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Audrey Tautou and Gaspard Ulliel in Un long dimanche de fiançailles (2004)

Connections

Un long dimanche de fiançailles

Edit

Edited from

    • Le peuple migrateur (2001)

      The digital compositing shots of the stationary seagull trying to fly against a heavy gust of wind features a shot of the bird taken directly from Le Peuple Migrateur

Featured in

    • "Siskel & Ebert & the Movies" Christmas with the Kranks/A Very Long Engagement/The Life and Death of Peter Sellers/Alexander/Bright Leaves (TV Episode 2004)

      Clips shown for the review.
    • A Very Long Engagement: On the Set of a Romantic Epic (TV Movie 2004)

      making of
    • The 77th Annual Academy Awards (TV Special 2005)

      Nominated in two categories
    • Une année au front (Video 2005)

      Documentary on the making of this film
    • Ahate pasa (Short 2010)

      Clip of the film shown.

Referenced in

    • Un long dimanche de fiançailles: le making-of (TV Movie 2004)

      Making-of
    • A Very Long Engagement: On the Set of a Romantic Epic (TV Movie 2004)

      Making of.
    • "Ta mahairomata" Episode #1.15 (TV Episode 2005)

      Actors watch the movie in a cinema
    • "Shinchan" Pee Strike! (TV Episode 2006)

      The episode segment "A Very Wrong Engagement", is a reference to this film.
    • "Aída" Alargador domingo de noviazgo (TV Episode 2011)

      Title reference.

References

    • À l'Ouest rien de nouveau (1930)

      a dead soldiers boots becoming a major plot element
    • Citizen Kane (1941)

      In the scene at the train station, Director Juenet reveals in the commentary that this shot was an homage to the scene just before the opera in Citizen Kane, when all the characters mull all over the place.
    • Jour de fête (1949)

      (the postman is an acknowledged reference to Jacques Tati's character)
    • Quand passent les cigognes (1957)

      "If I can count to x before the mail arrives, he's alive", + other intentional similarities between female protagonists.
    • Les Sentiers de la gloire (1957)

      The camera movement in the trenches as well as the WWI war scenes are quite exact copies of Kubricks masterpiece.

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