Motown: La véritable histoire
Original title: Standing in the Shadows of Motown
- 2002
- Tous publics
- 1h 48m
IMDb RATING
7.8/10
3.9K
YOUR RATING
Documentary about the Funk Brothers, a group of Detroit musicians who backed up dozens of Motown artists.Documentary about the Funk Brothers, a group of Detroit musicians who backed up dozens of Motown artists.Documentary about the Funk Brothers, a group of Detroit musicians who backed up dozens of Motown artists.
- Director
- Writers
- Stars
- Awards
- 8 wins & 14 nominations total
Benny 'Papa Zita' Benjamin
- Self
- (archive footage)
Eddie 'Bongo' Brown
- Self
- (archive footage)
James Jamerson
- Self
- (archive footage)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
At 35, I'm too young too have been around when all this great music first appeared. But I truly feel the Motown music in my soul, always have. I still get goosebumps, to this day, when I hear certain Motown songs.
Therefore, I spent half this film sobbing, for the beauty & genius of the music, the happiness I felt that that Funk Brothers were finally getting their due, and lamenting, as always, that they simply do not make music like this any more, and never will again.
Beautifully filmed, fascinating....if it doesn't move you, or get you moving, you must be comatose.
Therefore, I spent half this film sobbing, for the beauty & genius of the music, the happiness I felt that that Funk Brothers were finally getting their due, and lamenting, as always, that they simply do not make music like this any more, and never will again.
Beautifully filmed, fascinating....if it doesn't move you, or get you moving, you must be comatose.
The Funk Brothers, as they came to be known, were (and are) a group of about 20 extremely talented jazz musicians who were recruited by Barry Gordy to be studio musicians for Motown Records, which was just starting out at the time.
Cut to a few years later, and the Funk Brothers had played on more number 1 hits than the Beatles, Elvis, and the Rolling Stones combined. If you hear a Motown record by any number of great artists, like Marvin Gaye, the Temptations, Smokey Robinson & The Miracles, the Supremes or dozens of others, that's them playing that great backing music. "Standing In The Shadows Of Motown" is a movie that finally salutes these unsung heroes, without whom the music of Motown might not have been half so brilliant.
The best part of the movie, without a doubt, is the new concert footage. All the surviving Funk Brothers were recently reunited for a concert in Detroit (the home of Motown) to play some of their biggest hits, with a diverse group of singers. These live scenes are so powerful and breathtaking, that it only reinforced my opinion that the Motown music of the 60's and 70's is some of the best music ever recorded. Pop music never, ever (before or since) sounded so pure and beautiful as that music does. All these performances are great, but my favorites have to be The Four Tops' "Reach Out I'll Be There" sung by Gerald Levert (which kicks off the movie with fire and energy) and Jimmy Ruffin's "What Becomes Of The Broken Hearted?" sung passionately by Joan Osbourne.
The rest of the movie is pretty regular documentary stuff, featuring lots of insightful interviews with the musicians and narration by Andre Braugher.
It goes on a little too long (like I said in my review for "Bowling For Columbine", 2 hours is usually pushing it for a documentary) and some of the re-enactments aren't as effective as intended.
But man, those performances. There isn't much music I like more than classic soul, and if you have at least a passing interest in it, you'll be wanting to get up and dance in the aisle just like me.
Cut to a few years later, and the Funk Brothers had played on more number 1 hits than the Beatles, Elvis, and the Rolling Stones combined. If you hear a Motown record by any number of great artists, like Marvin Gaye, the Temptations, Smokey Robinson & The Miracles, the Supremes or dozens of others, that's them playing that great backing music. "Standing In The Shadows Of Motown" is a movie that finally salutes these unsung heroes, without whom the music of Motown might not have been half so brilliant.
The best part of the movie, without a doubt, is the new concert footage. All the surviving Funk Brothers were recently reunited for a concert in Detroit (the home of Motown) to play some of their biggest hits, with a diverse group of singers. These live scenes are so powerful and breathtaking, that it only reinforced my opinion that the Motown music of the 60's and 70's is some of the best music ever recorded. Pop music never, ever (before or since) sounded so pure and beautiful as that music does. All these performances are great, but my favorites have to be The Four Tops' "Reach Out I'll Be There" sung by Gerald Levert (which kicks off the movie with fire and energy) and Jimmy Ruffin's "What Becomes Of The Broken Hearted?" sung passionately by Joan Osbourne.
The rest of the movie is pretty regular documentary stuff, featuring lots of insightful interviews with the musicians and narration by Andre Braugher.
It goes on a little too long (like I said in my review for "Bowling For Columbine", 2 hours is usually pushing it for a documentary) and some of the re-enactments aren't as effective as intended.
But man, those performances. There isn't much music I like more than classic soul, and if you have at least a passing interest in it, you'll be wanting to get up and dance in the aisle just like me.
Having purchased, listened to and loved Motown's records in the 60's and 70's, I often wondered who were the masterful (and usually uncredited) musicians responsible for so many top 10 hits. With "Standing In The Shadows of Motown", I was able to finally put some faces with the riffs that I admired.
Although many of the "Funk Brothers" are no longer with us, their legacies live on with those disks by the Supremes, The Four Tops, The Temptations, Smokey Robinson and the Miracles, Marvin Gaye, Martha Reeves and so many other great artists. The Funk Brothers defined soul and R & B music in its golden era. These guys played on records that sold in the millions and were being paid "scale" - sometimes as little as $25.00 per song at the time! Amazingly, most recordings were done in one or two takes; a testament to the talent portrayed in this movie.
If you love soul music, especially Motown's releases, this film is a must see. The recreations of the original songs by the remaining Funk Brothers and their guest performers are awesome!
Although many of the "Funk Brothers" are no longer with us, their legacies live on with those disks by the Supremes, The Four Tops, The Temptations, Smokey Robinson and the Miracles, Marvin Gaye, Martha Reeves and so many other great artists. The Funk Brothers defined soul and R & B music in its golden era. These guys played on records that sold in the millions and were being paid "scale" - sometimes as little as $25.00 per song at the time! Amazingly, most recordings were done in one or two takes; a testament to the talent portrayed in this movie.
If you love soul music, especially Motown's releases, this film is a must see. The recreations of the original songs by the remaining Funk Brothers and their guest performers are awesome!
I just wanted to say that I think that this is going to be a great docudrama, and it really gives a good look into what really went on during the early days of Motown. I was an extra in the movie so I have to say......Its gonna be good. Hope you enjoy it as much as i did participating in the project. I'm just an extra so dont look for anything more than my pretty little face.
One thing that I always noticed in the traditional "Motown" music from the 60's is either the sound of the Tamborine or the Vibes. Little did I know it was the same guy on every album.
Unlike many "true story" documentaries this was a good story with a happy ending. Most times when we watch documentaries about celebrities we tend to see much of the bad and ugly moments from their past. Certianly nobody is perfect with a squeeky clean background, however, I appriciate the fact that the producer of this movie put more emphasis on the good things and the funny stories and less on the conflicts and the shortcommings.
All of the extra features give you a sense of who these people are with the extra unedited footage of the band interacting with one and other. The part about the guys that died before, during, and after production was especially touching because it brought closure to a situation with many loose ends. I feel that this story has a happy ending because those who are still living and those who passed on are satisfied that they were recognized for their contributions.
Personally I would have liked to see the concert in its entirety instead of a few clips in between the candid interviews but overall it was a very well balanced and well written story about a band that most people didnt even know existed. Even though most people didnt know about the band, we can all relate because we know the songs. As each musican shares his involvement with Motown I know and "feel" where they are comming from because I probably have listened to their music a hundered times over.
Unlike many "true story" documentaries this was a good story with a happy ending. Most times when we watch documentaries about celebrities we tend to see much of the bad and ugly moments from their past. Certianly nobody is perfect with a squeeky clean background, however, I appriciate the fact that the producer of this movie put more emphasis on the good things and the funny stories and less on the conflicts and the shortcommings.
All of the extra features give you a sense of who these people are with the extra unedited footage of the band interacting with one and other. The part about the guys that died before, during, and after production was especially touching because it brought closure to a situation with many loose ends. I feel that this story has a happy ending because those who are still living and those who passed on are satisfied that they were recognized for their contributions.
Personally I would have liked to see the concert in its entirety instead of a few clips in between the candid interviews but overall it was a very well balanced and well written story about a band that most people didnt even know existed. Even though most people didnt know about the band, we can all relate because we know the songs. As each musican shares his involvement with Motown I know and "feel" where they are comming from because I probably have listened to their music a hundered times over.
Did you know
- TriviaThe Detroit Symphony Orchestra got the last credit in the film. The orchestra provided strings and other instrumentation for Motown recording sessions. According to The Funk Brothers member Dennis Coffey in his book, "Guitars, Bars and Motown Superstars", this included sessions recorded with a Stradivarius violin played by the orchestra's violin concertmaster, Gordon Staples.
- Quotes
Uriel Jones: People would always say everything but the musicians. They would say it was the artists, the producers, the way the building was constructed, the wood in the floor, or maybe even food. But I'd like to see them take some barbecue ribs or hamburgers, anything, and throw down in that studio, shut the door and count off '1,2,3,4' and get a hit out of there. The formula was the musicians!
- Crazy creditsAfter all of the credits roll, we see a few of the Funk Brothers leaving the Snake Pit and turning off the lights.
- ConnectionsReferenced in Film Geek (2005)
- SoundtracksReach Out, I'll Be There
by Brian Holland, Lamont Dozier and Eddie Holland (as Edward Holland Jr.)
Performed by Gerald Levert and The Funk Brothers
Gerald Levert appears courtesy of Elektra Records
Used by permission of Jobete Music Co., Inc.
All Rights Reserved
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Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Standing in the Shadows of Motown
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $1,722,119
- Opening weekend US & Canada
- $114,442
- Nov 17, 2002
- Gross worldwide
- $2,344,256
- Runtime1 hour 48 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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By what name was Motown: La véritable histoire (2002) officially released in India in English?
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