Paï : L'Élue d'un peuple nouveau

Whale Rider is a story of the quest for the new leader of an indigenous Maori tribe living on an island off the coast of New Zealand. Often this type of film ends up making a caricature of the people, accentuating their quaint customs and idiosyncratic behaviors and causing us to smile condescendingly at their ignorance and stunted development. Whale Rider does nothing of the kind. Director Niki Caro treats her subject matter with profound respect, genuine curiosity and effortless grace, while refusing to ignore the signs of cultural disintegration. It is as if we are invited into the Whangara community, and are free to observe comfortably, without fear or embellishment. The 11-year-old first-time actor Keisha Castle-Hughes gives the most astonishing performance by a child that I have ever witnessed, and lifts the movie from being just plain good to a profoundly moving experience. Whale Rider is a tale of the evolution of a culture, wrapped in humor and hope. It is a story of an indomitable spirit. It is a movie about love and change, about the grim realities of life and the marvelous miracles of faith. If you have a chance to see this film, do not miss it!

A beautifully filmed and convincingly acted treat for the entire family. Adults need NOT beware since the film respects its audience and contains levels of depth suitable for all ages. Although ultimately an upbeat movie, there are some grim plot elements that may not be appropriate for very young or overly sensitive children. However, there's no actual violence or anything truly frightening or morbid.

This is the story of a 12 year old Maori girl who knows that she is born to the destiny her grandfather believes died with her stillborn twin brother. I won't spoil the ending (which is hinted at early on) with specifics, but suffice it to say that the story's ultimate lesson is that change is sometimes as necessary a component of living traditions as repetitive ceremony. And that the Maori must ride that "whale" as bravely as their mythological ancestor rode the whale from Havaiki (a satellite island of Tahiti, NOT Hawaii) to New Zealand. Not to destroy or denigrate their culture, but to ensure its vitality and continuity in the cultural matrix of the modern world.

A great lesson in true cultural diversity without preachy slogans or "politically correct" censorship. It should be shown in all the world's classrooms. Keisha Castle-Hughes is unforgettable as the heroine, and richly deserves the Oscar for which she has been nominated.

A present day New Zealand community of Maori tribe people is waiting for the sign of a new chief to be born and lead the village and it's community to greatness. Many have been born, but for the village elder all have been disappointments. The beginning of the movie starts out with the birth of 2 fraternal twins, with the grandfather patiently awaiting the birth of the son. Unfortunately the boy dies while the girl lives, and resentful is the elder who blames the girl for the sons death since he was the last recent hope for the village to gain a chief.

Then something happens as the film flashes forward 12 years. The girl "Pai" (pie), is discovering that her community needs her, and all the signs point that she must lead her people. There is only one problem. The chief must be a man.

It's at this point the film literally becomes a simple story, as a young girl goes about trying to convince her awful grandfather that she is to lead the village. Many obligatory scenes are set up, and we all see the pre-destination, but it is the transformation that the viewer witnesses that is so powerful, and a payoff that can only be described as awe-inspiring.

Incredibly touching, deeply moving, wonderfuly acted, and beautiful cinematography, it's not small surprise why this film is a winner. Pai is a complete scene stealer, and it's finally nice to see Cliff Curtis show off some true acting skills. For Cliff who has played everything from a tattoed Hispanic gang leader in Training Day, to a Arab villan in the Majestic, it's pleasing to see him in a character that mirror's his true national identity since he is actually a New Zealander and not a Hispanic or Arab person. He must be incredibly proud to be part of this special film. The actors who played the grand parents are exceptional particularly the stubborn grandfather who's demands Pai keep away from all male activities (The grandfather's insistence to teach a young group of boys in a special school how to be chiefs, and Pai's insistence to learn without her gradfather's knowledge provides most of the light humour in the film).

Amazing film easily one of the best of the year

Rating 9 out of 10.

While 1994's "Once Were Warriors" was a violent look at Maori culture this is easily more upbeat and lyrical. Story starts out in a hospital where a mother has just given birth to twins and the male twin dies as does the mother. The remaining twin is a girl and the film is about her and how she thinks and wants to be the future leader of her village. The film is set in modern day and we see the girl Pai (Keisha Castle-Hughes) as a 12 year old who knows that her twin brother that died was suppose to be the future chief. Pai's father is Porourangi (Cliff Curtis) and he's an artist who has left the village for a career and Pai is raised by her grandparents Koro and Nanny (Rawiri Paratene and Vicky Haughton) and she craves the respect from Koro but he is of the old ways and is still searching for a new chief. She wants to learn the ways of being chief but Koro yells at her not to fool with the sacred ways of their people. Women are treated as second class but Pai eavesdrops on Koro's classes with the young boys and learns the ways. The film is directed by Niki Caro and its only her third film but this should definitely put her on everyones list as a great future director. The film is beautiful to look at and even though its not a big budget movie the story and images make this an unforgettable viewing experience. Caro does a wonderful job of allowing the story to tell itself without relying on plot contrivances. Even though the story is more of a fable it still comes across as relevant and believable. One scene in particular stands out and its the one where Pai is receiving an award at school and she has invited Koro to watch her but instead of him making the obligatory entrance, Koro has discovered something more important. The performances are superb and Castle-Hughes gives I think one of the best performances of the year. What makes it so amazing is that its her film debut! You would think that you were watching a seasoned actress but your not! She's incredible to look at and in some scenes she comes across as so strong willed but then in other shots she's just a fun loving young girl. Castle-Hughes conveys both sorrow and pity as she dreams of being a chief. A remarkable performance that was crucial to the film. Without her performance the film would come across as more distant emotionally. The images of Castle-Hughes on the back of the whale as it submerges are so haunting and beautiful and its these scenes that give it a lyrical quality and the emotional impact of the story is impossible to ignore. This is more than just a film its a viewing experience that everyone must see! Beautiful, haunting and a performance that you will never forget. Go see it!

Slow pace but never boring. Small girl 'Paikea' touches your heart with her quiet strength and determination. Time and again, she faces prejudice from her grandfather whom she never gives up loving. Her grandpa loves her too, but tradition and the single-mindedness that Paikea will never be the leader of their tribe forces him to refrain from showing his true emotions towards his only granddaughter. But young Paikea never gives up; she respects grandpa's decision and masks her desire to become the whale rider of her tribe.

The remarkably beautiful and serene scenery of New Zealand complements the eventual inner peace that Paikea achieves. To save the whales their tribe loves so much, she shows remarkable calmness in guiding the whales back into sea despite death staring her straight in the face.

An inspiring and well-executed film.