Zapata - El sueño del héroe

Being totally sincere I spected this movie to be not good, but never thought it was possible to be as terribly bad as it is.

Based (Is it?) on the life of Mexican hero Emiliano Zapata, the screenplay is a mess. This historic character was maybe the Revolution hero with more social impact, maybe also the only one with true ideals, and actions. But you can see nothing about this in this movie, Instead of that the movie uses all the time to say just that he was the "chosen one" never even trying to figure why. Too much has been said about the inclusion of the Mexican singer Alejandro Fernandez in the main role, and blaming him of all the weakness in the character. I think that this conception is really wrong, cause being not an actor Mr. Fernandez took the responsibility of his character, and studied acting, and Nahuatl (Being the only one who seems fluent in his speaking) and made a big effort that made a good shape for the hero, but even the best actor in the world would be incompetent to fill a character that in this story and screenplay, haves nothing in its soul.

The photography by renowned photographer Vittorio Storaro is really beautiful, but ruined by the editing and shameful visual effects. The Set design and costumes are great. The musical score is a full mess, and the main love theme is a perfect copy of: Don't cry for me Argentina.

Meaning all this I have said that the movie haves a lot of good effort by cast and crew, but being the leadership by Arau an empty mess, with not a hint of creativity, all this effort is a complete waste and a shame of movie.

I think everything's already said on all other comments, but its all true: This movie sucks; the script sucks; the actors suck; has awful historical flaws; is totally unrealistic; its nonsense; its absolutely wrong made; its lame; its an offense to a national hero, to Mexican culture, and to Mexican film industry!

In my opinion it has 2 major flaws:

1) It tried so hard to be an 'American style' epic movie... with 10% of an American movie budget. I would say its Mexican wannabe-Hollywood at its lowest.

2) I bet much of the budget spent on this production is obviously on hiring "Known" actors to be on the movie. Even if just for a couple of seconds. That's how we can see cameos of people like Angélica Aragón and Carmen Salinas, and the main characters are stared by well known icons of Mexican pop culture, who sing pretty well, but can't act. Even Jaime Camil (Emiliano Zapata's brother) looks more like the actual Emiliano Zapata. Just because Alejandro Fernandez its a famous singer doesn't mean its gonna be a blockbuster! And he SUCKS acting!!!

So, by spending money in hiring celebrities, renting thousands of horses, and some explosive material, they left out things like a good story, or the backgrounds; Anybody noticed how all the interior shots where in ruins of old haciendas? People where living inside great ruins, with expensive furniture... but no ceilings or windows and walls that are about to fall. Who is this guy trying to imitate, Fellini?

I don't know how or why do this movie happened. How does it actually was made? Who allowed it? I'm afraid that it could go around the world and People from every country would think that this is Mexico, and this is how Mexican movies are, and Mexican actors, and Mexican scripts and stories... I'm afraid of this happening. Quoting the main character of the movie: 'The guy who made this film, Arau, "Is not a real Mexican"'. A real Mexican would not let an important issue like this, become such a shame! Its a big bad joke; A ridicule waste of time.

I lost 2 hours of my life forever, by watching this "film". Save your eyes!

I saw this movie last Friday here in Mexico. First of all Alejandro Fernandez is a SINGER not an ACTOR. In my school years when i was studying History of Mexico all the books showed Zapata as a stronger and rude man and in this movie Alejandro Fernandez is too far from that. I had some funny moments like the dance of the witches (Oh my god, what was that?), when I saw that Zapata had magical powers over the horses and the fake explicit scene when Zapata was falling from a mountain.

So if you are curious or really want to see this movie wait until it comes in DVD or Video so you wont waste money.

So i give -1/5

As a mexican, it pains me terribly to see dead and gone the prestige acquired by Arau with "Como agua para chocolate", but it pains me even more to see this awful and disrespectful portrayal of a national hero in the hands of Arau. Terrible actors, worse screenplay, unforgivable historical lies and a total waste of ten million dollars.

Lame high-school-level effects, and so many ridiculous supposedly mystic references (all mixed up and wrong) that make this movie an involuntary comedy, promising to turn a macarena-dancing nahuatl old witch character into a sad, sad stain in a previously good Arau's resumé.

I would have preferred Arau to publicize his movie as a satyre... That might have (and I repeat, MIGHT HAVE) saved his reputation, but it is unadmissible to let him play with the image of a national hero, and make a long, very bad videoclip for Alejandro Fernández out of this "movie", and make us mexicans be sorry for it to be seen overseas.

I have seen this Spanish language film which focuses on the famed Mexican revolutionary, Emilano Zapata. My knowledge about it's hero and the revolution is extensive. Also, I recall Elia Kazan's biopic of Zapata, which starred Marlon Brando. It is not difficult to follow the story. 14 of the 16 comments (so far) are singularly disappointing, making me wonder if they saw the same movie. The 14 negatives are vile, cowardly attempts to assassinate Arau's movie and his talents. So cowardly, in fact, they don't dare sign their real names.

I found the film engrossing, beautifully photographed by Victorio Storaro and masterfully directed by Arau -- one of the few truly great filmmaker's of our time. He isn't interested to portray car crashes, sadism, murders and allied subject matter.

He is a very humane man -- who is able to invest that humanity in his films. They have great charm, a quality which has virtually disappeared from movies. (See his: "Like Water For Chocolate", "A Walk In The Clouds",etc.)

For me, Arau is the Vittorio De Sica of modern film-making and we are indeed fortunate he is still making films.

Robert Dorff