Hush!
- 2001
- Tous publics
- 2h 15m
IMDb RATING
6.8/10
791
YOUR RATING
Soon after the disparate yet compatible Naoya and Katsuhiro start to settle into a relationship, a slightly unhinged young woman named Asako asks Katsuhiro to father her child.Soon after the disparate yet compatible Naoya and Katsuhiro start to settle into a relationship, a slightly unhinged young woman named Asako asks Katsuhiro to father her child.Soon after the disparate yet compatible Naoya and Katsuhiro start to settle into a relationship, a slightly unhinged young woman named Asako asks Katsuhiro to father her child.
- Awards
- 6 wins & 1 nomination total
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
6=G=
"Hush" is a dramedy out of Japan which swirls around a handful of young adults including a couple of gay men and a female who wants to have a baby by one of them. This skillfully crafted flick has warmth and charm and poignancy and heart and humor and....but, damn, it sure is long and bland. About as interesting as tofu, this character-driven film dawdles interminably as the characters pour over their relationships, including families and friends, in minute detail while we non-Japanese English speakers are reading subtitles and trying to keep the male characters straight as they are very similar in appearance. My eyes were bouncing up and down between faces and subtitles like paddle-balls for 2.25 hours. Recommended only for Japanese films buffs into people pictures. (B-)
If you like your movies subtle and sweet, then this should be just the ticket. Although the subject matter isn't too out there in the West, it's interesting to see it broached in the Japanese context, where tradition and respect for family are still held in high esteem. The film deals with familial relationships now, and as such presents a refreshing and forward thinking outlook on the nature of the family unit in the 21st century. Hashiguchi lets us watch these intimate relationships as they build up and, in some cases, break down, without feeling intrusive. There are some wonderful scenes of extended dialogue, the sort of meandering conversations that go nowhere, but that are incredibly involving nonetheless. All the performances are spot on, and there's just the right balance between the humour and the heartache. It's a slow, talky film, but still highly rewarding.
I've watched this movie several times but last night I watched it again and I just have to say something about it. This is not your normal gay movie with a lot of gratuitous sex scenes, nor is this a gay movie about AIDS, nor does the plot have anything to do with someone being sick. This is a story about how two fine looking young Japanese men meet up, have a relationship and start a life together. The families of these two men are screwed up, like too many are in life, but these two keep on going. Then just to make it even more interesting, two women come into the middle of these two men's lives. One becomes like a third partner (she wants a baby from them) and the other has a typical young girl infatuation. What really caught my attention was how both these guys do things together at home and outside the home. They care about each other, know each other, and do spontaneous things together. I think we could all learn about relationships from watching these two guys interact together. Love the story.
10kyyuen
If a movie reflects good human nature and characteristics, why do we need to refuse it and not accept it even it involves gay relationship.
The director really depicts each character as a real person - you trust their existence.
And you will bring a warm smile when going out of the theater.
The director really depicts each character as a real person - you trust their existence.
And you will bring a warm smile when going out of the theater.
There's something off about this movie. I kept wondering if perhaps it was just badly translated. It wasn't that I didn't know what was going on from one moment to the next, but there seemed to be many strange sudden transitions and characters would suddenly seem to be familiar with one another when I'd had the impression they'd never met before. It gave the narrative a jerky, confused feel.
I only made it through about a third of this before I got bored and gave up. It wasn't awful, but it was never absorbing, I wasn't feeling remotely connected to the characters and there just didn't seem to really be much going on, although at the time it stopped it looked like the movie was just deciding it might need to have some sort of plot after all. But that was too little too late.
I only made it through about a third of this before I got bored and gave up. It wasn't awful, but it was never absorbing, I wasn't feeling remotely connected to the characters and there just didn't seem to really be much going on, although at the time it stopped it looked like the movie was just deciding it might need to have some sort of plot after all. But that was too little too late.
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Details
Box office
- Gross US & Canada
- $21,278
- Opening weekend US & Canada
- $5,322
- Nov 10, 2002
- Gross worldwide
- $52,462
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