Dans la peau du tueur

One thing I noticed about this movie almost immediately was the similarities between it and Silence of the Lambs. The theme of the detective going to one serial killer in order to penetrate the mind of another serial killer is present within both films, but after that the similarities begin to dissipate. Bruce Greenwood as Robert Keppel allows his character to have faults and use at least some of them to his advantage. Cary Elwes is almost unrecognizable in his nuanced performance as Ted Bundy.

For me, the direction left nothing to be desired. Although movies and novels about murderers and serial killers are a dime a dozen these days (check the blurbs on the back of the paperback novels in the 'book' section of your grocery store, if it has one) 'The Riverman' adds some unexpected details that added depth to the characters and their story. There are glimpses into the minds of Bundy and Keppel throughout the movie, and I was pleased to see how they compared and overlapped. The energy was not as frantic as some cop shows make the serial killer chase out to be, but there was still a sense of urgency and electricity underlying the interactions between Bundy, Keppel, and the young detective Dave Reichert who tries his best to do the job right. The control and fresh take on this piece take it above and beyond the rest of the TV movies I've seen, and there have been a lot of them.

Four and a half out of five.

I didn't know what to expect when I began watching this movie. I was immediately intrigued once it began going, however. This is the true story of how Ted Bundy (Cary Elwes) actually helped to find the Green River Killer back in the early 80's in his attempts to get a lighter sentence and avoid the death penalty. Although this movie is not about Ted Bundy it does go into his crimes a little bit and you get to know a little bit more about Bundy's twisted psyche. The performances were great, but the one that stands out is Elwes portrayal of the serial killer Ted Bundy. I didn't know if he could pull it off, but he did an excellent job and was very believable and his performance was chilling. I give this movie a 9/10.

It's 1982 Washington State. A woman's body is pulled from the Green River. Dave Reichert (Sam Jaeger) from the King County sheriff's department seeks the help of Ted Bundy (Cary Elwes) expert Robert Keppel (Bruce Greenwood). Keppel was a new detective as the Bundy case unfolded and was part of the Bundy task force. Bundy contacts Keppel and the duo goes to Florida to visit him in prison.

This is part of the inspiration for The Silence of the Lambs. It's noticeable but it doesn't dwell on it. Bruce Greenwood holds this together. It's rather basic TV movie stylistically. Cary Elwes is a pretty looking killer. He has a different type of power. One wonders why a seemingly nice looking guy kills. He has a believable charm that can pull others in and that is his danger. I would love to had these two actors be directed by someone better in a cinematic theatrical release.

'The Riverman' tells the story of the infamous serial killer Ted Bundy (played here by Cary Elwes), on death row for his crimes. He reaches out to criminal profiler Bob Keppel (Bruce Greenwood) to tell him that he may have insight into the series of "Green River" killings that were plaguing Seattle. Sometimes working the case with a stressed-out detective (Sam Jaeger), Keppel sits down with Bundy for a series of interviews.

Stories like 'The Riverman' (based on a non-fiction book co-authored by Keppel) aren't for everybody, since they make us get to know sick minds better than most of us would really want to. But, on that level, it can be fascinating, as we learn from both Keppel and Bundy some ideas about those deviants walking among us: how they select victims, their ways of justifying their actions, etc. This being a made-for-TV movie, it refrains from showing much of the graphic violence that turns off some viewers. But, as directed by Bill Eagles, this solid film is a good case study in both pervasive atmosphere and subtlety. Characters like the real-life Keppel are now familiar to any viewer who's watched their fair share of yarns about serial killers: they become haunted individuals. Indeed, we get a sense of the toll that Keppels' line of work has taken on his home life.

The wonderful Kathleen Quinlan is typically great in support, even if she's obliged to play a kind of standard-issue "concerned spouse / partner" type of character. Jaeger is okay, but he's outshone by the more interesting Greenwood and especially the riveting Elwes, who's rarely been as good as he is here. The face-offs / conversations between Bundy and Keppel provide an effective foundation on which to build this picture. Also good in a supporting role is David Lawrence Brown; he plays the off-putting Gary Ridgway, the man who would be identified as the Green River killer decades later (thanks to improved forensic technology).

This is definitely the kind of movie that stays with you after it's over.

Filmed in Halifax, Nova Scotia, Canada.

Eight out of 10.

I've seen a couple of Ted Bundy movies and they were more of a slasher horror fest based on real events. Although The Riverman is also based on real events, and in particular the book authored by Robert "Bob" Keppel (played by Bruce Greenwood in the movie), this made-for-TV movie to me felt a lot creepier than the other two Bundy films I had mentioned.

Now before you go running off to the DVD store, you have to know that this is no slasher flick. This movie is scary for its psychological insights into the mind of a monster, particularly that of Ted Bundy. What's even scarier is how well Cary Elwes plays the role of Bundy, from his gestures, his voice, and most especially his eyes. It is perhaps one, or could be Elwes's best performance yet, albeit not quite recognized.

Though a made for TV movie, it felt more like a silver screen feature. The acting never feels forced, the pacing satisfactory, and the script very intense especially towards the film's conclusion. There may be an amateurish feel towards the cinematography, but over all, a very good, chilling film.