A reporter interviews a psychic, who tells her that she's going to die and her life is meaningless.A reporter interviews a psychic, who tells her that she's going to die and her life is meaningless.A reporter interviews a psychic, who tells her that she's going to die and her life is meaningless.
- Awards
- 1 nomination total
Edward Burns
- Pete
- (as Ed Burns)
Gregory Itzin
- Dennis
- (as Greg Itzin)
Johnny 'Sugarbear' Willis
- Striker #1
- (as Johnny 'Sugar Bear' Willis)
Featured reviews
If one is asked to sit through 99 minutes of a film that ponders, "Living every day as if it were your last," then the film should at least deliver a fresh prospective on this overdone topic. If it fails to do that, perhaps a character that the audience would care about is in order. Life Or Something Like It fails to do both.
Lanie Kerrigan (Angelina Jolie) is a local Seattle news reporter who is being considered for posh job in New York, for "AM USA." She must first prove herself in the field by working with Pete, an experienced cameraman (Edward Burns) whom she supposedly hates. When the ambitious reporter interviews a homeless prophet, he announces that the blonde reporter will die within a week. Once all of his other predictions come true, Jolie's character begins to realize that she is in fact going to die. As Thursday (D-day) quickly approaches, the reporter re-evaluates her own life.
The premise of the film is a little interesting at first. Sure, it has been done over and over again, but various interpretations have their own charm and there is room for more. However the development of the plot is just too obvious and there is nothing new, nor is anything portrayed in a very intriguing way.
While Life was marketed as a light comedy, it is anything but. Comedy would have been a much better direction for the filmmakers, however aside from a few jokes on the sidelines, the film takes itself very seriously. The tone of the script is confused. It's similar to A Knight's Tale which also tried to hopelessly shift between drama and comic relief. In the end, we end up with a picture that doesn't work as a drama or a comedy. Throughout the film, it feels as though the filmmakers kept changing their minds.
Unfortunately the confusion is not the only self-destructive component in the movie. The character development also does the job fairly well. Jolie shows Lanie's ambition sufficiently, but the movie suggests that there is more wrong with her life than a little healthy competition. It seems ridiculous that a person whose real tough faults we haven't seen is trying to change her ways. The movie seems to artificially pull Lanie into changing, instead of using character development as cause for such an evolution. Lanie changes at the end, but the question, "why?" remains. Pete's relationship with Lanie also seems forced. Pete flashes randomly throughout the movie, cueing Lanie's unfolding.
Edward Burns carries his role well enough, but unfortunately there isn't much to carry. Angelina Jolie just doesn't seem to fit into this role and while she is a talented actress, there is something very odd about her in Life. In fact, Tony Shalhoub is the only actor who remotely stands out in this movie. Although his dialogue follows the same scripted fate as the others, Shalhoub manages to express with his voice and facial expression much more than the script actually inhibits.
The script doesn't allow the audience to care much for any of the characters, doesn't contain a single original idea and tends to push ideas aggressively instead of allowing the audience to discover them. The script also leaves off various unresolved mysteries, most of which only seem to act as space fillers. The filmmakers take us towards one direction and back off immediately afterwards. Maybe they forgot? Considering the pacing, most of the audience did too.
Life Or Something Like It is comparable to one scene where Lanie's soon to be ex-boyfriend, Cal, takes Lanie to a ballpark in the middle of the night to throw a few pitches after a heart-to-heart talk. Lanie expects Cal to have some words of wisdom for her, or at least charm - but doesn't catch anything except the ball. Life Or Something Like It won't change your life and it won't change your mood either.
If you need to kill time, see the movie - But what if today is the last day of your life?
Grade: D
Lanie Kerrigan (Angelina Jolie) is a local Seattle news reporter who is being considered for posh job in New York, for "AM USA." She must first prove herself in the field by working with Pete, an experienced cameraman (Edward Burns) whom she supposedly hates. When the ambitious reporter interviews a homeless prophet, he announces that the blonde reporter will die within a week. Once all of his other predictions come true, Jolie's character begins to realize that she is in fact going to die. As Thursday (D-day) quickly approaches, the reporter re-evaluates her own life.
The premise of the film is a little interesting at first. Sure, it has been done over and over again, but various interpretations have their own charm and there is room for more. However the development of the plot is just too obvious and there is nothing new, nor is anything portrayed in a very intriguing way.
While Life was marketed as a light comedy, it is anything but. Comedy would have been a much better direction for the filmmakers, however aside from a few jokes on the sidelines, the film takes itself very seriously. The tone of the script is confused. It's similar to A Knight's Tale which also tried to hopelessly shift between drama and comic relief. In the end, we end up with a picture that doesn't work as a drama or a comedy. Throughout the film, it feels as though the filmmakers kept changing their minds.
Unfortunately the confusion is not the only self-destructive component in the movie. The character development also does the job fairly well. Jolie shows Lanie's ambition sufficiently, but the movie suggests that there is more wrong with her life than a little healthy competition. It seems ridiculous that a person whose real tough faults we haven't seen is trying to change her ways. The movie seems to artificially pull Lanie into changing, instead of using character development as cause for such an evolution. Lanie changes at the end, but the question, "why?" remains. Pete's relationship with Lanie also seems forced. Pete flashes randomly throughout the movie, cueing Lanie's unfolding.
Edward Burns carries his role well enough, but unfortunately there isn't much to carry. Angelina Jolie just doesn't seem to fit into this role and while she is a talented actress, there is something very odd about her in Life. In fact, Tony Shalhoub is the only actor who remotely stands out in this movie. Although his dialogue follows the same scripted fate as the others, Shalhoub manages to express with his voice and facial expression much more than the script actually inhibits.
The script doesn't allow the audience to care much for any of the characters, doesn't contain a single original idea and tends to push ideas aggressively instead of allowing the audience to discover them. The script also leaves off various unresolved mysteries, most of which only seem to act as space fillers. The filmmakers take us towards one direction and back off immediately afterwards. Maybe they forgot? Considering the pacing, most of the audience did too.
Life Or Something Like It is comparable to one scene where Lanie's soon to be ex-boyfriend, Cal, takes Lanie to a ballpark in the middle of the night to throw a few pitches after a heart-to-heart talk. Lanie expects Cal to have some words of wisdom for her, or at least charm - but doesn't catch anything except the ball. Life Or Something Like It won't change your life and it won't change your mood either.
If you need to kill time, see the movie - But what if today is the last day of your life?
Grade: D
A reporter, Lanie Kerrigan, interviews a psychic homeless man (Shalhoub) for a fluff piece about a football game's score. Instead, he tells her that her life has no meaning, and is going to end in just a few days.
The moral of this story has been told ever single time from "It's a Wonderful Life", to "Last Holiday", even to "Click". Each of these movies have always won me over because I love moral stories and I certainly love this movie!
Sure, you've seen this so many times before. Sure, it's filled with clichéd, Sure, it's predictable what's going to happen before it happens. But it's a feel good movie. It puts a smile on your face when it ends. Don't go on the movie too hard.
I loved the performance by Angelina Jolie. The supporting characters give us some laughs along the way, although the film isn't too funny but more like a drama. I like the score for the film. I liked the film a lot but not as much as I thought it would be. Still, it was a pretty good film if you like moral movies. "Live everyday like it will be your last."
The moral of this story has been told ever single time from "It's a Wonderful Life", to "Last Holiday", even to "Click". Each of these movies have always won me over because I love moral stories and I certainly love this movie!
Sure, you've seen this so many times before. Sure, it's filled with clichéd, Sure, it's predictable what's going to happen before it happens. But it's a feel good movie. It puts a smile on your face when it ends. Don't go on the movie too hard.
I loved the performance by Angelina Jolie. The supporting characters give us some laughs along the way, although the film isn't too funny but more like a drama. I like the score for the film. I liked the film a lot but not as much as I thought it would be. Still, it was a pretty good film if you like moral movies. "Live everyday like it will be your last."
I enjoyed this movie, thanks in large part to the fact that I saw it on FX channel, on their "DVD on TV" movie night, where those two hosts (can't remember their names...) give you supplementary facts and other commentary about the movie during the commercial breaks.
The story was actually fairly engrossing: Angelina Jolie's character (Lanie Kerrigan), who is a news reporter, is told by some strange street prophet, Jack (played by Tony Shaloub), that she will die in a week. The story unfolds as she proceeds to live her rather hectic, self-absorbed life interspersed with romance, a somewhat strained relationship with her father and sister, and the ever-present wonderment as to whether Jack the Prophet will be correct in his prophecy that Lanie will in fact die in a week. In other words, the movie does manage to keep you on the hook right up to the very end. (The ending was a bit lame, but still had a good message if you care to adjust yourself to it.)
Jolie's character, Lanie, is interesting, because if you watch the movie more than once, you will most likely start to be intrigued by her appearance: the platinum blonde hair, the puffy lips, the expressive eyes, the makeup.... you might start to think she resembles Marilyn Monroe, or, you may just write her off as a woman who actually looks a bit like an attractive transvestite(!). But no matter, because whether you like Angelina Jolie or not, you can't help but be a bit intrigued by the appearance of her character, which is kind of "out there" for Jolie. One potential problem, though, is that she is possibly TOO out there, to the point where she may distract the viewer from seeing the message of the movie
Tony Shaloub's character, Jack the Prophet, is very well portrayed by Mr. Shaloub. He's lovably wacko, and plus he has some pretty funny lines in spite of his plight in life. I like the Ed Burns character, Pete, because he reflects reality, whereas Jolie's character is kind of too unreal, but still fun to watch.
I liked the setting of the movie, Seattle, since I live in Seattle. For those of us who live in the rainy city, it's fun to see an interesting movie that takes place in our environs. They also used actual news people from a local Seattle TV station, so it was kind of fun to see people whom I've been seeing on the local nightly news actually appear in a Hollywood movie. They changed their real names, though, which was kind of weird.
There were a few things I didn't like about the movie, the main one being that Lanie, who works as a modern-day TV reporter, comes across to me as just way too much of a sex-pot, I mean just way outside the realm of reality. It gets to be jarring after awhile to see such a sexy creature being passed off as a news reporter when we all KNOW that no modern local news station would put such a pouty, platinum-haired blonde on the air (....or WOULD they??? as Conan O'Brien would say.) But mainly I liked the movie, and it was actually worth a repeat viewing, as it kind of grows on you, and ultimately makes you THINK about your own life, your own values, your personal destiny, etc. BTW, there's a pretty good batch of songs that accompanied the movie too, though I don't believe there is an actual soundtrack available, so you will probably have to hunt down each song individually.
All in all an interesting movie, with a message worth pondering - if you can get past the steady distraction of the appearance of Angelina Jolie, of course.
Well, that's my review. You guys have been a great audience, thanks for listening!
The story was actually fairly engrossing: Angelina Jolie's character (Lanie Kerrigan), who is a news reporter, is told by some strange street prophet, Jack (played by Tony Shaloub), that she will die in a week. The story unfolds as she proceeds to live her rather hectic, self-absorbed life interspersed with romance, a somewhat strained relationship with her father and sister, and the ever-present wonderment as to whether Jack the Prophet will be correct in his prophecy that Lanie will in fact die in a week. In other words, the movie does manage to keep you on the hook right up to the very end. (The ending was a bit lame, but still had a good message if you care to adjust yourself to it.)
Jolie's character, Lanie, is interesting, because if you watch the movie more than once, you will most likely start to be intrigued by her appearance: the platinum blonde hair, the puffy lips, the expressive eyes, the makeup.... you might start to think she resembles Marilyn Monroe, or, you may just write her off as a woman who actually looks a bit like an attractive transvestite(!). But no matter, because whether you like Angelina Jolie or not, you can't help but be a bit intrigued by the appearance of her character, which is kind of "out there" for Jolie. One potential problem, though, is that she is possibly TOO out there, to the point where she may distract the viewer from seeing the message of the movie
Tony Shaloub's character, Jack the Prophet, is very well portrayed by Mr. Shaloub. He's lovably wacko, and plus he has some pretty funny lines in spite of his plight in life. I like the Ed Burns character, Pete, because he reflects reality, whereas Jolie's character is kind of too unreal, but still fun to watch.
I liked the setting of the movie, Seattle, since I live in Seattle. For those of us who live in the rainy city, it's fun to see an interesting movie that takes place in our environs. They also used actual news people from a local Seattle TV station, so it was kind of fun to see people whom I've been seeing on the local nightly news actually appear in a Hollywood movie. They changed their real names, though, which was kind of weird.
There were a few things I didn't like about the movie, the main one being that Lanie, who works as a modern-day TV reporter, comes across to me as just way too much of a sex-pot, I mean just way outside the realm of reality. It gets to be jarring after awhile to see such a sexy creature being passed off as a news reporter when we all KNOW that no modern local news station would put such a pouty, platinum-haired blonde on the air (....or WOULD they??? as Conan O'Brien would say.) But mainly I liked the movie, and it was actually worth a repeat viewing, as it kind of grows on you, and ultimately makes you THINK about your own life, your own values, your personal destiny, etc. BTW, there's a pretty good batch of songs that accompanied the movie too, though I don't believe there is an actual soundtrack available, so you will probably have to hunt down each song individually.
All in all an interesting movie, with a message worth pondering - if you can get past the steady distraction of the appearance of Angelina Jolie, of course.
Well, that's my review. You guys have been a great audience, thanks for listening!
`Life, or Something Like It' is a romantic comedy with a better-than-average premise. It attempts to address the question `if you suddenly discovered that you might only have a week more to live, how would you spend that remaining time and what changes would you make to your life?' Perhaps because this IS a romantic comedy, the best the film can manage to do within the tight strictures of the format is to raise a few of the more provocative issues surrounding the theme those dealing with the meaning of life and the vagaries of fate, for example then drop them so it can address itself to the customary clichés one would expect to find in a film of this genre. One only wonders how a more serious-minded European filmmaker, for instance, might have tackled the same subject matter.
Angelina Jolie plays a beautiful, but thoroughly superficial and self-absorbed TV news reporter living a near-perfect life in Seattle. Indeed, when we first meet her, Lanie Kerigan seems to have everything going for her: stunning good looks, a glamorous profession, a handsome major league ballplayer fiancé, and now a major career advancement in the form of a regular spot on a national morning news program. One day, however, her world comes crashing in when she meets up with a homeless man on the street, a self-styled `prophet of God' who tells Lanie that she will die within a week. When all his other predictions begin to come true, Lanie realizes that this man may not be quite the lunatic or charlatan all her friends and acquaintances keep assuring her he is.
Given this setup, `Life, or Something Like It' can't help but grab our attention. We wonder how we too would react if such a horrifying scenario were to suddenly present itself in our own lives. The problem is that the movie doesn't really do much with the material it has to work with. Nothing Lanie does seems particularly thoughtful or meaningful when she is confronted with potentially imminent death: indulging in some halfhearted attempts to reconcile herself with an estranged sister and father, giving up her health-obsessive diet and exercise regimen, and dumping the fiancé with whom she discovers she has nothing in common. Considering the thematic potential of this material, the film always seems to be lagging several intellectual beats behind where it should be. This is particularly true in the predictable love/hate relationship she shares with Pete, one of her cameraman coworkers. Yet, oddly enough, it is this very pairing of Jolie with Edward Burns that gives the film its moments of greatest charm. Both performers are so likeable in their understated warmth and vulnerability that we can't help liking and rooting for their two endearing characters. Paradoxically, then, the film satisfies us most when it is at its least innovative. The movie is at its worst in an embarrassingly unconvincing scene wherein a boozed-up Lanie, sans makeup and carefully groomed coiffure, leads a contingent of striking workers in a rendition of `Satisfaction' in the middle of a live TV interview. Cloying moments like these merely serve to remind us that we are stranded in movie fantasy land when the film could, with a little more effort, have ascended to a much higher level. (The film, incidentally, endorses a rather reactionary view of women in the workplace, arguing that a woman needs to consider whether achieving success in the corporate world is worth sacrificing a chance at achieving marital and familial happiness a quandary that never seems to be posed to male characters in movies).
Despite the fact that it has moments of quality and charm, the film, ultimately, feels like a case of lost opportunity. One finds oneself leaving the theatre in a state of frustrating ambivalence: acknowledging that the film works on a level of superficial entertainment but knowing that, with a little more depth and insight, it could have amounted to so much more.
Angelina Jolie plays a beautiful, but thoroughly superficial and self-absorbed TV news reporter living a near-perfect life in Seattle. Indeed, when we first meet her, Lanie Kerigan seems to have everything going for her: stunning good looks, a glamorous profession, a handsome major league ballplayer fiancé, and now a major career advancement in the form of a regular spot on a national morning news program. One day, however, her world comes crashing in when she meets up with a homeless man on the street, a self-styled `prophet of God' who tells Lanie that she will die within a week. When all his other predictions begin to come true, Lanie realizes that this man may not be quite the lunatic or charlatan all her friends and acquaintances keep assuring her he is.
Given this setup, `Life, or Something Like It' can't help but grab our attention. We wonder how we too would react if such a horrifying scenario were to suddenly present itself in our own lives. The problem is that the movie doesn't really do much with the material it has to work with. Nothing Lanie does seems particularly thoughtful or meaningful when she is confronted with potentially imminent death: indulging in some halfhearted attempts to reconcile herself with an estranged sister and father, giving up her health-obsessive diet and exercise regimen, and dumping the fiancé with whom she discovers she has nothing in common. Considering the thematic potential of this material, the film always seems to be lagging several intellectual beats behind where it should be. This is particularly true in the predictable love/hate relationship she shares with Pete, one of her cameraman coworkers. Yet, oddly enough, it is this very pairing of Jolie with Edward Burns that gives the film its moments of greatest charm. Both performers are so likeable in their understated warmth and vulnerability that we can't help liking and rooting for their two endearing characters. Paradoxically, then, the film satisfies us most when it is at its least innovative. The movie is at its worst in an embarrassingly unconvincing scene wherein a boozed-up Lanie, sans makeup and carefully groomed coiffure, leads a contingent of striking workers in a rendition of `Satisfaction' in the middle of a live TV interview. Cloying moments like these merely serve to remind us that we are stranded in movie fantasy land when the film could, with a little more effort, have ascended to a much higher level. (The film, incidentally, endorses a rather reactionary view of women in the workplace, arguing that a woman needs to consider whether achieving success in the corporate world is worth sacrificing a chance at achieving marital and familial happiness a quandary that never seems to be posed to male characters in movies).
Despite the fact that it has moments of quality and charm, the film, ultimately, feels like a case of lost opportunity. One finds oneself leaving the theatre in a state of frustrating ambivalence: acknowledging that the film works on a level of superficial entertainment but knowing that, with a little more depth and insight, it could have amounted to so much more.
This film had a little bit of everything all rolled into one story and it was entertaining. Angelina Jolie,(Lanie Kerrigan) was a news reporter and gets involved with a homeless man that she interviews and this man predicts without any hesitation on his part, that Lanie is going to die on a Thursday, a week away. There are other details about the weather conditions and most of his predictions seem to come true. Lanie has lots of trouble getting along with her camera man on the job and they fight like cats and dogs. Lanie is looking for a better position in the TV industry and has her goals set very high, and at the same time wants to meet Mr. Right. There are very cute romantic scenes and Lanie has great conversations with her girl friends. However, Lanie begins to look at herself as a person other people see and she starts looking in other directions. Nice entertaining film.
Did you know
- TriviaChristian Kane (Cal Cooper) is also the lead singer of outlaw country band Kane. When Cal comes out of the elevator towards the apartment, he's singing one of their songs "Sweet Carolina Rain".
- GoofsWhen Pete and Lanie deliver Tommy at his mother's house, he is supposedly asleep on Lanie's shoulder and Pete has to wake him so he can get out of the car. But the actor playing Tommy visibly blinks as the car pulls to a stop and shuts his previously wide open eyes when the car comes to a stop, pretending to be asleep so Pete can 'wake' him.
- Alternate versionsAvailable in two different versions. Runtimes are "1h 43m (103 min)" (theatrical cut) and "1h 45m (105 min) (Argentina)".
- ConnectionsFeatured in Siskel & Ebert & the Movies: The Worst Films of 2002 (2003)
- Soundtracks(I Can't Get No) Satisfaction
Written by Mick Jagger and Keith Richards
Performed by The Rolling Stones
Published by Abkco Music, Inc.
By Arrangement with Abkco Records
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Details
- Release date
- Countries of origin
- Official site
- Language
- Also known as
- Una vida en siet días
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $40,000,000 (estimated)
- Gross US & Canada
- $14,448,589
- Opening weekend US & Canada
- $6,219,234
- Apr 28, 2002
- Gross worldwide
- $16,872,671
- Runtime1 hour 43 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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