A Is for Acid

A highly entertaining telling of a real life drama about a glamourous British serial killer. Not the most likely subject to tempt an audience but the production was put together with great attention to detail, perfectly capturing Britain in the 1940's, the props, clothes, cars and atmosphere all seeming perfectly genuine. Martin Clunes was superb as Haigh and the supporting cast all played their parts wonderfully well too. A rather unusual subject portrayed with a balanced perspective and having read accounts of the events surrounding Haigh I thought it was a great visualisation of the words I had read. Very interesting indeed.

This TV movie was a superb historical drama about a true life murderer in England during and after the Second World War. Martin Clunes portrays the serial killer in a sincere but occasionally humourous way. The film shows how the killer gradually loses control and how he eventually is caught where he thought he couldn't based on an old law where a person could not be convicted of a murder if no body is found. I really found it enjoying and the acting of Clunes and his co-stars gave a true feeling of the times and the addition of a character being played by a person who actually met the real killer whilst she was child in London at the time make this film a very enjoyable treat

Based on the true story of the Acid Bath Murderer, John George Haigh, this TV drama stars Martin Clunes as the odd-looking, charming serial killer.

Normally I don't go in for TV dramas, but since this I have a passing interest in serial killers, I watched it -- I found it well scripted and well acted, with Clunes doing a good job -- at times he did bear a resemblance to the real Haigh (from old photographs I've see), and he brought a certain charm to his character, making his deceits all the more realistic, whilst his narrative voice contrasted this with a certain lack of emotion or inflection. Also, nicely paced.

I have just seen a repeat of this TV film and was very impressed. I had the opportunity of doing some gardening work for the Sgt Inspector Heslin (Ret'd) before he died, when he lived in Torbay. As one of the detectives who interviews Haigh and discovered his gun, he showed me photographs which very much resembled the film set of Haigh's workhouse.

I also specialized someone in the RAF when, as a medic, I saw just what Sulphuric acid can do. Now I am a prolific author and wish I had taken more notes about this case. Heslin and I enjoyed good conversation and he was very proud to have been one of the main detectives to interview Haigh.

Peter Carroll

Martin Clunes has an amazing range as an actor; he has attempted everything from Mr Chipps in "Goodbye Mr Chipps" to Garry the Slob in "Men Behaving Badly". In this TV film scripted by Glenn Chandler, creator of "Taggart", he impersonates a dapper, cheerful, sport car driving type who is also an accomplished pianist called John Haigh who turns out to be a diabolical serial killer who disposes of his victims in acid baths.

. It is a nice performance and the production values are splendid – seldom has England in the 1940s been better evoked, but there is something missing. What happened is clearly conveyed. How it was done is depicted as graphically as most audiences could reasonably take. But, the question of "why" is left hanging, as it were. Was it for the money? Did Haigh, like Dr Shipman, just get a kick out of killing? Or, despite the opinion of the dozen or so experts the prosecutors and the Home Office consulted, was Haigh crazy? At the trial, not shown in this film, Haigh, represented by top-flight counsel paid for by "The News of the World", pleaded insanity. Only one psychiatrist gave evidence for the defence, to such little effect that the prosecutor didn't bother to cross-examine him.

Well, it's not the film-makers' fault that Haigh was one of those bland serial killers who defy understanding. In line with his own account, Haigh's Yorkshire Plymouth Brethren parents are depicted as strict and narrow, but not as unloving. He turned to crime at an early age and had quite a record of petty dishonesty offences. For him, prison was Crime University and he hatched the idea for his body disposal method, the acid bath, while inside. He was capable of conducting an emotional relationship with the youthful "Gillian" (Keely Hawes) while luring his victims to their deaths.

For what it's worth I think Haigh's train of thought went something like this: "I am an outsider, society does not value my true worth, I will be good to people who do really appreciate me (like my parents and Gillian), and the rest are fair game." At least it makes more sense than the vampire theory. Haigh is also one of those criminals who were bound to be caught sooner or later (his arrest was not a miracle of detection), which makes one ask: did he think he was invincible or did he really want to be caught? The film doesn't help us with this, but it's a good reconstruction and a fine piece of acting by Martin Clunes.