In this World

Michael Winterbottom, I thought, was a director worth watching (I had seen his film "Jude") but I was sorely disappointed with this film that was bestowed with a Golden Bear at the Berlin Film festival--a festival that often picks up fine cinema for its honors. I saw "In this world" at the on-going Dubai international film festival expecting to see top-notch cinema.

Instead of great cinema, I saw a film that flounders in its effort to capture reality. Winterbottom and cinematographer Marcel Zyskind capture young faces and their action creditably (the young sibling who follows his brother as he leaves the refugee camp) at times and then slip up to the most shoddy camera-work soon after (local Pakistanis staring at the camera, shadows of vehicles carrying camera equipment on road sequences). The film attempts to capture fiction in a documentary style. The effort is commendable but the outcome is at best an average effort at highlighting the problem of refugees.

The film begins with statements on the ration provided to refugees. A great beginning with shots of a real refugee camp. Then I was appalled to see shots of women dancers being showered with currency notes and a gruesome sacrifice/killing of an ox--sequences that add no value to the rest of the film.

What is the film trying to state? Refugees are in a bad shape and they need to escape. Is Winterbottom suggesting that those who succeed are heroes and those who do not are tragic figures? Is he trying to make a statement on cultural values across borders?

I feel Winterbottom could have served better purpose if he had retained the elements of documentary and discussed the problems of refugees than dramatize the journey itself. If he wanted to dramatize the journey--what are the shots of the dancing women doing here?

Berlin has made a wrong choice--not that Winterbottom lacks in talent. But this is mixed-up cinema

This film deserves a wide audience - and we are constantly reminded what or who is in this world, and what that entails. The story line is simple: two Afghan refugees, dispossessed in their land, struggling to survive (on 1 US $ a day, search for new life in a promised land - either the United Kingdom (London) or the USA.

We are all aware of the prejudice meted out to those of middle Eastern descent by the leaders of these 'first world countries'; we are also aware that war and the rampage of war leads to dog-eats-dog scenario.

Without preaching, the director takes us (through an involvement with the young leads, apparently not trained actors) through this world, moving from Afghanistan, to the East (Iran, Pakistan), and landing in Europe (Turkey, Italy, England).

What struck me throughout was the single-mindedness displayed by the younger actors, as they have to cope with a world at once alien and familiar to them.

There are moments of intense kindness by strangers, balanced by the manipulation of others who are motivated by greed and an unempathetic bureaucracy too.

Acting is naturalistic: there are some brilliant cameo shots - and Winterbottom has achieved a Herculean task; the film comes across as a real, hands-on documentary that is unscripted, and where events unfold before one's eyes.

Aided by voice-overs and a montage of black and white images, this has a feel of historic truth, a sense of actuality about it. I was moved by this film, totally.

It is a cry from the director's soul, and (unfortunately) won't reach the people it should. Refreshing, sensitive and an absolute must-see.

Those of us who live in so-called "western" and "civilized" cities always enjoy imagining the nostalgia of getting away from it all, owning a small hut in the mountains, living off of nature's gifts: veggies from the back yard, and meat from the farmhouse. Well, then there are those who live in those places that seem oh so nostalgic to us, and can't wait to get away from it all. They face the realities of rural life that so many of us day-dreamers tend not to include in our imaginings. And it also becomes hard for us to comprehend what is it about our stress-filled lives that these people want, that they would put their lives in danger and risk everything for entering another country and be part of that life. Then we realize the ignorant and arrogant lives we've been living: The luxury of taking survival for granted.

Films like "In this world" show us the journey taken in search for the promised lands. And we realize that the struggle for survival is common in every part of the world; it simply takes a different shape or form. The refugee's life becomes a story of adaption, rather than reaching a resolution. The idea of getting away from it all turns into realizing the lack of the void: that the frame of mind is what dictates what we want to get away from. Because it is so easy to find something to want to get away from, anywhere we live. Winterbottom's film captures these issues in almost documented reality of two brothers in search for the promised lands. It's almost as obvious of a reality right infront of us, as real and un-noticed as the image of the main titles super-imposed on a paint-peeling wall.

We see that we all are a refugee, running away from something, only to realize that we end up chasing a dream we will be running away from again later.

It is a magnificently crafted film from a cinematic standpoint, following no formulaic conventions about how to tell a story. It mixes dramatic and documentary techniques to create a moody, unflinching look at the plight of refugees of war. By introducing techniques of voice-over fact presentations and title overlays, it sets up an expectation that we are about to watch a documentary, and that what we are about to see is being filmed as it happens. Yet clearly, it must be a fiction, because it's too sharp, clean, and choreographed to be anything but staged. It maintains a curiously detached and distanced voice, and even the characters themselves seem rather remote from their own lives. They have a sad, worn-down air, and seem to trudge ahead with neither hope nor fear even in the most horrific circumstances. Their detachment from their own lives distances the viewer from them as well, unfortunately.

"In This World" is yet another exceptional film from Michael Winterbottom, who seems to be one of the best directors from the UK these days. I really liked his film before this "24 Hour Party People" and once again he has done a masterful job of combining elements of documentary into a feature films. From the outset, it is pointed out that lots more 'muhla' went into bombing Afghanistan than providing refugees with any assistance. This was filmed in Pakistan, Iran, Turkey and parts of Western Europe. One of the more touching moments comes when the lead characters meet up with an Iranian (I presume ethnic Kurds) family as they enter Southeast Turkey from Iran. A very touching film. It is certainly more vivid an disturbing than most road movies, whether you are talking about "Stagecoach" or even "Thelma and Louise"- this is gripping stuff indeed, and a good companion to the recent Afghan film "Osama."