Claustrophobia

I don't know from where to start: the film is amateurish. The acting is terrible, the plot is poor even the usage of camera is childish. A serial killer using arrows to kill his victims... The making of the film took less than two days, the script took less than three days I think. If it took more then something is wrong with the cast. No I did not like this film at all it's more bad than ''Decoys'' or ''quiet kill''. It is a surprise to me that 61 people voted for it and it has an average rating of 5. I suppose there were some friendly votes. I cannot believe that people actually paid to watch this movie or the ''actors'' got paid to participate.

I've seen some bad movies in my life time, but this movie is one of the worst. What surprises me the the most is that it got distributed outside USA. You can clearly see that this movie is made by amateurs, first of all the lighting is really bad, at one point you can't even see the person being film because the sun whites out the camera. The acting is bad, the dialogs are boring, and scenes are drawn out to make the movie longer (at least so it seems) Another thing is the sound effects. the plot in the movie spins around a serial killer going after three girls in a house. Most of the time the killer is on the roof. This results in footsteps on the roof.. But the footsteps sounds SO wrong. It actually sounds like someone walking on dry snow, only there is no snow. There are some good things about the movie though. Sheeri Rappaport who plays Gina actually plays a credible character, and at the end of the movie they manage to make it a bit scary, and for a minute your not sure how it's gonna end.

It's great that new directors get to make movies, and i understand that these guys have a limited supply of money. But distributing this around the world is ripping people off. Luckily i didn't have to pay to see it.

I visited Los Angeles recently and saw this movie when my buddy invited me to a hollywood premiere. I wouldn't have commented on it if not for the grossly misleading review on this page which was obviously written by someone responsible for the "film". I was horrified within minutes... and confused. I couldn't understand why something that looked like it was directed by my 12 year old brother was being played in an actual movie theatre. But, I kept watching and gave it a chance. I still regret that decision. The ensuing story and dialogue were so unclear and boring that I was hoping someone would shoot me with an arrow... one through each eye... hopefully killing me. Shockingly, this "horror" movie about girls trapped in a house by an unseen mass murderer takes place in the middle of the day in a suburban residential area. There is no suspense, no tension, no horror, no movie.

Having enjoyed writer/director Mark Tapio Kines's debut film FOREIGN CORRESPONDENTS, I was ready for something in the same vein -- haunting, sardonic, even lyrical. Fortunately these qualities are evident enough in CLAUSTROPHOBIA to confirm that it's the same creative mind at work. What the film truly delivers, however, is pure and simple paranoia -- an intelligent and very creepy thriller that inventively plays with genre conventions. All of the basic ingredients are there: a house with three cute young women trapped inside (Mary Lynn Raskjub is the most watchable for my money), a faceless killer with a signature weapon, a couple of unfortunate bystanders. It's what Kines does with the material that gives the movie its hard edge. The action plays out in real time, in the suburban neighborhood next door, and -- a counter-intuitive but surprisingly effective move -- almost entirely in daylight. The pacing favors slow terror over shocks, remorselessly closing the walls in around the characters (hence the title). There are no "rules" governing who lives or dies: as in real life, the violence is jagged, haphazard, and mutely disturbing. The surprise ending is a "banality of evil" twist worthy of Gus Van Sant's ELEPHANT or Terence Malick's BADLANDS. Altogether a fine journeyman outing from a filmmaker who gives spooky detachment a good name.

Following Melanie Lynskey's impressive debut in Peter Jackson's highly acclaimed Heavenly Creatures (alongside a young Kate Winslet), I expected fame and fortune to come easily for the talented actress; A-list status, however, has eluded her thus far—not at all surprising with cheap-looking shot-on-video stuff like Serial Slayer on her CV.

Melanie plays Lauren, one of a trio of work-mates who rather stupidly decides to hold a slumber party, despite a serial killer preying on young women in the area. Before the sun has even set, the three girls are terrorised by the crossbow-wielding maniac and must use their guile to try and escape.

Director Mark Tapio Kines clearly intended this film to be a work of suspense, rather than the trashy slasher that the title suggests, and instead of going down the obvious exploitative route, he attempts to make his film a tense, character driven piece that relies more on dialogue than T&A and gore. Big mistake! With a script than consists primarily of banal conversation between the young women, the film is more likely to bore than scare. Kines does handle some of the later moments of tension well, and the ending cranks up the excitement level a notch or two, suggesting that he knows how to handle certain types of scene better than others, but the majority of this film is a snooze-fest thanks to his poorly realised lofty pretensions.

Things would have been much better if there had been more action throughout, or better yet, if Kines had just relented, got Lynskey and friends down to their undies for a pillow fight (Mel's carrying a few extra pounds here, but she's still cute), and then had them graphically gutted one-by-one by the maniac.