A masterful con artist tries to bilk a staid Midwestern community, with unexpected results, in this contemporary rethinking of the legendary Broadway musical and lively 1962 film, updated to... Read allA masterful con artist tries to bilk a staid Midwestern community, with unexpected results, in this contemporary rethinking of the legendary Broadway musical and lively 1962 film, updated to reflect several early-21st-century sensibilities.A masterful con artist tries to bilk a staid Midwestern community, with unexpected results, in this contemporary rethinking of the legendary Broadway musical and lively 1962 film, updated to reflect several early-21st-century sensibilities.
- Nominated for 5 Primetime Emmys
- 1 win & 10 nominations total
- Jacey Squires
- (as Peter Luciano)
Featured reviews
First of all, the casting. I thought that if I hadn't seen the original movie version of this musical I would have enjoyed Matthew Broderick in this role a lot more. I thought he was good, but he didn't hold a candle to Robert Preston's performance as Harold Hill. He wasn't as convincing as Harold Hill as I hoped he would be. Overall, I wasn't impressed with him.
Kristin Chenoweth is definitely someone in this musical that I was impressed with. I really didn't think I would like her in this role, but I think I actually liked her better than Shirley Jones. I knew how well she fit the role of Sally in the new Broadway version of "You're A Good Man, Charlie Brown" and after that, I was having trouble picturing her as Marian Paroo. I still found her speaking vioce a little annoying and Sally-ish, but I thought she made it work. I think what I liked most about her performance was the change I saw in the character of Marian throughout the movie. I saw the transition from the up-tight librarian to a woman who is a lot looser and not as shrewish. I never saw that in the version with Shirley Jones. I really saw Marian fall for Harold Hill in this version, I don't think Shirley Jones played that up as well as she could have.
A couple complaints I have about this version are the fact that I found the girl playing Zaneeta Shinn pretty annoying and...well...not very good. Her "Ye Gods" was...well...just kind of...blah. I found the dance number of Shapoopi to be pretty weak, also. I thought that Harold and Winthrop's thing was cute and I thought that the Shinns' thing was cute, but where was all the fun dancing?
I don't really know how I felt about Molly Shannon playing Eulalie. I thought Hermione Gringold was perfect in that role in the original movie, but I really had no problem with Molly Shannon in this role. I didn't think she was better or worse, just different. Victor Garber could have been better, though. The role of the mayor is an entertaining role and he didn't really play up the mayor's stupidity as much as he could have. Same for the guy who played Marcellus. He could have put more into it. Buddy Hackett made this role unique and fun. This guy just made it...okay. Not bad, but not very good either.
Overall, I enjoyed the movie more than I thought I would. Mainly because of Kristin Chenoweth. I didn't think this movie was great, but it wasn't bad. It was...fine.
Some people have been critical of my opinion because I had the temerity to assume they were comparing it to the classic movie version, which I adore. They weren't thinking of that at all. Yeah, right.
This was a great production of this great musical. I have no reservations. I'm sorry if the Harold Hill was not the creepy crawly we are used to in Robert Preston or that Marion was not the sweet fickle thing we knew in Shirley Jones. It is of the nature of musicals and of stage plays that were not written as screenplays in general to be open to various interpretations in various producations. I've seen a dinner theatre version of West Side Story that was better than the movie.
I just don't get the criticism, most of which is based on our image of Broderick, who will turn 40 next month. He lacks neither the talent nor the presence nor the experience to pull this off, and boy did he pull it off!
At the risk of making a ludicrous juxtaposition, a musical as great as Music Man is like Shakespeare. It has to be defeated by wilfull misinterpretation rather than lifted into triumph by faithfulness to what it is all about, because just doing it right is all that is needed. The Disney production was not a misinterpretation, and it does it right.
Of course, this movie had to compare to an original that has been considered a classic for a long time. It's the story of "professor" Harold Hill, a traveling salesman who's latest trick is to find trouble in a town and then use it to make the townspeople believe they need a boys band to reform their youth. He sells them all the instruments, music, and uniforms they need, then heads out of town before he can teach them a thing. Hill's latest target is River City, Iowa. Everything seems to be going fine, but he just might have met his match in the town librarian, one of the few who won't buy his story.
Yes, the story is classic, but it wasn't quite enough to save this rather unnerving remake. Disney pulled together quite a cast: Matthew Broderick, Kristin Chenoweth, Victor Garber, and Molly Shannon. However, that didn't save this film either, though the performance of one of the leads certainly is a large part of the reason this film has the rating it has. It's hard to say exactly why this film fails to satisfy, but it sadly does just that. First of all, it just doesn't seem to work quite as well as the original. The extended dance sequences seem out of place and weird, even though they are splendidly done. Probably, the largest reason of all that this film just isn't great is because no matter how much you deny it, you are comparing it to the original. It just doesn't compare. However, there is one thing that makes it worth while.
Kristin Chenoweth shines as Marian Paroo, the town librarian. With this film, she proves that she can easily take on a leading film role. Ms. Chenoweth really steals the show with her unmatchable voice and superb acting. I really think she out-did the original woman in the role. It's near the end that you realize that she truly is a lead. Unfortunately, I can't say the same for Matthew Broderick. One has to give him credit for being brave enough to take on such a set-in-mind role, but that is actually his downfall. He just isn't Robert Preston- no one ever will be again. Mr. Preston gave one of the better performances of our time, and Mr. Broderick simply can't beat that. At times, he even borders on what looks like insanity. Poor, Matthew. This won't shine as a fine moment in his career at all. The only other really good performances in the show were Debra Monk and David Aaron Baker as Mrs. Paroo and Hill's friend Marcellus, respectively.
Really, the only problem with this is it's not the original. Unfortunately, there won't be a remake that can ever equal the original. As I said before, no one does it like Robert Preston. This film proves that. 5/10 stars.
Jay Addison
Did you know
- TriviaThis version reinstates two songs absent in the original film version and excludes one other. "My White Knight" replaces "Being in Love" and another song for the Quartet was also included.
- GoofsIn a few scenes, "modern" (post-1959) 50-star American flags are visible. Official designs available between 1908 and 1912 (the time of the story) would have had 46 stars.
- Quotes
Professor Harold Hill: You pile up enough tomorrows, and you'll find you've collected a lot of empty yesterdays.
- ConnectionsFeatured in ABC's 50th Anniversary Celebration (2003)
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- Музыкальный человек
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