Visitor Q

Amazing movie playing around with the idea of reality TV, voyeurism and even the nature of reality itself.

Among all the scenes -- of which there are many many memorable ones -- I thought the one which has the key to the movie is when the father is frantically taping the attack on his house and speaking at the same time and among a frenzy of "reporter-talk" he says,

"What are we supposed to feel?"

The key to the movie is, you are never allowed to know what you are supposed to feel. These days, in movies and TV, we are frequently "told" what to feel. Takashi Miike takes this and pulls the carpet from under all of us. he builds his film around the phenomenon of TV/media, emotion-building, exposing, exploiting... Yet keeps this tension through the movie and does not allow us for a moment to settle in our armchairs, does not for one moment let us get into that comfy zone of being told what to feel.

And hence watching this movie becomes this eerie, stressful process as noted by everyone else. Am i disgusted, indignant, amused, sympathetic, angry, confused? You are never told. You have to go through it on your own. And that is the point.

Following an extremely disfunctional family, who do anything from prostitution to necrophilia, the audience is in for a bit of a shock. Somehow it's decently made and believable thanks to the raw actors performances. I have no idea how someone writes a script like this, gets it funded for production and finds actors to bring it to life. So strange, but far from fantasy.

Visitor Q is hard to deal with, but I think I'd call this a masterpiece. This is an update of Pier Paolo Pasolini's Teorema. It's often compared to Pasolini's Salò because of its shocking content, but, plot-wise, it's virtually a remake of the 1968 film, brilliantly updated and moved to modern Japan. Teorema is not Pasolini's best film, but I do consider it a great one. It is a very simple allegory. Miike expands the concept even further. A family is falling apart, and a stranger whom nobody seems to know moves into their home and starts knocking some sense into them (sometimes literally). There are some truly disturbing things in Visitor Q that few people of sound mind and body will want to sit through. Fortunately, I am not of sound mind or body. If you can take it, the film can be extremely funny, as well. And I think it actually captures something truthful not only about the decay of Japanese culture, but also the rest of the world. It just does this in the most extreme way possible. Most will probably judge that it goes too far. I thought it was amazing.

This was the fourth Miike film I have seen and I have to say like Ichi the Killer, Audition and Dead or Alive I liked it immensly. Like all Miike's films it is disturbing but it wouldn't be a Miike film if it wasn't. Fans of Miike would definitely like it but others may think it is a little too disturbing. the film is very funny but the only downside is that it is alittle short but other than that it is very good. I recommend it.

This movie is more messed up than words can explain. It has no real plot, just a lot of graphic crap. This movie must have come from the mind of some daranged psycho because besides having necrophilia, pointless murders, and incest...this movie also combines scenes where the mother repeatedly gets her butt kicked by her family as she injects herself with drugs and then later becomes a chronic lactater. The explicit nature of her forcing herself to lactate left me sick to my stomach and forced to shower immediately after leaving the theatre. To be honest, I felt like I was going to hell for having watched this piece of garbage. There was no part in this movie that wasn't disturbing and if you know of anyone that has seen this movie and "liked it" then immediately stop talking to that person because he/she is most likely psychotic or has tendencies to become one. This is a movie that should never be shown in a public setting again because after the movie showed the theatre stayed quiet with no applause and just blank looks and complete silence during the credits. Luckily, most of the audience had left by then so maybe it was just us.