But he is the real deal, and this seems his best star performance. Actor plus well structured (pyramided) fights equal one of the best fight films of all time
I have a great gift in the ability to enjoy exploitation cinema and genre films. When a movie like "Blood and Bones" comes along, I am able to watch and hopefully enjoy it for what it is.
"Bone and Blood" stars Michael Jai White. White, one may remember, played the titular character in self proclaimed bad boy Todd McFarland's kid friendly send-up of the demonic "Spawn." White branched out to TV and voice acting after the nearly career killing clownish "Spawn" movie failed to generate much positive buzz. White, however, is an accomplished martial artist primarily in the Kyokushin style – a brutal full contact form of karate (though he also dabbles in Wushu which is much more screen friendly) – and film loves high impact martial artists. So White has been given another chance as a leading man with this movie, the upcoming fantastically buzzed about blaxploitation tribute "Black Dynamite," and a rumored involvement in Robert Rodriguez's developing mess, "Predators."
White plays Bone, an ex-con with a heart of gold. After his release, Bone finds himself immediately drawn to the illegal street fighting scene where he hooks up with mouthy small time promoter Pinball (Dante Brasco). Bone's motivation is indistinct at first and that gives the first part of the movie a rushed feel. However there is a Reveal about half way through that explains Bone's motivations and helps tighten up the not-too-surprising storyline. Otherwise Bone is a bit of a mystery in that his crime, his time, and his history is left completely unexplained for the duration of the film.
Once Pinball realizes Bone's talent, he quickly concocts a scheme that will get Bone a shot at the local street fighting champ Hammerman (played with corny endearment by former MMA champ Bob Sapp) arranged through Hammerman's bigger-time promoter James (Eammon Walker – "Oz" jailhouse Muslim leader Kareem Said).
This comes at around the halfway point where the film shifts gears from a tournament style martial arts flick to more of a revenge flick. Bone's personal motivation is brought to the forefront and momentum leads to one final fight with, inexplicably, David Aldridge, of whom I know nothing about. I say inexplicably because the film is draped in cameos and roles by past and current MMA stars from various leagues. Aldridge has, literally, less than five minutes screen time and that role, it seems, could have been handled by one of the MMA guests.
The martial arts throughout the film look powerful and brutal but the choreography is not inspired. White is a gifted martial artist and it would be interesting to see him in the hands of a stellar fight choreography team. The fights were entertaining enough, though, due to what many a child of the 90s martial action films would called the Seagal Factor. The Seagal Factor is, simply, when the protagonist is such an incredible bad ass that he is never – not once – threatened in the film which leads to a kind of maniacal hand-rubbing glee. None of White's fights are competitive in "Bone and Blood," but they're still quite interesting due to the Seagal Factor.
From a tech standpoint the film has numerous flaws. There are many cues that are missed and mis-fired gestures that are stopped and started by the actors awaiting their cue in dialog scenes. The music is horrible. The score somehow alternates between syrupy sweet Bill Bixby Incredible Hulk piano music and NIN-like industrial riffs. The effect is jarring.
But this is not a movie to watch for its technical merits. It's a movie to watch for martial arts bad assery and in that way it works. It does not score high in finesse or creativity, but there is a certain primal element that White taps into that makes the movie a worthwhile popcorn flick.
It seems that "Black Dynamite" is a can't miss and working with Hollywood darling Rodriguez can't be bad for White's career, so White may finally be on his way to stardom. If not, Bone ended in a way that could easily lead to sequels of "The Equalizer" type story lines. Or maybe White will take off while Bone makes his way to the small screen. When's the last time we had a prime time martial arts series? I think Bone could work there.
"Bone and Blood" stars Michael Jai White. White, one may remember, played the titular character in self proclaimed bad boy Todd McFarland's kid friendly send-up of the demonic "Spawn." White branched out to TV and voice acting after the nearly career killing clownish "Spawn" movie failed to generate much positive buzz. White, however, is an accomplished martial artist primarily in the Kyokushin style – a brutal full contact form of karate (though he also dabbles in Wushu which is much more screen friendly) – and film loves high impact martial artists. So White has been given another chance as a leading man with this movie, the upcoming fantastically buzzed about blaxploitation tribute "Black Dynamite," and a rumored involvement in Robert Rodriguez's developing mess, "Predators."
White plays Bone, an ex-con with a heart of gold. After his release, Bone finds himself immediately drawn to the illegal street fighting scene where he hooks up with mouthy small time promoter Pinball (Dante Brasco). Bone's motivation is indistinct at first and that gives the first part of the movie a rushed feel. However there is a Reveal about half way through that explains Bone's motivations and helps tighten up the not-too-surprising storyline. Otherwise Bone is a bit of a mystery in that his crime, his time, and his history is left completely unexplained for the duration of the film.
Once Pinball realizes Bone's talent, he quickly concocts a scheme that will get Bone a shot at the local street fighting champ Hammerman (played with corny endearment by former MMA champ Bob Sapp) arranged through Hammerman's bigger-time promoter James (Eammon Walker – "Oz" jailhouse Muslim leader Kareem Said).
This comes at around the halfway point where the film shifts gears from a tournament style martial arts flick to more of a revenge flick. Bone's personal motivation is brought to the forefront and momentum leads to one final fight with, inexplicably, David Aldridge, of whom I know nothing about. I say inexplicably because the film is draped in cameos and roles by past and current MMA stars from various leagues. Aldridge has, literally, less than five minutes screen time and that role, it seems, could have been handled by one of the MMA guests.
The martial arts throughout the film look powerful and brutal but the choreography is not inspired. White is a gifted martial artist and it would be interesting to see him in the hands of a stellar fight choreography team. The fights were entertaining enough, though, due to what many a child of the 90s martial action films would called the Seagal Factor. The Seagal Factor is, simply, when the protagonist is such an incredible bad ass that he is never – not once – threatened in the film which leads to a kind of maniacal hand-rubbing glee. None of White's fights are competitive in "Bone and Blood," but they're still quite interesting due to the Seagal Factor.
From a tech standpoint the film has numerous flaws. There are many cues that are missed and mis-fired gestures that are stopped and started by the actors awaiting their cue in dialog scenes. The music is horrible. The score somehow alternates between syrupy sweet Bill Bixby Incredible Hulk piano music and NIN-like industrial riffs. The effect is jarring.
But this is not a movie to watch for its technical merits. It's a movie to watch for martial arts bad assery and in that way it works. It does not score high in finesse or creativity, but there is a certain primal element that White taps into that makes the movie a worthwhile popcorn flick.
It seems that "Black Dynamite" is a can't miss and working with Hollywood darling Rodriguez can't be bad for White's career, so White may finally be on his way to stardom. If not, Bone ended in a way that could easily lead to sequels of "The Equalizer" type story lines. Or maybe White will take off while Bone makes his way to the small screen. When's the last time we had a prime time martial arts series? I think Bone could work there.
I saw this movie last night and I thought it was a pretty good movie. Michael jai White plays his role pretty good. The fight scenes to me were good compared to some of the other fighting movies that are in theaters. Overall, I enjoyed the movie. This is one of those movies that I would love to have seen in the theaters. If you enjoy enjoy martial arts pictures or just plain ole fighting movies, then you won't want to miss this one. The story line made sense unlike some others that are sometimes hard to follow. The only thing that I would loved to have seen be different is the lines from Pinball. I think his lines were a little overkill. The writers could have toned it down a little because he wasn't really funny if that's what they were trying to portrait.
This was easily one of my favorite martial-arts movies in the last 5 years or so. Michael Jai White plays the part perfectly, and his tough yet concerned persona is great. I honestly couldn't think of a better person to fill this role, and his beautiful martial arts style makes it all the better.
It does suffer from some lackluster acting jobs outside of White. I thought Dante Basco (Pinball) over acted quite a bit, and i don't think he was the best actor for the role.
Other than that the movie was terrific, and i would recommend it to any martial arts fan.
It does suffer from some lackluster acting jobs outside of White. I thought Dante Basco (Pinball) over acted quite a bit, and i don't think he was the best actor for the role.
Other than that the movie was terrific, and i would recommend it to any martial arts fan.
I saw today Blood and Bone and I was surprised because it turned out being pretty good. I this saw because I've been a fan been a fan of Michael Jai White since Spawn. Anyways the movie is pretty low budget but who really cares when the fight scenes are really well done considering that I didn't see any wires. Storyline is good considering it's a fighting movie and Eamon Walker (Oz) comes out in the film which is cool because I never see him in anything the only other movie I've ever seen him in was Shopping with Jude Law on IFC. All in all a very good action film, Michael is a bad ass in the movie. And hopefully Michael Jai White gets some recognition and starts coming out in more movies.
Did you know
- TriviaAccording to the DVD commentary, the scene that used the song "Dance Hall Days" by Wang Chung was meant to use ABBA's "Dancing Queen", but "ABBA wasn't having that".
- GoofsIn the first scene where Kimbo and his companions are walking, the camera man's shadow can clearly be seen on the railing below.
- Quotes
James: Genghis Khan once said, the greatest pleasure is to vanquish your enemy, and chase them before you. To rob them of their wealth, and to have those dear to them bathed in tears.
Isaiah Bone: I... am the punishment of God. And if you had not committed great sins, God would not have sent a punishment like me upon you... Genghis
- ConnectionsFeatured in The Cine-Masochist: The Decline of Middle Class Film Making (2019)
- SoundtracksBlood and Bone Theme
Written by Sticky Fingaz (as Kirk Jones) and David Cooper
Performed by Sticky Fingaz featuring Begetz
- How long is Blood and Bone?Powered by Alexa
Details
Box office
- Budget
- $3,700,000 (estimated)
- Gross worldwide
- $3,492
- Runtime1 hour 33 minutes
- Color
- Sound mix
- Aspect ratio
- 1.78 : 1
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