Suspend disbelief and be violently entertained
Dramatic licence has been taken with a capital D (and L) here, despite the consultant on the series being Chris Ryan, formerly of the SAS. It does feel as though the production opted out of reality and instead borrowed heavily from a number of previous action films and series, adding the voguish cliches of multi-ethnic troops, tough-talking female and 'new man' sentiments.
The reviews have almost universally criticised the writing and the on-screen violence. I can't argue with the former, despite being a fan of Rob Heyland since the excellent 'Between the Lines'. Rob: integrate your jokes and make them feasible references for young men in their twenties, please! I'd say the violence is not gratuitously explicit, considering it's a series about the death-or-glory boys, but to show a character able to walk, talk and perform physical tasks after extreme torture is a little unbelievable and, dare I say it, irresponsible.
Notwithstanding, I watched it. As a vehicle for Ross Kemp it is perfect, and the other central cast members are a talented - and yes, very attractive - ensemble of actors. It was also refreshing in a world awash with soaps and so-called relationship dramas to focus on something plot-driven. I've heard a rumour it's been recommissioned, so it would seem that I and a few million others (mostly young men, according to the ratings demographic) aren't wrong. Here's hoping the next series ups the credibility and keeps the pace. After all, Who Dares Wins, eh?
The reviews have almost universally criticised the writing and the on-screen violence. I can't argue with the former, despite being a fan of Rob Heyland since the excellent 'Between the Lines'. Rob: integrate your jokes and make them feasible references for young men in their twenties, please! I'd say the violence is not gratuitously explicit, considering it's a series about the death-or-glory boys, but to show a character able to walk, talk and perform physical tasks after extreme torture is a little unbelievable and, dare I say it, irresponsible.
Notwithstanding, I watched it. As a vehicle for Ross Kemp it is perfect, and the other central cast members are a talented - and yes, very attractive - ensemble of actors. It was also refreshing in a world awash with soaps and so-called relationship dramas to focus on something plot-driven. I've heard a rumour it's been recommissioned, so it would seem that I and a few million others (mostly young men, according to the ratings demographic) aren't wrong. Here's hoping the next series ups the credibility and keeps the pace. After all, Who Dares Wins, eh?
- ellis_suzie
- Oct 28, 2002