The Kumars at No. 42

The clever aspect of the Kumar comedy is it is a reflection of the attitudes and position of many people of Asian descent in modern Britain, part of British life but with a hint of Asian culture. The family is associated with Indian culture and religion(they have nothing to do with Pakistan and the 'P' word is the British racist equivalent of the American 'N' word).

The great aspect of the series is that we can watch the comedy knowing that the humour is safe and is usually directed against the pretentions of the son and his celebrity aspirations. The Grandmother is a brilliant creation of Meera Syal a gifted creative actor and writer, the comedy lines are usually hers, though the mother and father can easily aid the sons frustrations. Never do interviews with the guest celebrities conclude without a family intervention, usually witty but always funny.

Its perhaps not for those who like the very laddish and moronic humour of other British comedy or the 1950's-1990's racist and homophobic humour which no longer has a place on modern British television. It avoids direct political comment and attacks on British racism, yet becomes in itself a comment on the (partial) success of anti-racist campaigns in modern British life, though reflects sadly current worship of celebrities.

Its a cult show, but one that entertains many of its more sophisticated viewers and there are millions of those in Britain.

sure it is not the greatest show ever but quite funny and surely is a comic relief from wannabe comedy sitcomes, such as Everybody Loves Raymond or That 70's show or whatever that comes on Star world (TV CHANNEL) except Friends and Seinfield

An informal chat show style comedy from a revitalised British comedy scene. Much more intelligent than some of the racially stereotyped humor emerging from the States. The guests are interesting, ranging from Charlotte Church, various tier 2 actors and political guests.

The guests in the first series don't know that the show is a send up and often take the comments at face value. Their confusion is amusing as the "family" play jokes on each other and the guests.

Some guests won't be recognisable to viewers outside Britain.

The same actors had another comedy show. I can't remember the name of it at the moment. Some similarity in style to Ali G, but without the drug references or the bling bling.

Highly recommended for the intelligent viewer.

i don't really watch comedy shows and I never watch talk shows....but I like this one. As others have commented, the grandmother is the star of the show, but the concept is original and funny and overall I like it.

I just wish some network in the USA would pick this up....yeah right!

The success of this show is very variable and depends on the ability of the guests to join in the concept. Basically a middle-class Asian family have spent their money building a TV studio for their son who wants to be a chat show host. The son hosts the show but his parents and grandmother are on the sidelines and embarrass him by asking the guests very personal questions or relating irrelevant anecdotes.

The first ever guest was Richard E Grant and he was brilliant at falling in with the fake family and playing along with the son's obviously doomed ambitions and the family's put-downs. Unfortunately not all the guests can do this and some are obviously quite bewildered at the comments of the 'parents' on the sofa. This can lead to awkward silences on the part of guests and audience. Meera Syal as the plain-speaking, sex and incontinence-obsessed 'Ummi' is the most obviously 'funny' character on the show, perhaps because she is a caricature. The parents, by contrast, appear 'normal' although they are supposed to represent a stereotypical Asian mother and father.

For some reason this show has now run for five years. In my view it is another example of humour which has to be seen to be clever by having some kind of sub-text. Will we ever get back to the days when things are funny for their own sake?