Rent

There is no replacement, alternative or better place to see a Broadway musical than in, where else? Broadway...Nowadays however, some of Broadway's best are also being made for the silver screen and are surprisingly well done.

If you've already seen "Rent" on Broadway and want to see it on film, I strongly suggest you go for it. If you haven't seen it, it may seem to be corny or "hokey" in a few places but get past that because behind it are a set of story lines that will grab you by the library of your literary innards and hold them attentively until the credits roll.

Jesse L. Martin, known on the small screen for his role Detective Ed Green since 1999, is one of the stars who will send auditory shockwaves your way with his beautiful voice. I had no idea he could sing and oh yes! He can definitely sing.

The lyrics throughout the production are unforgettable and must be listened to. This segment of, "Seasons of Love" sets the theme for the movie and rings true for us all.

"It's time now to sing out, Tho' the story never ends Let's celebrate Remember a year in the life of friends Remember the love! Remember the love! Seasons of love!"

In closing, you'll laugh, cry, cheer, sing, laugh and if you haven't done all of these, see it again because you missed something. This is definitely a rock opera of an era we will be talking about for a long time to come.

"Rent" is an excellent adaptation of the stage musical. It is handsomely filmed and very well acted. The movie version takes the story out into city's real locations.

Most of this movie is singing, but it is so well done it never breaks the 'suspension of disbelief' that as an audience we grant the fiction we are watching.

This 'rock operetta' is about a group loft-dwelling 'Bohemian' New Yorkers, some of whom have AIDS. The stage version has a devoted following of 'Rentheads' including director Chris Columbus, for whom this film was a labor of love.

I saw it with several young people and they really connected with the story's message of friendship, tolerance and living every day to the fullest. Some elderly members of the audience thought the music was being played too loud and they couldn't identify with the lifestyle depicted in the story.

This movie could attain the cult status of the stage musical.

this movie made me cry. out of joy and sadness combined. the music makes me want to sing and love. the music heals. the story inspires. the music heals. i'm glad musicals are still made. :-) wow. that's really all i can say. beautiful. exquisite. gorgeous. bountiful. soulful. well-edited. and unbelievably acted. and unbelievably directed. with unbelievably beautiful cinematography. and choreography that knocks your socks off. i loved this movie. it's wonderful, and heartening, that in a world and nation so full of hate art can be produced such as RENT! that reminds, affirms, validates, expresses, navigates, investigates, perpetuates, stimulates, fumigates, explicates, redirects, and instigates nothing other than love. and enjoying the moment. and not holding onto the past. timeless lessons. timeless music. Oscar gold written all over this.

I saw 'Rent' at a screening on Nov.12. I had seen the stage version both in NYC with the original cast as well as in LA with a different cast. The music and story has been echoing in my head for the past 10 years. So I was bound to be critical, but determined to be open-minded as this was going to be a film, not a stage musical. Chris Columbus did a wonderful job in preserving the message and feelings Jonathan Larson I think wanted people to take away with them. The changes made to bring this story to the screen were artfully accomplished. The film is gritty and sad and has a feeling of hopelessness that was difficult to transmit in a stage venue. The music that made it into the film is spectacular, and the soundtrack is indeed better than the OBC recording. The loss of several songs, though at first disappointing, works in the context of the movie. I hope all you fellow 'Rentheads' give this film the chance it deserves. I will be in the theater on opening day next week to see it again for sure.

The musical RENT is a film adaptation of a Broadway play. I've recently seen a pretty dang good Chicago production of it. It's got no shortage of heart, lots of energy, and lots of laughs and tears. It's also got some weaknesses that are precariously close to being its death blow. Its flaws don't kill it, but they come close.

The performances are absolutely amazing. I don't have a single critical thing to say about any of the actors.

Musically, I know this music has made the global rounds and it's huge. I don't think there's anything bad to say about the musical score either.

But looking critically at RENT, both as a story and as a film, reveals glaring flaws that keep me personally from falling head-over-heels in love with it and becoming a full-fledged RENT-head. This story has some problems that are both unfortunate and major, paradoxically leaving me with a sense of disingenuousness. Which doesn't make sense considering its origin, where it came from, Larson. I shouldn't be able to call 'BS' on RENT and be justified, and yet I can.

RENT assumes rather than earns its authenticity.

RENT has an unflinching, unapologetic self-centeredness that both serves it and cripples it. It has devoted so much focus and effort into being Gen-X'y, bohemian, and anti-establishment, that it has overlooked having a genuine identity of its own. Its uniqueness is stereotypical. It's confined to its freedom. Its portrayal of village artists and photographers is obvious, clunky, one-dimensional, cliché. The film is far too self-congratulatory to even consider noticing this.

RENT is trying (plaintively?) to make its characters' last year on Earth a celebration, but the thing is, I feel like a terrible situation of tremendous gravity, urgency, and despair has been turned into something of a 3-ring circus. On some level I feel like I have to question how seriously this was meant to be taken. Only its origin saves it from being creatively bankrupt. The exact same story coming from any Hollywood writer would rightfully get burned at the stake. Ultimately, these decisions ARE Larson's prerogative. I guess that being homeless and your imminent AIDS-related death doesn't automatically require an uptight documentary-style treatment.

RENT's excessive prettiness is also a big detriment to the film's authenticity, honestly. These people are awfully beautiful to be homeless AIDS victims. These are all designer characters. Their appearance is a deliberate, calculated, manicured image designed to make the idea more digestible. I rather suspect some watch this so they can feel like they've adopted some of the suffering of an underprivileged group of people. Do those individuals spend any actual time with the homeless? Who's to say. This mentality has infected other visual aspects of the film, too. Everything is so manicured and staged it becomes false. Everything is designer and Hollywood and perfect, including--nay, ESPECIALLY the abandoned buildings and alleys. The cinematography is a technical masterpiece and everything happens much too perfectly for me to believe in the world of RENT. It's not to be unexpected in a musical, but the nature of the subject matter changes the game quite a bit. Would I apply that equally to all films everywhere? Unfortunately, we're in the territory of art criticism here and it's subjective--and context matters, so no. For instance, Chicago has all the exact same traits, but they work for the film it instead of against it.

The entire scene with Sarah Silverman is the epitome of what I'm talking about. It fails to be the stark contrast with the rest of the film that it's trying to be. Furthermore, the entire subplot is an absurd non sequitur, but that's beside the point. It's trying to contrast how perfectly neat and tidy this corporate world is with how free and loose the world of the rest of the film is, but the entire film is actually neat and tidy--the spontaneity and freedom are artificial. I don't buy it.

But thanks to the performances, damn, RENT sure does have a fire in its britches.

It really challenges you to drop your hangups and relax and enjoy the ride.

I'm not a RENT-head, nor do I hate it. I don't think it's mediocre, canned, or kitsch. I don't think it's amazing or enlightening. Calling it pretentious isn't exactly fair, though there is a pretentiousness to it. I do, however, feel confident in saying both that it has flaws and has something to it.

So, how you feel about RENT will always come down to how deeply you connect to the characters and how much you're feeling the music. Is it an electrifying, heartbreaking celebration of life and love, or is it a mockery? Both cases could be made. My bottom line opinion: RENT is successful in spite of itself. The actors work harder than they should have to to sell a story that's working against them, confined by excessively stiff character molds--and they are so good, they pull it off. What's strong is incredibly strong. But to pretend its flaws didn't exist would be, for me, an intellectual suicide.